서사의 갈등구조와 수용자의 미의식 연구 -드라마 < VIP >를 중심으로- = A Study on the Conflicts Structure of Narrative and Aesthetic Consciousness of Consumers －Using the drama VIP as an example－

다국어 초록 (Multilingual Abstract)

Cultural research is the study of the work itself, but it is also the study of the aesthetic consciousness of consumers. The reason why interpretations have changed from era to era is because the expectations of consumers have changed from time to time. In this paper, we discuss what we obtain from text not only in terms of intrinsic and aesthetic criticism of the work, but also in terms of the aesthetics of consumers we accept. In this paper, we discussed that what is gained through text not only gains intrinsic and aesthetic criticism of the work, but also gains the aesthetic consciousness of consumers who accept it.The drama Vip is the subject of research. The drama VIP is the one of the work reflected well the public's desires, times, social, and cultural realities, especially in the context of the modern people's ideological character and the aesthetic consciousness, including affair, extramarital affairs, sexual violence at work, and childcare problem, etc.
In this paper focusing on the drama VIP, in this work at the trends of trends in response to the aspects of conflict within the work and the aesthetics consciousness of consumers in the response statements. In this paper, in this work at the trends of trends in response to the aspects of conflict within the work and the aesthetics consciousness of comsumers in the response statements focusing on the drama VIP. This work was based on affair, but it establishes a new narrative that deviates from the existing horizons. The drama's viewership of 15.9% may be the result of the rise in the aesthetic awareness and expectations of modern consumers. As a result of examining the ideological nature, inmates are mixed with conservative and open-minded views on issues of birth, such as extramarital affairs, but reveal a very conservative ideological nature about affairs. In addition, it could be seen that contemporary TV drama consumers have a strong family myth and have a strong antipathy to the fact that wrongdoing is not punished and performance is not distributed fairly. It is a part that suggests that the eyes of Korean TV drama consumers are very moderate and moral.

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