The recent rise in interest toward accessibility improvement initiatives by national museums has highlighted the complexity of exhibition information as a key criterion for evaluating high-quality exhibitions. In this context, this paper explores the ...
The recent rise in interest toward accessibility improvement initiatives by national museums has highlighted the complexity of exhibition information as a key criterion for evaluating high-quality exhibitions. In this context, this paper explores the creation and application of easy-to-understand exhibition information implemented by the National Museum of Korea, while also examining its sustainability and future direction.
Even before the recent accessibility improvement initiatives, the desire for easy-to-understand exhibitions was evident not only among visitors but also among museum curators responsible for organizing exhibitions. With the refinement of legal frameworks for individuals with disabilities, a legal mandate was introduced requiring the use of easy-to-read materials to ensure information access rights for people with developmental disabilities. In response, museums have shifted their accessibility improvement efforts from focusing primarily on physical and sensory accessibility in spaces and facilities to enhancing intellectual and emotional accessibility across all information provided by museums. For example, the accessibility improvement initiatives at the National Museum of Korea have evolved from developing resources for individuals with physical or sensory disabilities, such as Braille guides, sign language videos, and tactile exhibition objects, to providing clearer and more straightforward exhibition information using easy-to-read materials designed for individuals with developmental disabilities.
However, at present, easy-to-understand exhibition information is offered only in limited locations for a select user base, raising potential concerns about new forms of discrimination within exhibition spaces between those who have access to such information and those who do not. Furthermore, due to the academic nature of museum exhibitions, which are grounded in scholarly research outcomes, exhibition information is often unilaterally delivered by curators to visitors and can result in a lack of communication between the two. To address these issues, the National Museum of Korea made an all-out effort to provide comprehensive, unrestricted and easy-to-understand exhibition information during its December 2023 special exhibition titled Tree and Serpent, Early Buddhist Art in India. Creating easy-to-understand exhibition information that conveys engaging exhibition narratives in clear and accessible language for all, while upholding the objectivity of a public institution and ensuring inclusivity without discrimination for all, required constant communication among the various stakeholders involved in the exhibition. This effort demonstrated that easy-to-understand exhibition information for all visitors is achievable through the expansion of communication among all participants in the exhibition process.