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      G. Mahler의 연가곡(lider eines fahrenden gesellen)의 분석연구

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      https://www.riss.kr/link?id=T8188438

      • 저자
      • 발행사항

        慶山 : 嶺南大學校 大學院, 2002

      • 학위논문사항

        학위논문(석사) -- 嶺南大學校 大學院 , 聲樂科 聲樂專攻 , 2002. 2

      • 발행연도

        2002

      • 작성언어

        한국어

      • KDC

        050 판사항(4)

      • 발행국(도시)

        경상북도

      • 형태사항

        50 p. : 樂譜 ; 26 cm

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        • 국립경국대학교 중앙도서관 소장기관정보
        • 영남대학교 도서관 소장기관정보
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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      In this thesis, I have observed the periodical background and general characteristics of G. Mahler's songs, and analyzed ond of his masterpiece <Lieder eines fahrenden Gesellen>.
      Late 19C, when G. Mahler had worked as a composer, the Neo-romanticism and Neo-classicism were antagonistic with each other. G. Mahler, who has maintained conservative position while displaying unbelievably progressive trend, directly connected the music of post-romanticism to the contemporary music, and was criticized as being a progressive in the transitional period
      Followings are the results of the analysis.
      First, the text had common mood and they were about the nature. It is believed that the reason is the influence and the actual performance of ballads were the motive for his poems.
      Second, from the collective view on the patterns of 4 songs, we can see the songs were not bound to a traditional pattern but were autonomic, emphasized on contrast rather than repetition, and used a chromatic halftone transition and added cords. So as a songwriter in the transitional period, he wrote his songs away from the traditional patterns and harmony.
      Third, for rhythms, rhythmic contrast with the frequent change of beat, the fractionation of basic rhythms, and expansion, contraction, and multi-rhythm (2:3, 4:3) were used and especially, the change of beat was naturally coordinated with the accent of text.
      Fourth, the melody shows conservative trend. The melody line is relatively simple and also, the similarity of the melody can be repeatedly found throughout the song. He took a step away from the traditional method where consistency was the key, and in contrast, he freely developed and applied the elements of ballads to maintain the consistency. Consequently, we can see that this masterpiece was influenced by Folk Rhythm.
      Fifth, for harmonies, you can find a lot of chromatic progress and they usually consist of triads. Through the use of N6, F6, and so on and serial use of disharmonies, it showed progressive trends. Furthermore, he is using the pedal-tone.
      Sixth, the formation is modulated within the relative keys and chromatic harmony. For the modulation, he used Ostinato of accompaniment part noticeably and the use of modulation from the closer key makes the flow of the song smoother.
      As a result of the analysis of there song, all the musical aspects of there songs show that the lyrics are very detailed and clearly harmonized.G. Mahler showed a way to other post-romanticism writers the progressive trend. We can see that he was symphonic in contemporary music, who took a step away from a fixed conception, and is a progressive in a transitional period, who created a new pattern and trend.
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      In this thesis, I have observed the periodical background and general characteristics of G. Mahler's songs, and analyzed ond of his masterpiece <Lieder eines fahrenden Gesellen>. Late 19C, when G. Mahler had worked as a composer, the Neo-romant...

      In this thesis, I have observed the periodical background and general characteristics of G. Mahler's songs, and analyzed ond of his masterpiece <Lieder eines fahrenden Gesellen>.
      Late 19C, when G. Mahler had worked as a composer, the Neo-romanticism and Neo-classicism were antagonistic with each other. G. Mahler, who has maintained conservative position while displaying unbelievably progressive trend, directly connected the music of post-romanticism to the contemporary music, and was criticized as being a progressive in the transitional period
      Followings are the results of the analysis.
      First, the text had common mood and they were about the nature. It is believed that the reason is the influence and the actual performance of ballads were the motive for his poems.
      Second, from the collective view on the patterns of 4 songs, we can see the songs were not bound to a traditional pattern but were autonomic, emphasized on contrast rather than repetition, and used a chromatic halftone transition and added cords. So as a songwriter in the transitional period, he wrote his songs away from the traditional patterns and harmony.
      Third, for rhythms, rhythmic contrast with the frequent change of beat, the fractionation of basic rhythms, and expansion, contraction, and multi-rhythm (2:3, 4:3) were used and especially, the change of beat was naturally coordinated with the accent of text.
      Fourth, the melody shows conservative trend. The melody line is relatively simple and also, the similarity of the melody can be repeatedly found throughout the song. He took a step away from the traditional method where consistency was the key, and in contrast, he freely developed and applied the elements of ballads to maintain the consistency. Consequently, we can see that this masterpiece was influenced by Folk Rhythm.
      Fifth, for harmonies, you can find a lot of chromatic progress and they usually consist of triads. Through the use of N6, F6, and so on and serial use of disharmonies, it showed progressive trends. Furthermore, he is using the pedal-tone.
      Sixth, the formation is modulated within the relative keys and chromatic harmony. For the modulation, he used Ostinato of accompaniment part noticeably and the use of modulation from the closer key makes the flow of the song smoother.
      As a result of the analysis of there song, all the musical aspects of there songs show that the lyrics are very detailed and clearly harmonized.G. Mahler showed a way to other post-romanticism writers the progressive trend. We can see that he was symphonic in contemporary music, who took a step away from a fixed conception, and is a progressive in a transitional period, who created a new pattern and trend.

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      목차 (Table of Contents)

      • 목차
      • I. 서론 = 1
      • 1. 연구의 의의와 목적 = 1
      • 2. 연구의 범위와 방법 = 3
      • II. 본론 = 4
      • 목차
      • I. 서론 = 1
      • 1. 연구의 의의와 목적 = 1
      • 2. 연구의 범위와 방법 = 3
      • II. 본론 = 4
      • 1. G.Mahler의 생애 = 4
      • 2. G.Mahler가곡의 시대적 배경 = 6
      • 3. G.Mahler가곡의 일반적 특성 = 8
      • 4. Lieder eines fahrenden Gesellen의 분석 = 10
      • 1) 제1곡 분석 = 10
      • 2) 제2곡 분석 = 19
      • 3) 제3곡 분석 = 29
      • 4) 제4곡 분석 = 37
      • III. 결론 = 46
      • 참고문헌 = 48
      • 영문초록 = 49
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