오규원 후기 시와 시론의 현상학적 특징 연구

다국어 초록 (Multilingual Abstract)

Oh, Kyu-won tried writing metonymical writing in his later poems. It is because he thought that the metaphor is ideal and substitutive, while the metonymy is predicative, explaining the phenomena itself. He also assert that his metonymical writing catches the falsehood of the facts, and therefore different from the copy. In this context, falsehood of the facts means the internal, mutual relation that are made by the facts, thus revealed from the object itself.
The internal relation is latent inside the hidden side of the phenomena. The object is exposed as particular shape in particular moment, but then it change its shape in the very next moment. It can be understood as that the deferred reality lies in the hidden side of the object and alternatively revealed. The exterior of the object continuously changes, but it just hide in the object and then exposed in proper time.
Oh, Kyu-won finds the deferred reality in the nature and searches the depth of the scenery. The nature is filled with the plants, which are revealed differently on season. Also, the void air is actually filled, being merged into the objects. Deferred reality can coexist since they are revealed Sequentially.
The subject can understand the depth of the object, since the subject and the objects coexist in reversible world, namely chair. The subject has duplicity of seeing and being seen, hence obtains the depth and thickness itself. Therefore depth also means the aspect of existence of the subject, which are existing with the world.
Oh, Kyu-wons later poems are focusing on expressing the depth of the scenery. He is finding his own way of portraiting the object, by repeating the same phrase or variating the part of his poem in the other one. Also, he is expressing the depth as the time-based sequentiality, which was previously expressed by Cezanne, as the reiteration of the space. The temporality is the time needed to make the whole relation from the distinct objects, which already has the space-based adjacency. With the time fixed, the depth of the space is expressed by the lived perspective which portraits the objects following the perceptual experience. Thus Oh, Kyu-wons later poems are based on the phenomenological thinking to express the depth of the scenery through the language.

참고문헌 (Reference)

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