부재를 중심으로 살펴 본 고산 시조의 미학적 특질 = The Aesthetical Features of Gosan[고산(孤山)]`s Sijo through the Consciousness of Absence

다국어 초록 (Multilingual Abstract)

The purpose of this study is to discover the aesthetic qualities of Gosan Yoon Seon Do``s 75pieces`` Sijo in each time period, with the relation to absence consciousness from his life. As a politician and scholar, Gosan contributed a lot to the history of Korean literature by showing Hangul``s zest and expression with full-bodied tone. His works were written while being exiled and retreated. Therefore the endless political wandering between nature and reality is expressed well. At the base of the wandering, there is the absence factor which has never been noticed till now. What was discussed can be summarized as follows: In relation to Sijo, his life can be greatly separated by three time periods, (1) exiled time at Kyeongwon area in his 30`s, (2) retreated time at Haenam area from his 50`s to 66years old and (3) Gosan area after returning to political reality when he was 66years old. In the first point, absence factors are ideal morals(道) and parents, and in point (2), the real political space itself for ideal Confucian moral due to the war and the final, political comrades who will support Gosan`s political ideas. These affected to his works each time and showed different aesthetical features. From the first time period Sijo, ``counter identification against the politics``, ``open-end close form``, ``self discourse``, ``strong belief to the principles through Sohak(「小學」)`` are discovered. During the second time period Sijo, ``nature(mountain&sea) as a new poetic utopia``, ``identification discourse`` are discovered as features. Mountains and the Sea both imply ``political reality``, however songs with mountain background have ``closed space that nests opening``, ``transcendent will with criticism``, etc. On the other hand, songs with the sea background have ``open-end``, ``The other discourse``, ``positive attitude about politics`` than songs with mountain background. From last time period Sijo, ``critical point of view against the political reality``, ``back to the nature``, ``identification``, ``close-end from opening``, ``self discourse``, etc. are discovered. In terms of macro point of view, Gosan Sijo has characteristics like ``closure-opening-closure``, ``self discourse-the other discourse-self discourse``, ``counter identification-identification-counter identification`` against the political reality. This is very meaningful in that it is based to reveal poetic speakers` attitude to the political reality and perception on nature, one of the big issues in the history of Korean Classical Literature during 16th~17th Century.

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