RISS 학술연구정보서비스

검색

인기 검색어

    다국어 입력

    http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

    변환된 중국어를 복사하여 사용하시면 됩니다.

    예시)
    • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
    • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
    닫기
    KCI등재

    요셉 보이스 (Joseph Beuys)의 작품에 나타난 그리스도교적 상징과 의식 = Christian Symbols and Ritual s in the Works of Joseph Beuys

    한글로보기

    https://www.riss.kr/link?id=A99596311

    • 0

      상세조회
    • 0

      다운로드
    서지정보 열기
    • 내보내기
    • 내책장담기
    • 공유하기
    • 오류접수
    인용문이 복사되었습니다.

    부가정보

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This paper explores the Joseph Beuys` (1921~1986) conceptual approaches to sculpture/drawing/performance/installation works, which employ various materials and techniques revealing christian symbols and rituals. By carefully examining some interesting themes such as the concept of suffering, death and resurrection, amongst other thing, respectively, this paper argues the spiritual and intellectual legacy of cross, Christ impulse, incarnation and transubstantiation with which Beuys` works have engaged. Such Beuys` fascination with the physical and spiritual transformation, like incarnation and transubstantiation in a more religious context, was influenced by the theories of Rudolf Steiner (1861~1925), the founder of anthroposophy who developed his philosophical ideas through christian, ecological and physical perspective. All Beuys` works on christian symbols and rituals can be traced back to the cognitive science of Steiner, who tried to define new concepts like Christ impulse and the substance of Christ com ined with his belief - the change of material`s state by temperature - which became the in Beuys theory of sculpture. As a result of his influence from the theory of Steiner, he came to put flexible materials like wax, fat, blood, honey and chocolate which showed the relationship between solidity and liquidity to reveal the invisible energy, the warmth character. What interested Beuys most was the warmth characteristic which is to be revealed in fat, wax and blood. By increasing his interest in symbolic religious properties, Beuys extended his early theory of social sculpture and secularized those theological concepts and meanings for his extended concept of art asserting the man`s potential spirituality and the creativity. The aim of Beuys` fundamental mandate of his sculptural theory,Everyone is an artist, is to make people realize that the creativity should be not defined as the realm of artists, but that everyone should heal the society by developing creative thinking in their own lives.
    번역하기

    This paper explores the Joseph Beuys` (1921~1986) conceptual approaches to sculpture/drawing/performance/installation works, which employ various materials and techniques revealing christian symbols and rituals. By carefully examining some interesting...

    This paper explores the Joseph Beuys` (1921~1986) conceptual approaches to sculpture/drawing/performance/installation works, which employ various materials and techniques revealing christian symbols and rituals. By carefully examining some interesting themes such as the concept of suffering, death and resurrection, amongst other thing, respectively, this paper argues the spiritual and intellectual legacy of cross, Christ impulse, incarnation and transubstantiation with which Beuys` works have engaged. Such Beuys` fascination with the physical and spiritual transformation, like incarnation and transubstantiation in a more religious context, was influenced by the theories of Rudolf Steiner (1861~1925), the founder of anthroposophy who developed his philosophical ideas through christian, ecological and physical perspective. All Beuys` works on christian symbols and rituals can be traced back to the cognitive science of Steiner, who tried to define new concepts like Christ impulse and the substance of Christ com ined with his belief - the change of material`s state by temperature - which became the in Beuys theory of sculpture. As a result of his influence from the theory of Steiner, he came to put flexible materials like wax, fat, blood, honey and chocolate which showed the relationship between solidity and liquidity to reveal the invisible energy, the warmth character. What interested Beuys most was the warmth characteristic which is to be revealed in fat, wax and blood. By increasing his interest in symbolic religious properties, Beuys extended his early theory of social sculpture and secularized those theological concepts and meanings for his extended concept of art asserting the man`s potential spirituality and the creativity. The aim of Beuys` fundamental mandate of his sculptural theory,Everyone is an artist, is to make people realize that the creativity should be not defined as the realm of artists, but that everyone should heal the society by developing creative thinking in their own lives.

    더보기

    동일학술지(권/호) 다른 논문

    동일학술지 더보기

    더보기

    분석정보

    View

    상세정보조회

    0

    Usage

    원문다운로드

    0

    대출신청

    0

    복사신청

    0

    EDDS신청

    0

    동일 주제 내 활용도 TOP

    더보기

    주제

    연도별 연구동향

    연도별 활용동향

    연관논문

    연구자 네트워크맵

    공동연구자 (7)

    유사연구자 (20) 활용도상위20명

    이 자료와 함께 이용한 RISS 자료

    나만을 위한 추천자료

    해외이동버튼