국립중앙도서관 "우편 복사 서비스"로 연결 됩니다.
RISS
Korean traditional lyric song (Kagog 歌曲) are sung in two modes- Pyoungio (平調, the other name-ujo 羽調) and Kyemyounjo (界面調)-and in two styles, sung by male and fermale. The Pyoungio Kagog by male are all 13 tunes. Almost of precedent ...
다국어 입력
あ
ぁ
か
が
さ
ざ
た
だ
な
は
ば
ぱ
ま
や
ゃ
ら
わ
ゎ
ん
い
ぃ
き
ぎ
し
じ
ち
ぢ
に
ひ
び
ぴ
み
り
う
ぅ
く
ぐ
す
ず
つ
づ
っ
ぬ
ふ
ぶ
ぷ
む
ゆ
ゅ
る
え
ぇ
け
げ
せ
ぜ
て
で
ね
へ
べ
ぺ
め
れ
お
ぉ
こ
ご
そ
ぞ
と
ど
の
ほ
ぼ
ぽ
も
よ
ょ
ろ
を
ア
ァ
カ
サ
ザ
タ
ダ
ナ
ハ
バ
パ
マ
ヤ
ャ
ラ
ワ
ヮ
ン
イ
ィ
キ
ギ
シ
ジ
チ
ヂ
ニ
ヒ
ビ
ピ
ミ
リ
ウ
ゥ
ク
グ
ス
ズ
ツ
ヅ
ッ
ヌ
フ
ブ
プ
ム
ユ
ュ
ル
エ
ェ
ケ
ゲ
セ
ゼ
テ
デ
ヘ
ベ
ペ
メ
レ
オ
ォ
コ
ゴ
ソ
ゾ
ト
ド
ノ
ホ
ボ
ポ
モ
ヨ
ョ
ロ
ヲ
―
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
예시)
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
А
Б
В
Г
Д
Е
Ё
Ж
З
И
Й
К
Л
М
Н
О
П
Р
С
Т
У
Ф
Х
Ц
Ч
Ш
Щ
Ъ
Ы
Ь
Э
Ю
Я
а
б
в
г
д
е
ё
ж
з
и
й
к
л
м
н
о
п
р
с
т
у
ф
х
ц
ч
ш
щ
ъ
ы
ь
э
ю
я
′
″
℃
Å
￠
￡
￥
¤
℉
‰
＄
％
Ｆ
￦
㎕
㎖
㎗
ℓ
㎘
㏄
㎣
㎤
㎥
㎦
㎙
㎚
㎛
㎜
㎝
㎞
㎟
㎠
㎡
㎢
㏊
㎍
㎎
㎏
㏏
㎈
㎉
㏈
㎧
㎨
㎰
㎱
㎲
㎳
㎴
㎵
㎶
㎷
㎸
㎹
㎀
㎁
㎂
㎃
㎄
㎺
㎻
㎽
㎾
㎿
㎐
㎑
㎒
㎓
㎔
Ω
㏀
㏁
㎊
㎋
㎌
㏖
㏅
㎭
㎮
㎯
㏛
㎩
㎪
㎫
㎬
㏝
㏐
㏓
㏃
㏉
㏜
㏆
RISS 인기검색어
부가정보
다국어 초록 (Multilingual Abstract)
Korean traditional lyric song (Kagog 歌曲) are sung in two modes- Pyoungio (平調, the other name-ujo 羽調) and Kyemyounjo (界面調)-and in two styles, sung by male and fermale. The Pyoungio Kagog by male are all 13 tunes.
Almost of precedent studies on Kagog are dependent upon ancient notes for Keomungo (玄琴).
Therefore the result of studies on kagog is by accompanied melody of Keomungo only.
This study is on the melody pattern of 13 songs in Pyoungio by male.
Through this reserch 14 melody patterns were founded. The song Isudayoub (貳數大葉) and Tugeo (頭擧) is consisted of these patterns all (100%) of melody. In case other songs as follow ;
◁표삽입▷(원문을 참조하세요)
It was founded that cadence is related with construction of poetry and melody. Properly division of chapter is determined by cadence.
The form of song in kagog is A-B-B´ -C-B˝.
Almost of precedent studies on Kagog are dependent upon ancient notes for Keomungo (玄琴).
Therefore the result of studies on kagog is by accompanied melody of Keomungo only.
This study is on the melody pattern of 13 songs in Pyoungio by male.
Through this reserch 14 melody patterns were founded. The song Isudayoub (貳數大葉) and Tugeo (頭擧) is consisted of these patterns all (100%) of melody. In case other songs as follow ;
◁표삽입▷(원문을 참조하세요)
It was founded that cadence is related with construction of poetry and melody. Properly division of chapter is determined by cadence.
The form of song in kagog is A-B-B´ -C-B˝.
Korean traditional lyric song (Kagog 歌曲) are sung in two modes- Pyoungio (平調, the other name-ujo 羽調) and Kyemyounjo (界面調)-and in two styles, sung by male and fermale. The Pyoungio Kagog by male are all 13 tunes.
Almost of precedent studies on Kagog are dependent upon ancient notes for Keomungo (玄琴).
Therefore the result of studies on kagog is by accompanied melody of Keomungo only.
This study is on the melody pattern of 13 songs in Pyoungio by male.
Through this reserch 14 melody patterns were founded. The song Isudayoub (貳數大葉) and Tugeo (頭擧) is consisted of these patterns all (100%) of melody. In case other songs as follow ;
◁표삽입▷(원문을 참조하세요)
It was founded that cadence is related with construction of poetry and melody. Properly division of chapter is determined by cadence.
The form of song in kagog is A-B-B´ -C-B˝.
목차 (Table of Contents)
- 목차
- Ⅰ. 머릿글
- Ⅱ. 각 선율형의 선정과 그 특징
- 1. 각 선율형의 특징
- 2. 편장단의 선율형
- 목차
- Ⅰ. 머릿글
- Ⅱ. 각 선율형의 선정과 그 특징
- 1. 각 선율형의 특징
- 2. 편장단의 선율형
- Ⅲ. 선율의 구성 형태
- 1. 노래별 특성과 상관성
- 2. 구조와 형식
- Ⅳ. 맺는 글
동일학술지(권/호) 다른 논문
-
- 부산대 예술대학
- 김영길
- 1996
-
- 부산대 예술대학
- 황의종
- 1996
-
- 부산대 예술대학
- 채희완
- 1996
분석정보
이 자료와 함께 이용한 RISS 자료
나만을 위한 추천자료
