표상으로서의 정몽주 글씨 = Jeong, Mong-joo`s Calligraphy as a Representation

다국어 초록 (Multilingual Abstract)

Jeong, Mong-joo(鄭夢周)’s two handwritten letters were copied several times. Taking a closer look shows that those copies were made not for reading but as a monument. It was Yoon, Doo-soo(尹斗壽) who made the copy of Jeong, Mong-joo’s two letters as a monument first. Every time he look at them, he recalled Jeong, Mong-joo’s loyalty to the country. So to speak, to him Jeong’s calligraphy was a representation of loyalty. From 15th century, Jeong, Mong-joo was revered as the father of East Country(Korea) Neo-Confucianism(東方理學之祖). Then in 17th century after the split of political party, Nam-in(南人) party monopolized and revered Jeong, Mong-joo. Gwon, Sang-il(權相一), one of Nam-in party scholar reprinted and enshrined Jeong, Mong-joo’s calligraphy at Do-nam Seowon(道南書院). To Gwon, Sang-il, Jeong, Mong-joo was a representation of the father of East Country Neo-Confucianism.

참고문헌 (Reference)

1 李裕元, "林下筆記" 성균관대 대동문화연구원,

2 김영두, "조선 전기 도통론의 전개와 문묘종사" 서강대학교 대학원 서강대, 2006

3 국립중앙박물관 역사부, "簡札一" 국립중앙박물관, 2006

4 權相一, "淸臺日記"

5 權相一, "淸臺先生文集"

6 오세창, "槿墨" 성균관대출판부, 2009

7 尹斗壽, "梧蔭遺稿"

8 尹斗壽, "成仁錄" 고려대 도서관 소장, 1581

9 鄭經世, "愚伏集"

10 鄭夢周, "圃隱集" 성균관대 존경각 소장, 1437

11 동아대학교 박물관, "先賢筆蹟集" 동아대출판부, 1983

12 偰循, "三綱行實圖" 성균관대 존경각 소장,