한국 영화 극적 구조 분석 및 새로운 지점에 대한 고찰 = 시드 필드의 패러다임을 중심으로

다국어 초록 (Multilingual Abstract)

Syd Field understood the unique storylines and time ratios of mass commercial movie scenarios, and presented a form of dramatic structure which he called Paradigm. He assessed that favorable scenarios tally to such Paradigm.
Of course, such argwnent is extreme, but the mention of the three chapters structure, which can be traced back to Aristotle's "Poetics", and arguments regarding the specific concept of Plot Point and elements of Paradigm, such as Mid-Point and Pinch, and their time placements are significant in movie scenarios.
In reality, most mass commercial movies are known to follow such form of dramatic structure, and this is thought to be a universal storyline which existed even before Syd Field devised the Paradigm. Also, it is presumed that such Paradigm can be used in analyzing the dramatic structure of most Korean movies.
The purpose of this study is to examine through actual examples whether the Syd Field Paradigm is applicable to the dramatic structure of Korean movies, to see if there are any points to revise or add to the dramatic structure of Korean movies based on the Paradigm, to investigate if the Paradigm is applicable to movies that were screened outside of the US before Syd Field presented the Paradigm, and to provide insight to other related questions.
Precedent for such study can be found from Aristotle to Tolstoy. To examine whether the Syd Field Paradigm is able to provide basic principles and be a model for Korean movie scenarios, and also to investigate through specific examples the possibility of the Paradigm becoming the general storyline of movies is natural for a scholar. Hence, specific examples, such as the Korean movies Oldboy, You're My Sunshine!, and The Golden Age Of Young-Ja, and the Italian Movie Ladri Di Biciclette, have been thoroughly analyzed.
As a result of this study, the following insights were discovered; first, the dramatic structure of Korean movies can be analyzed by the Syd Field Paradigm; second, based on the Syd Field Paradigm, there are possibly three supporting points that commonly exist in Korean movies; and third, the Paradigm is applicable to Italian and Korean movies that were screened before Syd Field devised the Paradigm.
Such results of this study provide implications to not only scholars in universities, but also to people working in fields related to film production. After the decrease of screen-quota, reduction in production costs is one of the most significant problems faced by the Korean movie industry. The results can be important reference materials in not only the pre-production stage, but also in managing the filming schedule and cost distribution in the production stage. This is also true for the post-production stage. In addition, the results are considered to be important in the study of storylines, which is traditionally based around theories.

목차 (Table of Contents)

• 1. 서론
• 2. 본론
• 3. 결론
• 참고문헌
• Abstract

참고문헌 (Reference)

1 박지훈, "현대 영화의 몽타주" 책과 길 미디어 2005

2 심산, "한국형 시나리오 쓰기" 해냄 2004

3 이찬복, "한국영화의 시나리오 작성 표준안 마련을 위한 연구" 한국영화학회 (34) : 293-316, 2007

4 전형화, "톱스타, 저예산 영화 성공시대 열리나(2008년 9월 25자)" 2008

5 김소영, "지금 미국영화는 새로 태어났다" (645) : 2008

6 빅토리오 데 시카, "자전거 도둑 Produzioni De Sica"

7 S. 채트먼, "이야기와 담론: 영화와 소설의 서사구조" 푸른 사상 2003

8 박찬욱, "올드보이. (쇼이스트(주), 에그 필름)"

9 톨스토이, "예술이란 무엇인가" 범우사 1988

10 루돌프 아른하임, "예술로서의 영화" 기린원 1990

11 자크 오몽, "영화학, 어떻게 할 것인가" 열린 책들 1992

12 앙드레 바쟁, "영화란 무엇인가" 시각과 언어 1998

13 유리 로트만, "영화기호학" 민음사 1994

14 스테판 샤프, "영화 구조의 미학" 예건사 1991

15 김호선, "영자의 전성시대(태창흥업)"

16 아리스토텔레스, "시학" 문학과 지성사 2005

17 시드 필드, "시나리오란 무엇인가" 민음사 1992

18 시드 필드, "시나리오 워크북" 경당 2001

19 박진표, "너는 내 운명, 영화사 봄,"

20 Field, Syd, "The Screen writer's Workbook" Bantam Dell 2006

21 Field, Syd, "The Definitive Guide To Screen Writing" Ebury Press 2003

22 Field, Syd, "Four Screenplays" Bantam Dell 2006