Music and instruments of the Middle Ages : studies on texts and performance

목차 (Table of Contents)

• CONTENTS
• Preface = ⅶ
• Ⅰ Biblical Instruments in Medieval Manuscript Illustration = 299
• Ⅱ Machaut's 'Pupil'Deschamps on the Performace of Music : Voices or Instruments in the 14th­Century Chanson? = 484
• Ⅲ String­Instrument making in Medieval England and Some Oxford Harp­makers, 1380­1466 = 44
• Ⅳ Early fifteenth­Century Instruments in Jean de Gerson's Tractatus de Canticis = 339
• Ⅴ The Earliest English Keyboard = 308
• Ⅵ The Myth of the Chekker = 482
• Ⅶ Jerome of Maravia on the Rubeba and the Viella = 77
• Ⅷ Fourteenth­Century Instruments and Tunings : a Treatise by Jean Vaillant? （Berkley, MS 744） = 17
• Ⅸ The Fifteenth­Century Lute : New and Neglected Sources = 11
• Ⅹ German Musicians and their Instruments : a Fourteenth­Century Accoutn by Konrad of Megenburg = 192
• XI The Performance of Songs in Late Medieval France : a New Source = 441
• XII The Medieval Organistrum and Symphonia⑴ : A Legacy from the East? 36
• XIII The Medieval Organistrum and Symphonia⑵ : Terminology = 71
• XIV The Rhymed Office for StThomas of Lancaster Poetry, Politics and Liturgy in Foruteenth­Century England = 134
• XV In the Direction of the Beginning = 111
• XVI Music and Chivalric Fiction in France, 1150­1300 = 1
• XVII The Performance of Ars Antiqua Motets = 147
• XVIII A Treatise on Musicians from? c.1400 : The Tractatulus de differentiis et gradibus cantorum by Arnulf de St Ghislain = 1
• XIX Le troisi$${\acute e}$$me accord pour vi$${\acute e}$$le de J$${\acute e}$$rome de Moravie : Jongleurs et 'anciens P$${\acute e}$$res de France' = 83
• XX Johnannes de Grocheio on Secular Music : a Corrected Text and a New Translation = 17
• Indices = 1