최현 춤 기본 틀 연구 = A Study on Choi Hyeon-s Basic Frame

다국어 초록 (Multilingual Abstract)

Basic training is essential for dancing and forming movements in terms of fostering technical and artistic features. It is not that easy to establish the basics of Korean dance as well as establishment of the dance terminology because of strong improvisational and personal characteristics of Korean dance. The framing that had been implemented at governmental institutions such as Jangakwon in the Joseon Dynasty or Gwonbeon or Jose on Educational Dance Research Institute consisted of various traditional dance repertoires including royal court dance or folk dance. Today where various dance companies were born such as The National Center for Korean Traditional Performing Arts Dance Company, National Dance Company, Municipal Dance Company, etc., efficient basic dance framing system became desperately needed among professors and dancers in terms of performance and education The most urgent thing in the beginning of the 21st century when identity of Korean dance becomes vague and versatile problems are emerging from confusion between tradition and creation in case of stage performance is to suggest techniques and training methods that can become a guide for developing direction of dance art by examining characteristics of basic frame and movement elements of Korean dance. Accordingly, it is required to create a basic frame representing basic movements, breath and aesthetic features of Korean dance. Therefore, a study on Choi Hyeon`s basic frame is important. Research methods are training experience from the late Choi Hyeon interview with his students who learned his basic dance and analysis of video clips The current study examine the structure and movement of Choi Hyeon`s basic frame in terms of spatial aspect, flow of movement according to symmetric left side and right side, division of time according to control of strength and weakness and use of normal rhythm and abnormal rhythm and flow of power according to distribution of high and low breath, and examine movement characteristics and aesthetic features of his basic dance only within representative movements in Chapters 1 and 2 The meanings of this study is to consider characteristics and importance of the structure of basic Korean dance, to suggest techniques and training methods that can become a guide for developing direction of Korean dance art, and to prepare an important foundation for the development of Korean dance art.

참고문헌 (Reference)

1 서희주, "한국무용호흡법과 용어해설" 일지사 2003

2 이미영, "한국무용의 기본 틀 연구를 위한 시론" 한국무용예술학회 9 (9): 155-174, 2002

3 장사훈, "한국무용 개론" 대광문화사 1997

4 전민정, "태극구조의 기본춤 연구" 2005

5 배정혜, "배정혜의 7일간 춤 여행" 청아출판사 2004

6 김옥진, "무용이론과 춤추기" 행림출판사 1989

7 김근희, "곡선의 미학과 우리춤" 1992