윤대성 희곡의 현실인식과 글쓰기 방법 : 『노비문서』를 중심으로 Centering around the 「Slaves Document」 = The Reality Recognition and Writing Method in Yun Dae-seong's Drama

다국어 초록 (Multilingual Abstract)

Social background that modernism appears on the stage in korea is in accord with the period that system inconsistency of capitalism is intensified. At the same time it is the period that the power controlling such a special system is strong, too. That of the western is related with the specialization and enlargement of capitalistic system, while that of korea is the background that the magnification of city space which is enlarged abnormally by the colony power and the daisy life of the subjects in that society is impoverished.
In this unique condition, the korean modernist in 1970's couldn't express their fervent hope effectively with usual communication. That is, they couldn't express the world disappeared the wholeness with only realistic way of discussion. Now they need a special way to escape automation to their daily life made of automation.
Yun Dae-seong is one of dramatists who shows this specific character of Korean modernist in 1970's. This passage try to accept positively about the indications to the traditional and descriptive element of Yun Dae Seong works which is insisted by the researchers of being already existent.
But, this try to adjust the focus of the interest and explanation, what is this way of his speaking for, why he made a choice of this speaking. That is, it's bout the seek of meaning of Yun Dae-seong writing method showing through the recognition about the world."

참고문헌 (Reference)

1 "｢좌절과 비극의 작가｣" 신화 1900 예니 1986

2 "｢윤대성 희곡에 나타난 서사극적 특성｣" 태학사 1995

3 "｢방황과 모색｣" 예술과 비평 창간호 1984

4 "｢노비문서｣" 윤대성 희곡집 청하 1990

5 "｢노비문서｣" 신화 1900 예니 1986

6 "환경과 언어에 대한 탐색,우리 시대의 연극인" 연극과인간 2001

7 "한국모더니즘시의 글쓰기 방식에 관한 연구" 1997

8 "이주동 외 역" 모더니즘과 포스트모더니즘의 변증법 녹진 1993

9 "윤대성 희곡 연구" 7집 : 1997

10 "브레히트 연구" 두레 1988

11 "모더니티의 다섯 얼굴" 1993

12 "모더니즘과 포스트모더니즘을 넘어서" 소명출판 2001

13 "모더니즘과 포스트모더니즘" 현암사 1992

14 "리얼리즘이란 무엇인가" 세계 1987

15 "루카치 소설의 이론" 심설당 1998

16 "근대주체와 식민지 규율권력" 문화과학사 2000

17 "근대성의 구조" 민음사 1999

18 "20세기 연극" 연극과인간 2000