북한 전후 시대의 서정시 의식 고찰

다국어 초록 (Multilingual Abstract)

This paper is a consideration of the theme consciousness and characteristics of the lyrics shown during the postwar period of North Korea in the 1960s in the flow of the lyrics of North Korea. It is premised that lyricism must be ensured beyond the system and philosophy of restoring ethnic and cultural homogeneity in the sense of praying for peaceful unity between South Korea and North Korea.
In the studies so far, the process of developing North Korean lyrics and literary understanding are generally attributed to the construction of Juche ideas. It has played a role in showing the realization of socialism by North Koreas tooling of lyrics for ideology and strengthening the regime. As a result, North Korean lyrics is created in a way that combines socialism realism and ideology for the leader and the party, given that the fixed form itself is based on Juche literature, just like ordinary North Korean psalms.
However, the focus of this article is to understand the lyrics of North Korea from the perspective of pure consciousness and to expand the magnetic field of North Korean literature. In this way, lyricism is a basic human emotion, and in order to emphasize the point of inherent consciousness, I eliminated ideology as much as possible and grasped the lyrics of North Korea.
Since the 1970s, the lyrics of North Korea postwar period are displayed with the lyricism that expresses the poets emotions a little more lyrically. At its root, the Juche, the party and the leader, when such ideologies are removed, the inherent lyricism constitutes the poem. The North Korean lyrics, like modern lyrics, dissolve the objective world inside the poetic ego and contribute to the creation of the world.
The research method in this paper is based on the modern method of classifying lyrics. So to speak, the lyrics of love are the kite psalms of North Korea, and the lyrics of the class are the community psalms of North Korea, and the lyrics of rural are the natural psalms. The characteristic of such North Korean lyrics is that more than 50 lines of “long poem”, “epic poem” in the form of an incident, and “dialogue poem” in the form of a conversation appear dramatically.
This allows the text to be stylized into three to explore the lyric theme consciousness and characteristics of North Korean postwar period. First, the will of fate is observed by the poetic identity using the kite psalms as a poetic aspect as the main theme of the lyrics. Second, the poetic harmony that takes place in a community life, and the resulting nationalism, is edited. Third, it was noted that world awareness and others were carried out in assimilation with nature.

참고문헌 (Reference)

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