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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This essay looks at Macbeth from the historical perspective, especially from what Muchemblend calls the tragic culture of the early modem age. According to him, tragic culture depends on the threatening evil which derives from establishment of a powerful hierarchical order. Tragic culture is produced as man is helplessly doomed to fall into the temptation of evil.
      In order to unfold the argument the disposition of witches is discussed. In Macbeth studies, the arguments about the Weird Sisters vary from the problem of their origins to the issue arguing their supernatural nature. Some critics insist that they are Hecate figures but others maintain that they are demonic ones. As for their supernatural nature some take them as the external projection of Macbeth’s inner state rather than as concrete supernatural powers. In this essay, I argue that they are as concrete demonic witches sharing the characteristics of evil shown in demonology.
      Early modem England was established as a strong hierarchical nation with the king at the top. This system required the two extremes of a patriarchal Christian order with the unity of God-King-Father and a dreadful devil threatening the very hierarchical order. Accordingly the devil and its dark powers present themselves as even more threatening and man is seen as vulnerable for falling to temptation. Man, in front of the damning power of evil, cannot but feel helpless and fall into a deep nihilism, which forms a sort of tragic culture. Macbeth shares that kind of tragic culture. In this paper, I firstly discuss the historical context of the witches. Then I argue how the evil powers stir Macbeth’s ambition, how he collapses at their temptation, and finally how he feels a sense of emptiness in this world.
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      This essay looks at Macbeth from the historical perspective, especially from what Muchemblend calls the tragic culture of the early modem age. According to him, tragic culture depends on the threatening evil which derives from establishment of a power...

      This essay looks at Macbeth from the historical perspective, especially from what Muchemblend calls the tragic culture of the early modem age. According to him, tragic culture depends on the threatening evil which derives from establishment of a powerful hierarchical order. Tragic culture is produced as man is helplessly doomed to fall into the temptation of evil.
      In order to unfold the argument the disposition of witches is discussed. In Macbeth studies, the arguments about the Weird Sisters vary from the problem of their origins to the issue arguing their supernatural nature. Some critics insist that they are Hecate figures but others maintain that they are demonic ones. As for their supernatural nature some take them as the external projection of Macbeth’s inner state rather than as concrete supernatural powers. In this essay, I argue that they are as concrete demonic witches sharing the characteristics of evil shown in demonology.
      Early modem England was established as a strong hierarchical nation with the king at the top. This system required the two extremes of a patriarchal Christian order with the unity of God-King-Father and a dreadful devil threatening the very hierarchical order. Accordingly the devil and its dark powers present themselves as even more threatening and man is seen as vulnerable for falling to temptation. Man, in front of the damning power of evil, cannot but feel helpless and fall into a deep nihilism, which forms a sort of tragic culture. Macbeth shares that kind of tragic culture. In this paper, I firstly discuss the historical context of the witches. Then I argue how the evil powers stir Macbeth’s ambition, how he collapses at their temptation, and finally how he feels a sense of emptiness in this world.

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      참고문헌 (Reference)

      1 로베르 뮈상블레, "악마: 천년의 역사" 박영률 출판사 2005

      2 Wills, Garry, "Witches and Jesuits: Shakespeare's Macbeth" The New York Public Library and Oxford UP 1995

      3 Shamas, Laura, "We Three: The Mythology of Shakespeare's Weird Sisters" Peter Lang 2007

      4 Eagleton, Terry, "The witches are the heroines of the piece..., In Macbeth" Macmillan 46-52, 1992

      5 Kranz, David L, "The Sounds of Supernatural Soliciting in Macbeth" 100 : 346-383, 2003

      6 Woodbridge, Linda, "The Scythe of Saturn: Shakespeare and Magical Thinking" U of Illnois P 1994

      7 Keller, J. Gregory, "The Moral Thinking of Macbeth" 29 : 41-56, 2005

      8 Wilks, John S, "The Idea of Conscience in Renaissance Tragedy" Routledge 1990

      9 Curry, Walter Clyde, "The Demonic Metaphysics of Macbeth, In Twentieth Century Interpretations of Macbeth" Prentice-Hall 30-33, 1977

      10 Lima, Robert, "Stages of Evil: Occultism in Western Theater and Drama" UP of Kentucky 2005

      1 로베르 뮈상블레, "악마: 천년의 역사" 박영률 출판사 2005

      2 Wills, Garry, "Witches and Jesuits: Shakespeare's Macbeth" The New York Public Library and Oxford UP 1995

      3 Shamas, Laura, "We Three: The Mythology of Shakespeare's Weird Sisters" Peter Lang 2007

      4 Eagleton, Terry, "The witches are the heroines of the piece..., In Macbeth" Macmillan 46-52, 1992

      5 Kranz, David L, "The Sounds of Supernatural Soliciting in Macbeth" 100 : 346-383, 2003

      6 Woodbridge, Linda, "The Scythe of Saturn: Shakespeare and Magical Thinking" U of Illnois P 1994

      7 Keller, J. Gregory, "The Moral Thinking of Macbeth" 29 : 41-56, 2005

      8 Wilks, John S, "The Idea of Conscience in Renaissance Tragedy" Routledge 1990

      9 Curry, Walter Clyde, "The Demonic Metaphysics of Macbeth, In Twentieth Century Interpretations of Macbeth" Prentice-Hall 30-33, 1977

      10 Lima, Robert, "Stages of Evil: Occultism in Western Theater and Drama" UP of Kentucky 2005

      11 Noone, Christine, "Shakespeare in Discworld: Witches, Fantasy, and Desire" 21 : 26-40, 2010

      12 West, Robert H, "Shakespeare & the Outer Mystery" U of Kentucky P 1968

      13 Boose, Linda E, "Scolding Brides and Bridling Scolds: Taming the Woman's Unruly Member" 42 : 179-213, 1991

      14 Harris, Anthony, "Night's Black Agents: Witchcraft and Magic in Seventeenth- Century English Drama" Manchester UP 1980

      15 Shakespeare, William, "Macbeth, In The Arden Shakespeare" Thomas Nelson &Sons 1997

      16 Adelman, Janet, "Janet Adelman, In Shakespeare: Macbeth Reader's Guide to Essential Criticism" Palgrave Macmillan 2006

      17 Warner, Marina, "From the Beast to the Blond" The Noonday Press 1994

      18 Fliod-Wilson, Mary, "English Epicures and Scottish Witches" 57 : 131-161, 2006

      19 Stephens, Walter, "Demon Lovers: Witchcraft, Sex, and The Crisis of Belief" U of Chicago P 2002

      20 Schuler, Robert M, "Bewitching The Shrew" 46 : 387-431, 2004

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.12 0.12 0.14
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.12 0.11 0.561 0.03
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