John Marshall, filmmaker and activist, is well-known for his lifetime involvement with Ju/wasi(!Kung Bushmen) in Namibia`s Kalahari Desert. His filming career as an ethnographic/documentary filmmaker spans from <The Hunters>(1958) to <The Kal...

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
https://www.riss.kr/link?id=A94421328
2012
-
John Marshall ; <The Hunters> ; ethnographic film ; Ju ; wasi ; !Kung Bushmen ; Kalahari Desert ; Namibia
600
KCI등재
학술저널
389-415(27쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
John Marshall, filmmaker and activist, is well-known for his lifetime involvement with Ju/wasi(!Kung Bushmen) in Namibia`s Kalahari Desert. His filming career as an ethnographic/documentary filmmaker spans from <The Hunters>(1958) to <The Kal...
John Marshall, filmmaker and activist, is well-known for his lifetime involvement with Ju/wasi(!Kung Bushmen) in Namibia`s Kalahari Desert. His filming career as an ethnographic/documentary filmmaker spans from <The Hunters>(1958) to <The Kalahari Family>(2002) for more than 50 years. <The Hunters> which this paper focuses on is John Marshall`s first major film on the San and has been regarded as classic of ethnographic film. This paper firstly examines Lorence Marshall(John Marshall`s father)`s influence on John Marshall`s filming career in Western Africa. And then it tries to contextualize the background of filmmaking of <The Hunters>. Secondly it analyzes <The Hunters> by critically assessing two aspects of <the Hunters>: ``use of narrative style`` and ``universal perspective``. The paper points out that the ``use of narrative style`` and ``universal perspective`` are dual structure in constructing the text of <Hunters>.
특집논문 : 중일전쟁 이후 식민지 조선에서의 영화 법령과 조직의 특징적 양상(1937∼1941) -“과정”과 “관계”를 중심으로 일제말기 한국영화사 다시 보기-
특집논문 : “자기”와 “자아” 사이 진화하는 홍상수의 “자기실현” -<해변의 여인>을 중심으로-
탈북자 소재 분쟁영화 분석 -크로싱 2008, 두만강 2009, 무산일기 2010, 댄스타운 2011, 겨울나비 2011-