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      영화 '춘향전’에 나타난 토탈 코디네이션의 시대성 분석 - 1961년과 2000년 작품을 중심으로 - = The Historical Analysis of Total Coordination in Movie ‘ChunHyang’ -Works from 1961 to 2000 -

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      https://www.riss.kr/link?id=A107051933

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      다국어 초록 (Multilingual Abstract)

      The total coordination is an important part in a film with a drama as a role that communicates images, which it comes under the art of film. The film can classify into six arts such as set, filming background, costume, props, make-up and hair production. And they are closely connected with each other by getting into all screens. The role of film art should be conducted as an aesthetic art because a film art gives a real sense to audiences with players’ language and performance. The historical drama among various genres of film is produced as a genre of continuous generation with the history of domestic films based on the historical research. In addition, it includes the fashion and background in those days of production. This study had a choice of works in 1961 and 2000, the heyday and the revival of domestic films among the masterpiece of domestic classical literature, 'ChunHyang' movies, to understand a role and characteristic of total coordination in these films, respectively. Also, it made inquiries into the total coordination laying stress on a makeup and hairstyle expressed by each film with background in those days of production. The result through this inquiry is as follows: First, it showed that characters of women in ChunHyang works of 1961 and 2000 follows the fashion of those days. Second, it showed that total coordinations have a connection with each other according to the situation or the change of the day. Third, it showed that an added value generated by films is rising in the present day when the production of film is industrialized and largely sized. Fourth, it showed that the importance of makeup and hair style with both historical research and image aesthetics is also increasing as historical plays are given a big weight on the film. Consequently, various studies such as man and woman classification of makeup and hair style in films has to be advanced through an exhaustive analysis of culture and play to form the basis of production of historical film, images, makeup and hair style.
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      The total coordination is an important part in a film with a drama as a role that communicates images, which it comes under the art of film. The film can classify into six arts such as set, filming background, costume, props, make-up and hair producti...

      The total coordination is an important part in a film with a drama as a role that communicates images, which it comes under the art of film. The film can classify into six arts such as set, filming background, costume, props, make-up and hair production. And they are closely connected with each other by getting into all screens. The role of film art should be conducted as an aesthetic art because a film art gives a real sense to audiences with players’ language and performance. The historical drama among various genres of film is produced as a genre of continuous generation with the history of domestic films based on the historical research. In addition, it includes the fashion and background in those days of production. This study had a choice of works in 1961 and 2000, the heyday and the revival of domestic films among the masterpiece of domestic classical literature, 'ChunHyang' movies, to understand a role and characteristic of total coordination in these films, respectively. Also, it made inquiries into the total coordination laying stress on a makeup and hairstyle expressed by each film with background in those days of production. The result through this inquiry is as follows: First, it showed that characters of women in ChunHyang works of 1961 and 2000 follows the fashion of those days. Second, it showed that total coordinations have a connection with each other according to the situation or the change of the day. Third, it showed that an added value generated by films is rising in the present day when the production of film is industrialized and largely sized. Fourth, it showed that the importance of makeup and hair style with both historical research and image aesthetics is also increasing as historical plays are given a big weight on the film. Consequently, various studies such as man and woman classification of makeup and hair style in films has to be advanced through an exhaustive analysis of culture and play to form the basis of production of historical film, images, makeup and hair style.

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