괴테의 초기 송가 『방랑자의 폭풍노래』 연구 = 시인의 영원한 모범 핀다르 Pindar

다국어 초록 (Multilingual Abstract)

The mythic figures in 『Wandrers storm song』 cannot be identified on the basis of the old mythology. “Genius”, “Jupiter Pluvius”, “Bromius” and “Apollo” are used always after the intentions of the poet, where his aesthetic opinions are to be represented symbolically. Thus Goethe mixes the Greek mythology with the Christian “genesis”, in order to let the creative artist reach a God similarity.
On the other side he represents Gods such as Bromius (Baccus) and Apollo than representatives of a contemporary artistry, which does not produce true art after Goethe's view. Goethe rejects Theokrit and Anankreon, and Jupiter Pluvius and Pindar are the genius (protection God) of the ingenious and creative artist and the ideal model, which the artists of the recent time are to follow. Jupiter Pluvius is a creator God, which rules over the large natural phenomena (thunderstorm, hail weather), the wanderer as origin of his artistic experiences “glow”. The old-Greek poet Pindar wrote the Ode “victory song”, in which the courage of a car steering wheel is praised. That is after Goethe a model of the artist.
Goethe presents into 〈Wanderers storm song〉 a “lyric I”, which wants to achieve a goal both from the life and from the art. Goethe refers to the scene of the Pindars of car steering wheel as the best symbolic paragon for the poets of the more recent time, where a hero down-floats regardless of the danger of the mountains. In this condition could the lyric I (one of ingenious artists) and the genius unite. But the other side of the ‘Wanderer’ in the Epode of the 3. Triad, where the proud wanderer recognizes himself as ‘an ingenious artist’ and directly as a “Unbehauster”(homeless), is to be compared with the Ikarus myth. The wanderer, who believes to be raised by the godlike inspiration like that glowing and to a “divinity” like the car steering wheel in the Pindars Ode, longs suddenly for a small “hut”, where he can stay on earth. He envies the small “feuerigen”(mettlesome) returning farmer and tries to overcome the terrestrial luck blessedness of the farmer by highest artist consciousness raised from Pindar.
After his “high” flight he feels absolutely necessary to return again to the reality. Because he recognizes, that his genius cannot always remain for him and give him the ingenious inspiration. Here the loud statement of the wanderer is related that he is an ingenious artist like the Gods and therefore he can exceed the terrestrial limitation “godlike”. As in 〈Prometheus〉 and 〈Ganymed〉 an ambivalence is also shown in Goethe’s Ode 〈Wandrers storm song〉, which mentioned that “ingeniously” a young artist must come into a conflict between the godlike feeling artistry and not always with the “divinity” agree becoming reality.