고려 기방무의 형태적 특이성에 관한 연구

다국어 초록 (Multilingual Abstract)

As one stage of the study on the root cause of traditional Korean dance, an attempt was made to present the following conclusion through a study of the root-cause nature of Koryo`s Kibangmu(Kisaeug house dance); Firstly, it could be found that the Kisaeug was inherent in the temporal stream of history, in the form of Korean dance. Secondly, the essential propensity of Kibangmu(Kisaeug house dance) consisted in joy, anger, love and sorrow. It was characterized by emotional expression in manifesting those feeling, which should. be, understood as the performing expression of Kibang(Kisaeug house) art. Third, it should be understood that the form of Kibangmu in Koryo`s kibang(Kisaeug house) should never be presented as the ground that entertainers playing a part of the bridge have succeeded to it in the form of dance and is unrelated to political, soaal and class differentiation. In conclusion it could be said that the Koryo era was the age of legalizing the Kisaeug in conjunction with Kibangmu(Kisaeug house) along with its formation. And it is thought that arts and literature of Kisengs in that era were deeply associated with the then culture. at is seen that Kisaeng`s arts like this made a representation of the original picture of the human being as the mentality of dual structure up to the stage of sublimation such as affection and enjoyment. And, it is thought that right awakening and understanding are required as the starting point for making a study of the development of the dance of Korean traditional image of developed farm at the same time that our traditional dance is activated and maintained.