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    『마틴 처즐윗』 연구: 조너스 처즐윗을 중심으로 = Jonas Chuzzlewit in Dickens's Martin Chuzzlewit.

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    https://www.riss.kr/link?id=A104927697

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Dickens, in his preface to the Cheap Edition of Martin Chuzzlewit, says that the main object of this work is "to show how Selfishness propagates itself, and to what a grim giant it may grow, from small beginnings." Jonas Chuzzlewit's selfishness, or his greed surpasses that of other characters including Martin Chuzzlewit, Seth Pecksniff, and Mrs Gamp. His impatience for inheritance and violence toward his wife reflect his longing for social recognition, the ruthless pursuit of which makes him nothing but an arch villain, though. Montague Tigg, after getting to know Jonas's secret of patricide, blackmails him to obey his instructions, and Jonas resolves to murder Tigg, because there is no way of escaping Tigg's clutches. Jonas thereafter emerges as a living character, not a stereotypical villain, through the vivid evocation of his psychology, that is, his terrified self-division. The portrayal of the later Jonas, together with the writer's awareness of the social interconnections, comprises the chief achievements of Martin Chuzzlewit, which is a transition between Dickens's early works and mature later ones.
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    Dickens, in his preface to the Cheap Edition of Martin Chuzzlewit, says that the main object of this work is "to show how Selfishness propagates itself, and to what a grim giant it may grow, from small beginnings." Jonas Chuzzlewit's selfishness, or h...

    Dickens, in his preface to the Cheap Edition of Martin Chuzzlewit, says that the main object of this work is "to show how Selfishness propagates itself, and to what a grim giant it may grow, from small beginnings." Jonas Chuzzlewit's selfishness, or his greed surpasses that of other characters including Martin Chuzzlewit, Seth Pecksniff, and Mrs Gamp. His impatience for inheritance and violence toward his wife reflect his longing for social recognition, the ruthless pursuit of which makes him nothing but an arch villain, though. Montague Tigg, after getting to know Jonas's secret of patricide, blackmails him to obey his instructions, and Jonas resolves to murder Tigg, because there is no way of escaping Tigg's clutches. Jonas thereafter emerges as a living character, not a stereotypical villain, through the vivid evocation of his psychology, that is, his terrified self-division. The portrayal of the later Jonas, together with the writer's awareness of the social interconnections, comprises the chief achievements of Martin Chuzzlewit, which is a transition between Dickens's early works and mature later ones.

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    참고문헌 (Reference)

    1 이영희, "찰스 디킨즈의 ‘아메리칸 드림’과 그 문학적 재현" 6 (6): 271-296, 1999

    2 장남수, "『골동품 가게』에 제시된 사회적 현실의 문제" 현대영미어문학회 31 (31): 73-91, 2013

    3 신희섭, "Writing the City: Changing Urban Scenes in Dickens’s Martin Chuzzlewit and Dombey and Son" 19세기영어권문학회 17 (17): 161-185, 2013

    4 Lucas, John, "The Melancholy Man" The Harvester Press 1980

    5 Engel, Monroe, "The Maturity of Dickens" Harvard UP 1959

    6 Forster, John, "The Life of Charles Dickens Vol. I. 1872-74" J. M. Dent & Sons 1969

    7 Bowen, John, "Other Dickens : Pickwick to Chuzzlewit" Oxford UP 2000

    8 Meckier, Jerome, "Martin Chuzzlewit: Mr Bevan Reconsidered" 110 (110): 131-135, 2014

    9 Dickens, Charles, "Martin Chuzzlewit" Penguin 2004

    10 Morris, Pam, "Dickens's Class Consciousness" Macmillan 1991

    1 이영희, "찰스 디킨즈의 ‘아메리칸 드림’과 그 문학적 재현" 6 (6): 271-296, 1999

    2 장남수, "『골동품 가게』에 제시된 사회적 현실의 문제" 현대영미어문학회 31 (31): 73-91, 2013

    3 신희섭, "Writing the City: Changing Urban Scenes in Dickens’s Martin Chuzzlewit and Dombey and Son" 19세기영어권문학회 17 (17): 161-185, 2013

    4 Lucas, John, "The Melancholy Man" The Harvester Press 1980

    5 Engel, Monroe, "The Maturity of Dickens" Harvard UP 1959

    6 Forster, John, "The Life of Charles Dickens Vol. I. 1872-74" J. M. Dent & Sons 1969

    7 Bowen, John, "Other Dickens : Pickwick to Chuzzlewit" Oxford UP 2000

    8 Meckier, Jerome, "Martin Chuzzlewit: Mr Bevan Reconsidered" 110 (110): 131-135, 2014

    9 Dickens, Charles, "Martin Chuzzlewit" Penguin 2004

    10 Morris, Pam, "Dickens's Class Consciousness" Macmillan 1991

    11 Hardy, Barbara, "Dickens and the Twentieth Century" Routledge and Kegan Paul 107-120, 1962

    12 Kincaid, James R., "Dickens and the Rhetoric of Laughter" Oxford UP 1971

    13 Stone, Harry, "Dickens and the Invisible World" Indiana UP 1979

    14 Schwarzbach. F. S., "Dickens and the City" The Athlone Press 1979

    15 Hardy, Barbara, "Dickens and Creativity" Continuum 2008

    16 Marcus, Steven, "Dickens : From Pickwick to Dombey" Basic Books 1965

    17 Barickman, Richard, "Corrupt Relations" Columbia UP 1982

    18 Fiedler, Leslie A., "Charles Dickens: Critical Assessments Vol. II" Helm Information 471-482, 1995

    19 Webb, Igor, "Charles Dickens in America: The Writer and Reality" 39 : 59-96, 2008

    20 Miller, J. Hillis, "Charles Dickens" Harvard UP 1958

    21 Pykett, Lyn, "Charles Dickens" Palgrave 2002

    22 Kincaid, James R., "Annoying the Victorians" Routledge 1995

    23 Morgentaler, Goldie, "A Companion to Charles Dickens" Blackwell 348-357, 2008

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