서정의 딜레마 -1950년대 북한 문단의 논의를 중심으로 = Dilemma of Lyricality -focused on the discussion of the North-Korean Literary field in the 1950

다국어 초록 (Multilingual Abstract)

After Liberation in 1945, the first important task of literature in North Korea was to clear away the remnants of bourgeois literature. The term ``Seojeong``(the lyrical/lyricality) should have been one of those remnants, because it was contaminated by ``bourgeois ideology``. But it has been used very frequently in the literary field of North Korea until now. This article is a study on how ``lyricality`` as the old-fashioned remnant have conflicted with one as the new socialistic literary element, focusing to the 1950` the period in which ``lyricality`` began to be discussed. It was at 1951 that the problem about ``the deficiency of lyricality`` was raised by An Hamgwang. It emerged as the contentious issue in the mid 1950` Major point was two ; one was to situate the lyrical poetry in the socialistic literature while taking it away from bourgeois literature ; the other was to apply the theory of socialist realism to the lyrical poetry, and then to construct the poetics of socialist realism. In order to do that, poets and critics debated on many kinds of literary terms including ``lyrical type``, ``lyrical hero``, ``lyrical epic/poema`` as genre, and discussed the theme of nature and love. Ironically, the more the discussion continued, the clearer was the incompatibility of that double task. When they emphasized the lyricality of socialistic poetry, it became similar to the lyricality of bourgeois poetry. Confronted with this aporia, it seems that they had no choice but to repeat ``lyricality`` compulsively.

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