侯孝賢의 『最好的時光』과 時空 探索

다국어 초록 (Multilingual Abstract)

It is widely recognized that director Hou Hsiao-Hsien's major works have reconstructed the last 100 years of Taiwanese history from its memory dimension into a new space-time dimension. Recently, director Hou has newly introduced memory on recent 100 years of Taiwan through 『Three Times』. Therefore the first purpose of this essay is to look over how the director Hou sees Taiwan and his film-world, also what he describes in it.
Recently in an interview he said Shooting a movie is to take people in the film. not to take criticism in it, also emphasized shooting people in vivid. As if it reflected such view, 『Three Times』 shows different aspects of Taiwan. For example, while 'Taiwan trilogy' emphasize Taiwanese historic events and their sufferings through 100 years of modernization. Three Times』 shows existence form of each generation and their love through three episodes.
Though all of the three episodes altogether contain love in limited space-time, each of them are different from each other in its generation's set of space-time and its use. The first episode deals with pure and eternal love, also shows relative time and disembedding. On the other hand, the seconde episode deals with premodern space-time, also deals with separation of space and place, appropriation of space or domination of space. The third episode describes division of love and also shows recursive time and space warp.
Put it in another way, 『Three Times』 repeatedly deals with subject of love and makes fractal structure. Director Hou is dreaming of in-bet ween-existence becoming which dynamically makes new order by repeating self-organization and also varies uncountable differences through fractal concept which helps to understand structure and arrangement of human identity in self-organizing nature and life, culture, arrangement of social construct, and operating form. Above this, it also has ability of zygote that connects all stratums. Thus, this essay searched for concrete features of fractal love which director Hou dreams for, through space-time where love is being fulfilled.

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