『樂府 高大本』소재 〈樂府〉와 『玄鶴琴譜』〈歌曲〉의 관련 양상

다국어 초록 (Multilingual Abstract)

This study aims to clarify the 『Akbu Godaebon』(樂府 高大本)'s related aspect of 『Hyeonhakgeumbo』(玄鶴琴譜) and the formation process of 『Akbu Godaebon』, through the comparison between 〈Akbu〉(樂府) of 『Akbu Godaebon』 and 〈Gagok〉(歌曲) of 『Hyeonhakgeumbo』(玄鶴琴譜) assumed as the transcribed original of 『Akbu Godaebon』.
『Akbu Godaebon』, compiled by Yonggi Lee(李用基) in 1930~1933, was evaluated that there is no regular system and also there is no full-scale discussion till now. But as the result of the system investigation. we can find the mixtures between the originated elements from the existing literatures and the elements of the new supplements. Besides, 〈Akbu〉(樂府), including Sijo and Chinese translated poems, has the syngeneics with 『Hyeonhakgeumbo』 compiled by Heesang Oh(吳熹常) in 1852.
『Akbu Godaebon』 〈Akbu〉 is including 26 pieces of Sijo, Chinese translated poems, and 6 pieces of Sa(詞). The recording order, Chinese translated poems and translators are same with 『Hyeonhakgeumbo』 〈Gagok〉 in the 18 of 26 pieces of Sijo. And those system followed the 'Wongok(原曲)-Daega(臺歌)' of 『Hyunhakgeumbo』 〈Gagok〉, 'Sisoksakdaeyeop(時俗數大葉)'. 6 pieces of Sa are new products could not be founded before.
In the performing habit of Gagokchang 『Akbu Kodaebon』 〈Akbu〉 tried to expose the features of Chinese translated Sijo and made 『Hyeonhakgeumbo』 a transcribing object. Also it added 6 pieces of Sa(詞) to show the various forms of Akbusi(樂府詩).
A syngeneic with the existing literatures and discrimination of the creative parts could contribute to examine the characteristics of 『Akbu Godaebon』 and the compilationing awareness.