한국 현대미술에 있어서 ＜물상회화(物象繪畵)＞의 문제 : 그 연원과 ＜형상적 경향＞의 원천에 관하여

다국어 초록 (Multilingual Abstract)

This paper aims to investigate the origin and roots of "Object Image Painting" in Korean comtemporary art from 1970s to 1980s. The investigatory necessity lies in the idea that the Object Image Painting must be a linkage between 1980s and 1990s in our time of Korean art. At the same time it is thought to be a key for us to find out the origin of our own styles of representation on this occasion.
Processes to research for the purpose are as follows: Firstly, the important thing is to survey on the position of the "Object Image Painting" in the age of "Description" after 1970s. Secondly, the next is to examine what at that time the occidental Hyperrealism had influenced on the Object Image Painting. Lastly, what we scrutinize is about every aspect of possibilites and representational styles of it.
The followings are to be summarized in relation to the above.
1.The Object Image Painting is characterized to have a subjective aspect in its character.
2.It originated from the view point of Realism, and so it has a special feature of realist representation.
3.It rooted in the 'Social Imagination' newly stirred up at the time of 1980s.

목차 (Table of Contents)

• Ⅰ.서론
• Ⅱ.서술의 시대와 물상회화의 연원
• 1.서술의 시대와 물상회화
• 2.물상회화의 연원
• Ⅲ.물상회화와 〈형상적 경향〉
• 1.물상회화와 서구〈하이퍼리얼리즘〉의 관계
• 2.물상회화의 가능성과 형상적 경향
• 가.주관주의적 경향
• 나.리얼리즘적 사유
• 다.사회적 상상력의 대두
• Ⅳ.결론