서양기행가사에 나타난 도시 풍광과 그 의미

다국어 초록 (Multilingual Abstract)

The travel gasa Seoyukyonmunrok was written by Lee, Jong-eung after his trip as an envoy and Haeyouga by Kim, Han-hong after his private trip. The two writers each wrote Seosarok and Seoyangmikuknojungki in Chinese characters, which were those gasa works were based on.
In the Seoyukyonmunrok, the writer descried the urban landscapes regarding the Liverpool Port and London of the U.K and the Nagasaki and Yokohama Ports of Japan, Fergana, and Sri Lanka, Colombo; particularly his descriptions of London were written in more detail than his stopover sceneries. In the Haeyouga, the readers are introduced to the city landscapes at the time through the writer’s journey throughout his destination Hawaii, and San Francisco, and other areas such as Seoul, Chungju, Andong, Jinju, Busan Port, Daegu, and Gyeongju of Korea, and Shimonoseki and Kobe Ports of Japan. Among all the areas, his destination sceneries were described in most detail just like the Seoyukyonmunrok.
In those two gasa works, the readers can sense that the writers were mesmerized and envious of the developed Western cities of the U.K and U.S, from their accounts filled with admirations and praises. Also, they were overwhelmed by the relatively modernized Japanese cities.
The two writers both saw the reality of the world-class cities at the time, which expanded their knowledge and led to their aspirations of Korea’s modernization. However, in the Haeyouga, the writer strongly conveyed his resentment and sad feelings towards Japan in the parts describing Seoul and Gyeongju, Jinju, and Chungju. It implicitly conveys his message calling for stronger ethnic consciousness and self-reflections.
Meanwhile, the two Western journey gasa works give vivid descriptions of the cities of the U.K, the U.S and Japan in the early 20th century, which is quite meaningful to the readers. The cities with spectacular sceneries and traditions, yet harmony of artifacts and nature, as well as well-preserved historic relics and remains are probably the ideal models of urban landscapes in the present and the future. In other words, those cities represent the vision of desirable cities with good living conditions and tourist-friendly features, which should be included in a city development blueprint.

참고문헌 (Reference)

1 金源模, "李鍾應의 西槎錄과 셔유견문록 資料" 檀國大 東洋學硏究所 33 : 2002

2 金源模, "李鍾應의 西槎錄과 셔유견문록 解題" 檀國大 東洋學硏究所 33 : 2002

3 김상진, "李鍾應의 <셔유견문록>에 나타난 서구 체험과 문화적 충격" 우리문학회 (23) : 35-65, 2008

4 김한준, "현대도시문제의 이해" 한길사 1993

5 한규무, "포와유람기, In 한국사 시민강좌 제42집" 일조각 2008

6 김기영, "셔유견문록」의 문예적 실상과 교육적 가치" 한국문학이론과비평학회 6 (6): 127-153, 2002

7 임준수, "세상에서 가장 아름다운 수목원" 김영사 2005

8 떼오드르 폴 김, "사고와 진리에서 태어나는 도시" 시대의창 2009

9 최현재, "미국 기행가사 <해유가>에 나타난 자아인식과 타자인식 고찰" 한국언어문학회 (58) : 153-177, 2006

10 유승호, "문화도시 : 지역발전의 새로운 패러다임" 일신사 2008

11 김진애, "도시 읽는 CEO" 21세기북스 2009

12 정연태, "개화기에 서양인은 한국을 어떻게 보았는가, In 한국사 시민강좌 제42집" 일조각 2008

13 이홍식, "西洋美國路程記" 한국언어문화학회 23 : 2003

14 朴魯埈, "海遊歌(一名 西遊歌)의 세계인식, In 韓國 紀行文學 作品 硏究" 國學資料院 1996

15 박노준, "海遊歌 原文, In 韓國學報 제64집" 일지사 1991

16 박노준, "<해유가(海遊歌)>와 <셔유견문록> 견주어 보기, In ｢고전시가 엮어 읽기｣ 하" 태학사 2003