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      문화공연 청중의 문화적 취향에 관한 연구 = A Study on the Cultural Taste of the Audience of Cultural Performance

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      https://www.riss.kr/link?id=A106839944

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The purpose of this study is to examine how cultural performance audiences’ cultural tastes are differentiated and how they appear, and to present a cultural taste scale. As a scholarly predecessor, Bourdieu’s cultural capitalism, which argued for the existence of a significant relationship between cultural taste and class, highlighted the necessity of a new perspective on cultural tastes and their classification criteria that would be applicable to modern-day Korean society. In order to facilitate a concrete discussion on that subject, an audience that watched a cultural performance within the last 6 months was surveyed, and an interview with the audience (cultural experts and the general audience) was conducted. A questionnaire was developed, revised, and then used. The SPSS 23.0 statistical package program was used to conduct reliability and validity analyses, including a frequency analysis. The study’s demographic and viewing characteristics were as follows. There were 88 women (57.1%) and 66 men (42.9%). Respondents’ ages ranged from 20 to 29 years old, with 66 people (42.9%) in their twenties, and from 30 to 39 years old, with 39 people (25.3%) in their thirties. The respondents with the most advanced educational background were 131 students (85.1%) who had either graduated from or were attending university at the time of the study. With regard to average monthly income, there were 44 people (28.6%) who made less than 3~5 million won. For occupation, the highest result was 58 students (37.7%). Meanwhile, with regard to marital status, there were 102 single people (66.2%) and 52 married people (33.8%). For favorite genre, the highest result was 39 people (25.3%) who reported plays as their favorite genre. Moreover, companions had the highest response rate, with 69 lovers (44.8%). With regard to the ticket collection method, there were 134 people (87.0%), most of whom paid a fee. Finally, visit frequency was the highest among 82 people (53.2%) who visited more than 6 times. The cultural tastes examined in this study were: 1) palatable, 2) sensitive, 3) nostalgic, 4) fusion/complexity, 5) essential, 6) pleasure, 7) educational, and 8) popular. Thus, cultural preference was found to be composed of these eight elements. On the basis of these results, this study suggested a cultural taste scale that is applicable to modern-day Korean society. The study also indicated theoretical and practical implications for the field of culture and arts management as well as directions for further research.
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      The purpose of this study is to examine how cultural performance audiences’ cultural tastes are differentiated and how they appear, and to present a cultural taste scale. As a scholarly predecessor, Bourdieu’s cultural capitalism, which argued for...

      The purpose of this study is to examine how cultural performance audiences’ cultural tastes are differentiated and how they appear, and to present a cultural taste scale. As a scholarly predecessor, Bourdieu’s cultural capitalism, which argued for the existence of a significant relationship between cultural taste and class, highlighted the necessity of a new perspective on cultural tastes and their classification criteria that would be applicable to modern-day Korean society. In order to facilitate a concrete discussion on that subject, an audience that watched a cultural performance within the last 6 months was surveyed, and an interview with the audience (cultural experts and the general audience) was conducted. A questionnaire was developed, revised, and then used. The SPSS 23.0 statistical package program was used to conduct reliability and validity analyses, including a frequency analysis. The study’s demographic and viewing characteristics were as follows. There were 88 women (57.1%) and 66 men (42.9%). Respondents’ ages ranged from 20 to 29 years old, with 66 people (42.9%) in their twenties, and from 30 to 39 years old, with 39 people (25.3%) in their thirties. The respondents with the most advanced educational background were 131 students (85.1%) who had either graduated from or were attending university at the time of the study. With regard to average monthly income, there were 44 people (28.6%) who made less than 3~5 million won. For occupation, the highest result was 58 students (37.7%). Meanwhile, with regard to marital status, there were 102 single people (66.2%) and 52 married people (33.8%). For favorite genre, the highest result was 39 people (25.3%) who reported plays as their favorite genre. Moreover, companions had the highest response rate, with 69 lovers (44.8%). With regard to the ticket collection method, there were 134 people (87.0%), most of whom paid a fee. Finally, visit frequency was the highest among 82 people (53.2%) who visited more than 6 times. The cultural tastes examined in this study were: 1) palatable, 2) sensitive, 3) nostalgic, 4) fusion/complexity, 5) essential, 6) pleasure, 7) educational, and 8) popular. Thus, cultural preference was found to be composed of these eight elements. On the basis of these results, this study suggested a cultural taste scale that is applicable to modern-day Korean society. The study also indicated theoretical and practical implications for the field of culture and arts management as well as directions for further research.

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      참고문헌 (Reference)

      1 최샛별, "한국의 문화자본 지형도 구성을 위한 척도개발 기초연구: 문화예술 활동과 음악선호를 중심으로" 한국조사연구학회 13 (13): 61-87, 2012

      2 김동일, "피에르 부르디외" 2016

      3 김용섭, "요즘 애들, 요즘 어른들-대한민국 세대분석 보고서" 21세기 북스 2019

      4 김예란, "온라인 뉴스 이용자의 문화취향과 뉴스 소비유형의 관계" 한국언론학회 52 (52): 129-151, 2008

      5 이유재, "브랜드 퍼스낼리티-브랜드 동일시-브랜드자산 모형:이용자와 비이용자간 차이에 대한 탐색적 연구" 한국마케팅학회 17 (17): 1-33, 2002

      6 서문식, "부정적 문제요소로서 갈등 고찰과 조직에 대한 태도 연구 - 국·공립문화예술단체의 예술단원을 중심으로 -" 한국예술경영학회 (51) : 103-134, 2019

      7 Bonnewitz, P., "부르디외 사회학 입문" 동문선 2000

      8 박명진, "문화향유체계" 학술진흥재단 1998

      9 김성혜, "문화취향과 문화소비태도의 관계에서 트랜드 선호도의 매개효과" 서경대학원 2019

      10 양종회, "문화적 취향의 분화와 계급 - 음악장르를 중심으로" 한국사회학회 43 (43): 170-209, 2009

      1 최샛별, "한국의 문화자본 지형도 구성을 위한 척도개발 기초연구: 문화예술 활동과 음악선호를 중심으로" 한국조사연구학회 13 (13): 61-87, 2012

      2 김동일, "피에르 부르디외" 2016

      3 김용섭, "요즘 애들, 요즘 어른들-대한민국 세대분석 보고서" 21세기 북스 2019

      4 김예란, "온라인 뉴스 이용자의 문화취향과 뉴스 소비유형의 관계" 한국언론학회 52 (52): 129-151, 2008

      5 이유재, "브랜드 퍼스낼리티-브랜드 동일시-브랜드자산 모형:이용자와 비이용자간 차이에 대한 탐색적 연구" 한국마케팅학회 17 (17): 1-33, 2002

      6 서문식, "부정적 문제요소로서 갈등 고찰과 조직에 대한 태도 연구 - 국·공립문화예술단체의 예술단원을 중심으로 -" 한국예술경영학회 (51) : 103-134, 2019

      7 Bonnewitz, P., "부르디외 사회학 입문" 동문선 2000

      8 박명진, "문화향유체계" 학술진흥재단 1998

      9 김성혜, "문화취향과 문화소비태도의 관계에서 트랜드 선호도의 매개효과" 서경대학원 2019

      10 양종회, "문화적 취향의 분화와 계급 - 음악장르를 중심으로" 한국사회학회 43 (43): 170-209, 2009

      11 이종호, "문화적 취향에 영향을 미치는 사회경제적 요인들에 관한 연구 : 부르디외(P.Bourdieu)의 문화자본론을 중심으로" 성균관대학교 대학원 1999

      12 홍성민, "문화와 아비투스-부르디외와 유럽정치사상" 나남 2000

      13 이 진, "문화상품 소비자의 행태적 세분화" 한국과학기술원 2001

      14 이승일, "도시민의 문화자본과 문화적 취향분화 - 관람형 여가소비를 중심으로 -" 도시인문학연구소 1 (1): 61-83, 2009

      15 피에르 부르디외, "구별짓기: 문화와 취향의 사회학 上" 1979

      16 이샛별, "관람체험이 관람의도에 미치는 영향력에 관한 구조적 고찰 - 클래식공연을 중심으로" 한국예술경영학회 (40) : 33-62, 2016

      17 Bocock, R., "ocial and Cultural Forms of Modernity" association with the open university 1992

      18 Graeff, T. R., "Using Promotional Messages to Manage Effects of Brand and Self-Image on Brand Evaluations" 13 (13): 4-18, 1996

      19 Bhattacharya, C. B., "Understanding the bond of identification : an investigation of its correlates among art museum members" 59 (59): 46-57, 1995

      20 Thompson, M., "The Ties that Bind : Measuring the Strength of Consumer’s Emotional Attachments to Brand" 15 (15): 77-91, 2005

      21 Holbrook, M. B., "The Experiential Aspects of Consumption : Consumer Fantasies, Feelings, and Fun" 9 (9): 132-140, 1982

      22 DiMaggio P., "Social Class and Arts Consumption in America" 5 : 109-132, 1978

      23 Gans, H., "Popular Culture and High Culture" Basic Books 1974

      24 Bourdieu, P., "Outline of a Theory of Practice" 1972

      25 Lamont, M., "Money, Morals, and Manners : The Culture of the French and the American Upper-Middle Class" University of Chicago Press 1992

      26 Lewis, G., "Mass Media and Social Change" Sage 1980

      27 Bourdieu, P., "In other words" Polity Press 1990

      28 Bourdieu, P., "Distinction : A Social Critique of the Judgement of Taste" Harvard University Press 1984

      29 Hall, S., "Cultural Studies" Routledge 277-294, 1992

      30 Lamont, M., "Cultural Capital : Allusions, Gaps and Glissandos in Recent Theoretical Developments" 6 (6): 153-168, 1988

      31 Peterson, R. A., "Cultivating Differences: Symbolic Boundaries and the Making of Inequality" University of Chicago Press 152-168, 1992

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