Musical Responses to Joyce: A Selection of Poetry and Prose Settings = Musical Responses to Joyce: A Selection of Poetry and Prose Settings

다국어 초록 (Multilingual Abstract)

Setting Joyce`s poetry and prose to music is an activity which has occupied composers not only since his death, but also during Joyce`s lifetime. By selecting a representative sample of settings of Joyce`s poetry and prose for discussion, this paper attempts to show how a setting of a text addresses some of the difficulties a reader encounters concerning its composition and interpretation, as well as how a musical setting might enrich literary understanding. Chamber Music has been chosen as the most generally representative poetry text, and settings in which Joyce had an active role in assessing (mainly those by Palmer) have been considered, as well as later ones unknown to him. Settings from A Portrait of the Artist as a Young Man and Ulysses (those of Finnegans Wake are beyond the scope of this paper) provide an opportunity for showing how Joyce`s experiments in prose parallel, or even anticipate, some of the procedures used in a musical language, and begin to question the identity of the text itself as literature. Besides addressing these more abstract issues, the paper is also intended as a chance to expose musical settings which are worthwhile in themselves, and which the author feels both reflect Joyce`s achievements in each literary genre and demonstrate his wide-ranging musical knowledge and interests.

참고문헌 (Reference)

1 Seiber, Mátyás, "Ulysses: Cantata for Tenor Solo, Chorus and Orchestra" Schott & Co. Ltd. 1948

2 Joyce, James, "Ulysses" Penguin Books 1986

3 Boulez, Pierre, "Troisième sonata pour piano" Universal Edition 1961

4 Barber, Samuel, "Three Songs for Voice and Piano Set to Poems from “Chamber Music” by James Joyce" G. Schirmer, Inc. 1939

5 Seiber, Mátyás, "Three Fragments from A Portrait of the Artist as a Young Man by James Joyce" Schott & Co. Ltd. 1958

6 Martin, Timothy, "The Voice from the Prompt Box: Otto Luening Remembers James Joyce in Zurich" 17 (17): 35-48, 1990

7 Luening, Otto, "The Odyssey of an American Composer. The Autobiography of Otto Luening" Charles Scribner’s Sons 1980

8 Samuels, Robert, "The Boulez-Cage Correspondence" Cambridge UP 1993

9 Eliot, T. S, "The Approach to James Joyce" 30 : 446-447, 1943

10 Moeran, E. J, "Seven Poems by James Joyce for voice and piano" Oxford UP 1930

11 Mann, Adolph, "Out by Donnycarney" John Church Co. 1910

12 Nattiez, Jean-Jacques, "Orientations: Collected Writings, Pierre Boulez. Trans. Martin Cooper" Faber & Faber 1986

13 Joyce, James, "Letters of James Joyce in Richard Ellmann" Faber & Faber 1966

14 Schoeck, Othmar, "Lebendig begraben. Vierzehn Gesänge nach der gleichnamigen Gedichtfolge von G. Keller" Breitkopf & Härtel 1928

15 Knowles, Sebastian D. G, "Knowles, Sebastian D. G" Garland Publishing 1999

16 Palmer, Geoffrey Molyneux, "James Joyce’s Chamber Music: The Lost Song Settings" Indiana UP 1993

17 Budgen, Frank, "James Joyce and the Making of Ulysses and Other Writings" Oxford UP 1972

18 Szymanowski, Karol, "Four Songs for High Voice and Piano, op. 54. Cracow: Polish Music Edition (Polskie Wydawnictwo Muzyczne)"

19 Joyce, James, "Finnegans Wake" Penguin Books 1992

20 Del Tredici, "David. Four Songs on James Joyce" Boosey & Hawkes 1974

21 Messiaen, Olivier, "Couleurs de la cite céleste" Alphonse Leduc 1966

22 Goossens, Eugène, "Chamber Music: Six Songs for Medium Voice" J. Curwen & Sons Ltd. 1930

23 Mengelberg, Rudolf, "Chamber Music: A Cycle of Songs for Medium Voice and Piano" Broekmans & van Poppel 1952

24 Finney, Ross Lee, "Chamber Music" Henmar Press 1985

25 Berio, Luciano, "Chamber Music" Edizioni Suvini Zerboni 1954

26 Joyce, James, "Chamber Music" Elkin Matthews 1907

27 Pendleton, Edmund, "Bid Adieu with words by James Joyce" G. Schirmer, Inc. 1949

28 Murphy, Timothy S, "After Joyce: The Post-Serial Avant-Garde"

29 Joyce, James, "A Portrait of the Artist as a Young Man" Penguin Books 1960

30 Seiber, Mátyás, "A Note on Ulysses in Donald Mitchell and Hans Keller" 263-, 1951