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      쑤퉁(蘇童)소설에 나타난 규범서사에 대한 저항 고찰 = A Study on the Resistance of Standard Narration in Su-Tong’s Novel

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      https://www.riss.kr/link?id=A105112451

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      다국어 초록 (Multilingual Abstract)

      This paper studied the narration feature of Su-Tong’s novel from the viewpoint of comparing standard narration. Su-Tong fulfilled his own destruction desire and overturn desire in a novel writing, which exposed the subaltern narration, female narration and history narration.
      In subaltern narration, this paper proved that subaltern was not good, virtuous, honest but crooked, wicked by examining the WuLong of Rice, ChenMao of House of Poppy, delinquent boys of Area of North City, KeYuan of How Can Snake Fly. This paper not only compared them with XiangZi of LaoShe’s novel Camel XiangZi as the standard narration of subaltern but also compared them with Liu ZhenYun’s Days like Chicken Feathers regarding a gloomy future of subaltern.
      In female narration, this paper not only proved that woman was voluptuous, jealous, vicious, vain by examining the XiaoE of Cosmetics, JinLan of Area of North City but also proved that woman was the existence who relied on man by examining the SongLian of Wives and Concubines, Xian of Lady Life, XiaoE of Cosmetics. Proved that the female image of negative personality was originated from the resistance of Confucian tradition female image such as tenderness, beauty, goodness, maternal affection by examining Tang Dynasty novel Yingying’s Biography. Proved that the female image of reliance existence was originated from the resistance of independent female image in Socialism literature by examining the YangMo’s Song of Youth.
      In history narration, this paper proved that individual got out of the flow of history by examining the SongLian of Wives and Concubines, XiaoE of Cosmetics, Ms. Jiang of Escape of 1934, ChenMao and Liu ChenCao of House of Poppy, Analects of Confucius of My Emperor Life. Proved that Su-Tong’s history narration was somewhat different from other new-history novel by examining the MoYan’s Red Sorghum, which made the subject of history replace majority with minority. Proved that Su-Tong’s history narration was originated from the resistance of standard history narration in which individual not only coincided exactly with the flow of history but also realized historical value, such as LuXun’s A Madman’s Diary, Medicine and LaoShe’s Camel XiangZi.
      These aesthetic features of Su-Tong’s novel narration had been accomplished by resisting the standard narration. The existing standard narration was a kind of authority discourse. It could be said that Su-Tong has accomplished his own aesthetic discourse resisting the authority discourse. There were three main field in which he defied the authority discourse. The first was a subaltern narration. The second was a female narration. The third was a history narration.
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      This paper studied the narration feature of Su-Tong’s novel from the viewpoint of comparing standard narration. Su-Tong fulfilled his own destruction desire and overturn desire in a novel writing, which exposed the subaltern narration, female narrat...

      This paper studied the narration feature of Su-Tong’s novel from the viewpoint of comparing standard narration. Su-Tong fulfilled his own destruction desire and overturn desire in a novel writing, which exposed the subaltern narration, female narration and history narration.
      In subaltern narration, this paper proved that subaltern was not good, virtuous, honest but crooked, wicked by examining the WuLong of Rice, ChenMao of House of Poppy, delinquent boys of Area of North City, KeYuan of How Can Snake Fly. This paper not only compared them with XiangZi of LaoShe’s novel Camel XiangZi as the standard narration of subaltern but also compared them with Liu ZhenYun’s Days like Chicken Feathers regarding a gloomy future of subaltern.
      In female narration, this paper not only proved that woman was voluptuous, jealous, vicious, vain by examining the XiaoE of Cosmetics, JinLan of Area of North City but also proved that woman was the existence who relied on man by examining the SongLian of Wives and Concubines, Xian of Lady Life, XiaoE of Cosmetics. Proved that the female image of negative personality was originated from the resistance of Confucian tradition female image such as tenderness, beauty, goodness, maternal affection by examining Tang Dynasty novel Yingying’s Biography. Proved that the female image of reliance existence was originated from the resistance of independent female image in Socialism literature by examining the YangMo’s Song of Youth.
      In history narration, this paper proved that individual got out of the flow of history by examining the SongLian of Wives and Concubines, XiaoE of Cosmetics, Ms. Jiang of Escape of 1934, ChenMao and Liu ChenCao of House of Poppy, Analects of Confucius of My Emperor Life. Proved that Su-Tong’s history narration was somewhat different from other new-history novel by examining the MoYan’s Red Sorghum, which made the subject of history replace majority with minority. Proved that Su-Tong’s history narration was originated from the resistance of standard history narration in which individual not only coincided exactly with the flow of history but also realized historical value, such as LuXun’s A Madman’s Diary, Medicine and LaoShe’s Camel XiangZi.
      These aesthetic features of Su-Tong’s novel narration had been accomplished by resisting the standard narration. The existing standard narration was a kind of authority discourse. It could be said that Su-Tong has accomplished his own aesthetic discourse resisting the authority discourse. There were three main field in which he defied the authority discourse. The first was a subaltern narration. The second was a female narration. The third was a history narration.

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      참고문헌 (Reference)

      1 쑤퉁, "홍분" 아고라 2007

      2 양모, "피어라 들꽃, 상/하" 지양사 1987

      3 조너선 스펜스, "천안문" 이산 1999

      4 리쩌허우, "중국현대사상사론" 한길사 2005

      5 황슈지, "중국현대문학발전사" 범우사 1991

      6 쑤퉁, "이혼지침서" 아고라 2006

      7 정범진, "앵앵전" 성균관대학교 출판부 1994

      8 루쉰, "아Q정전" 창비 2006

      9 정중석, "쑤퉁소설 연구 ― 하층민과 여성을 중심으로 한 퇴폐미학적 접근" 한국외국어대학교 2015

      10 장윤선, "쑤퉁(蘇童)의 신사실소설에 나타난 소시민의 비극적 생존양상 고찰" 한국중문학회 (45) : 261-282, 2011

      1 쑤퉁, "홍분" 아고라 2007

      2 양모, "피어라 들꽃, 상/하" 지양사 1987

      3 조너선 스펜스, "천안문" 이산 1999

      4 리쩌허우, "중국현대사상사론" 한길사 2005

      5 황슈지, "중국현대문학발전사" 범우사 1991

      6 쑤퉁, "이혼지침서" 아고라 2006

      7 정범진, "앵앵전" 성균관대학교 출판부 1994

      8 루쉰, "아Q정전" 창비 2006

      9 정중석, "쑤퉁소설 연구 ― 하층민과 여성을 중심으로 한 퇴폐미학적 접근" 한국외국어대학교 2015

      10 장윤선, "쑤퉁(蘇童)의 신사실소설에 나타난 소시민의 비극적 생존양상 고찰" 한국중문학회 (45) : 261-282, 2011

      11 쑤퉁, "쌀" 아고라 2007

      12 장윤선, "신사실소설 중 망자(亡者)의 시선으로 구현된 생존풍경― 팡팡(方方)의 《풍경(風景)》과 쑤퉁(蘇童)의 《보살만(菩薩蠻)》을 중심으로" 한국중문학회 (54) : 307-329, 2014

      13 쑤퉁, "성북지대" 비채 2011

      14 모옌, "붉은 수수밭" 문학과 지성사 2014

      15 쑤퉁, "뱀이 어떻게 날 수 있지" 문학동네 2008

      16 쑤퉁, "마씨 집안 자녀교육기" 아고라 2008

      17 류전윈, "닭털같은 나날" 소나무 2004

      18 라오서, "낙타샹즈" 황소자리 출판사 2008

      19 쑤퉁, "나, 제왕의 생애 : 쑤퉁 장편소설" 아고라 2007

      20 林贤治, "鲁迅小说全编" 陕西师范大学出版社 2006

      21 老舍, "骆驼祥子手稿本" 人民文学出版社 2009

      22 老舍, "骆驼祥子" 人民文学出版社 1955

      23 杨沫, "青春之歌" 中国青年出版社 2000

      24 池永文, "论苏童小说中的红粉女性形象" (27) : 2006

      25 苏童, "蛇为什么会飞" 云南人民出版社 2002

      26 김수진, "蘇童 신역사소설 연구 ― 신역사소설론에 대한 비판적 검토를 통하여" 서울대학교 2015

      27 蘇童, "菩薩蠻" 上海文藝出版社 2004

      28 王海燕, "苏童论" (4) : 1994

      29 孔范今, "苏童研究资料" 山东文艺出版社 2006

      30 汪政, "苏童研究资料" 天津人民出版社 2007

      31 苏童, "苏童⋅王宏图对话录" 苏州大学出版社 2003

      32 苏童, "罂粟之家" 上海文艺出版社 2004

      33 董瑾, "缺席的在场者 ― 方方「风景」与苏童『菩薩蠻』的叙述学解读" (3) : 1998

      34 莫言, "红高粱家族" 作家出版社 2012

      35 苏童, "红粉" 上海文艺出版社 2004

      36 苏童, "米" 上海文艺出版 2005

      37 陈思和, "略谈“新历史小说”"

      38 周新民, "生命意识的逃逸 ― 苏童小说中历史与个人关系" 2004

      39 黎筝, "横看成岭侧成峰 ― 新历史主义视野下『骆驼祥子』和『米』的比较研究" (2) : 2006

      40 苏童, "我的帝王生涯" 上海文艺出版社 2005

      41 苏童, "妻妾成群" 上海文艺出版社 2004

      42 林舟, "女性生存的悲歌 ― 苏童的三篇女性视角小说解读" (4) : 1993

      43 张清华, "天堂的哀歌 ― 苏童论" (1) : 2001

      44 苏童, "城北地带" 上海文艺出版社 2004

      45 汪辟疆, "唐人小说" 上海古籍出版社 1978

      46 李传友, "同是城市流浪者, 人生之路各不同 ― 『骆驼祥子』與『米』之比较" (4) : 2013

      47 陈思和, "中国當代文学史教程" 復旦大學出版社 2005

      48 陈晓明, "中国新写实小说精选" 甘肃教育出版社 1993

      49 王彪, "与历史对话 ― 新历史小说论" (4) : 1992

      50 刘震云, "一地鸡毛" 长江文艺出版社 2007

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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.44 0.44 0.36
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.37 0.34 0.589 0.43
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