新羅鄕歌의 請願的性格에 대한 硏究 = A Study on pray characteristics of the Silla hyangga

다국어 초록 (Multilingual Abstract)

This paper is Currently impart to hyangga it says that the origin jyeotdaneun call when something goes desperately speaker. When Silla wishing desperately for something, it called hyangga to argue the fact. pray hyangga nature of which has not been mentioned in that document.
To this end Yusa classified material hyangga the number 14<Hyeseongga>, <wonga>, <Dosolga>, <Cheoyongga> were investigated, including four works by Hyangga of pray. Hyangga work along the magical personality researchers admit that the amplitude of the range is considerable. Witchcraft itself is done for the purpose of obtaining argued
that the origin of the origin of this nature as to consider the magical nature of work is geotyigie. Therefore 4 The fact that this work has a magical personality it makes sense logically to see as having their origin in nature
Next <Docheonsudaebiga>, <SeoDongYo>, <Heonhwaga>, <wonwangsaengga>, <Jaemangmaega>, <Anminga>, <Changiparangga> etc. pray is exposed to Hyangga work for the purpose of origin, methods, examined the results of
the center. Work more than seven magical landscape is also classified according to the authors, and should be classified as a pure lyric. The speaker revealed the origin of each piece was investigated.
Finally pray is the Hyangga <PungYo>, <mojukjirangga>, <woojeokga> pray also discussed that the speaker is contained. In conclusion, hyangga to argue that ong was made to the pray. More than three works are not
revealed, the origins lyrics. However, the origin can be seen that the inherent gotta look creative in conjunction with motives and background story of each work. Yusa material on the basis of the above discussion hyangga argued
that that song was made to the pray.

목차 (Table of Contents)

• 1. 序論
• 2. 呪術的 機能의 鄕歌
• 3. 請願이 文面에 드러난 鄕歌
• 4. 請願이 內在된 鄕歌
• 5. 結論