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      오거스트 윌슨의 『울타리』: 가족 구성원의 갈등을 통해 본 미국 흑인 가정의 초상 = “August Wilson’s Fences: A Portrait of an African American Family Viewed from the Conflicts among the Family Members.”

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      https://www.riss.kr/link?id=A106230398

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      다국어 초록 (Multilingual Abstract)

      August Wilson is an African American playwright in the 1980s following Hansberry, Baraka and Shange. Fences(1987), one of his representative plays, sets in 1957, when the struggle against segregation has come to the climax in the U. S. This paper aims to investigate the conflicts between Troy, the protagonist and the other family members, his sons and his wife. Troy comes into conflict mainly with his second son, Cory. Troy does not want Cory to become a football player. Troy fails to keep up with the changing times and is convinced that Cory will not succeed as a football player. Also Troy has conflict with his wife, Rose due to his infidelity. Troy has worked hard as a garbage collector for 18 years to support his family and has a strong sense of responsibility. Wilson tries to overturn the former stereotype of African Americans, an image of lazy and shiftless, and foolish people. He suggests a positive image of African Americans through Troy. Troy has demerits as well as merits, and at the end of the play the conflicts among the family members are reconciled and Troy is forgiven. Raynell, Troy’s daughter symbolizes a hope for the future generation. In conclusion, the play is considered as a portrait of an African American family in the 1950s.
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      August Wilson is an African American playwright in the 1980s following Hansberry, Baraka and Shange. Fences(1987), one of his representative plays, sets in 1957, when the struggle against segregation has come to the climax in the U. S. This paper aims...

      August Wilson is an African American playwright in the 1980s following Hansberry, Baraka and Shange. Fences(1987), one of his representative plays, sets in 1957, when the struggle against segregation has come to the climax in the U. S. This paper aims to investigate the conflicts between Troy, the protagonist and the other family members, his sons and his wife. Troy comes into conflict mainly with his second son, Cory. Troy does not want Cory to become a football player. Troy fails to keep up with the changing times and is convinced that Cory will not succeed as a football player. Also Troy has conflict with his wife, Rose due to his infidelity. Troy has worked hard as a garbage collector for 18 years to support his family and has a strong sense of responsibility. Wilson tries to overturn the former stereotype of African Americans, an image of lazy and shiftless, and foolish people. He suggests a positive image of African Americans through Troy. Troy has demerits as well as merits, and at the end of the play the conflicts among the family members are reconciled and Troy is forgiven. Raynell, Troy’s daughter symbolizes a hope for the future generation. In conclusion, the play is considered as a portrait of an African American family in the 1950s.

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      참고문헌 (Reference)

      1 Bogumil, Mary L., "Understanding August Wilson" U of South Carolina P 1999

      2 Thompson, Sister M., "The Theater of Black Americans, Vol. 2" Prentice-Hall 1980

      3 Roudané, Matthew, "The Cambridge Companion to August Wilson" Cambridge UP 2007

      4 Stepto, Gabriel Burns, "The African-American Years: Chronologies of American History and Experience" Charles Scribner’s Sons 2003

      5 Bigsby, C.W.E., "Modern American Drama: 1945-1990" Cambridge UP 1992

      6 Grant, Nathan L., "Men, Women, and Culture: A Conversation with August Wilson" 5 (5): 101-122, 1996

      7 Nadel, Alan, "May All Your Fences Have Gates: Essays on the Drama of August Wilson" U of Iowa P 1994

      8 조은영, "Fences: 흑인 남성의 기억을 통한 어거스트 윌슨의 역사 바로 쓰기" 한국현대영미드라마학회 18 (18): 193-209, 2005

      9 Wilson, August, "Fences" Plume 1986

      10 Feingold, Michael, "Conversation with August Wilson" UP of Mississippi 2006

      1 Bogumil, Mary L., "Understanding August Wilson" U of South Carolina P 1999

      2 Thompson, Sister M., "The Theater of Black Americans, Vol. 2" Prentice-Hall 1980

      3 Roudané, Matthew, "The Cambridge Companion to August Wilson" Cambridge UP 2007

      4 Stepto, Gabriel Burns, "The African-American Years: Chronologies of American History and Experience" Charles Scribner’s Sons 2003

      5 Bigsby, C.W.E., "Modern American Drama: 1945-1990" Cambridge UP 1992

      6 Grant, Nathan L., "Men, Women, and Culture: A Conversation with August Wilson" 5 (5): 101-122, 1996

      7 Nadel, Alan, "May All Your Fences Have Gates: Essays on the Drama of August Wilson" U of Iowa P 1994

      8 조은영, "Fences: 흑인 남성의 기억을 통한 어거스트 윌슨의 역사 바로 쓰기" 한국현대영미드라마학회 18 (18): 193-209, 2005

      9 Wilson, August, "Fences" Plume 1986

      10 Feingold, Michael, "Conversation with August Wilson" UP of Mississippi 2006

      11 Savran, David, "Conversation with August Wilson" UP of Mississippi 2006

      12 Shafer, Yvonne, "August Wison: A Research and Production Sourcebook" Greenwood 1998

      13 Shannon, Sandra G., "August Wilson’s Fences: A Reference Guide" Greenwood 2003

      14 Fishman, Joan, "August Wilson: A Casebook" Garland 2000

      15 Pereira, Kim, "August Wilson and the African-American Odyssey" Urbana and Chicago: U of Illinois P 1995

      16 Son, Hong-Il, "A History of African American Play" Daegu UP 1999

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