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      ‘생각하는 손’을 위한 자가제작 공예품 디자인 연구 = A Study on the Design of Handicraft for the ‘Thinking Hand’

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      https://www.riss.kr/link?id=A108917695

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The act of perceiving and making objects by hand is a key factor in human evolution essential to full existence. In an attempt to restore the self handicraft culture for the general public, this study redefines the role of the hand and formulate appropriate design strategy from an integrated hand-sensory-brain perspective in handicraft. A case study of a craft handbag was conducted in parallel to verify its effectiveness.
      In this study, ‘Thinking hand’ was defined according to the theoretical investigation stating the hand as the core subject of making which simultaneously work with motor and sensory nerves as well as the brain. Three essential criteria specified in terms of craft design for the ‘Thinking hand’ were ① finger use based on opposable thumb structure, ② touch experience of various materials ③ process centered approach inducing creative thinking. Next, Seven design principles for the self-craft product were derived from the essential criteria in order to propose an handbag concept. A prototype was constructed verifying its feasibility. Three people novice in craft making participated in a self-craft experiment of the proposed handbag. The experimental results were combined with participants’ survey and interview.
      Results show that activity of making handbag designed according to the seven design principles adequately provided an opportunity to experience and improve making skills utilizing finger motion, sensory activation, and creative thinking. Repeated rhythmic finger motion offer immersive making experience of the hand while evoking desire to improve. Touching different materials revitalize the hand for understanding material property and its appropriate use. Process centered approach catered towards individual preferences give psychological room for higher sense of imagination to be put into practice. The essential criteria and design principles proposed in this study can be used as a measure for developing self-craft products to activate brain and bodily senses leading to a path for a higher sense of creativity. This study is expected to present a new direction for the craft culture and contribute to cultivation of diversity through making.
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      The act of perceiving and making objects by hand is a key factor in human evolution essential to full existence. In an attempt to restore the self handicraft culture for the general public, this study redefines the role of the hand and formulate appro...

      The act of perceiving and making objects by hand is a key factor in human evolution essential to full existence. In an attempt to restore the self handicraft culture for the general public, this study redefines the role of the hand and formulate appropriate design strategy from an integrated hand-sensory-brain perspective in handicraft. A case study of a craft handbag was conducted in parallel to verify its effectiveness.
      In this study, ‘Thinking hand’ was defined according to the theoretical investigation stating the hand as the core subject of making which simultaneously work with motor and sensory nerves as well as the brain. Three essential criteria specified in terms of craft design for the ‘Thinking hand’ were ① finger use based on opposable thumb structure, ② touch experience of various materials ③ process centered approach inducing creative thinking. Next, Seven design principles for the self-craft product were derived from the essential criteria in order to propose an handbag concept. A prototype was constructed verifying its feasibility. Three people novice in craft making participated in a self-craft experiment of the proposed handbag. The experimental results were combined with participants’ survey and interview.
      Results show that activity of making handbag designed according to the seven design principles adequately provided an opportunity to experience and improve making skills utilizing finger motion, sensory activation, and creative thinking. Repeated rhythmic finger motion offer immersive making experience of the hand while evoking desire to improve. Touching different materials revitalize the hand for understanding material property and its appropriate use. Process centered approach catered towards individual preferences give psychological room for higher sense of imagination to be put into practice. The essential criteria and design principles proposed in this study can be used as a measure for developing self-craft products to activate brain and bodily senses leading to a path for a higher sense of creativity. This study is expected to present a new direction for the craft culture and contribute to cultivation of diversity through making.

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      참고문헌 (Reference)

      1 Coperthwaite, W., "핸드메이드 라이프" 돌베개 2014

      2 Denda, M., "제3의뇌" 열린과학 2009

      3 Sennett, R., "장인" 21세기북스 2010

      4 Forty, A., "욕망의 사물, 디자인의 사회사" 일빛 2004

      5 Weinmann, M., "손이 지배하는 세상" 해바라기 2002

      6 Napier, J., "손의 신비" 지호 1999

      7 Shaw Wilgis, E. F., "손의 비밀" 도서출판 정한책방 2015

      8 Crawford, B. M., "손으로, 생각하기" 사이 2017

      9 Grunwald, M., "손길이 닿는 순간 당신에게 일어나는 일" 자음과모음 2019

      10 Kubota, K., "손과 뇌" 바다출판사 2014

      1 Coperthwaite, W., "핸드메이드 라이프" 돌베개 2014

      2 Denda, M., "제3의뇌" 열린과학 2009

      3 Sennett, R., "장인" 21세기북스 2010

      4 Forty, A., "욕망의 사물, 디자인의 사회사" 일빛 2004

      5 Weinmann, M., "손이 지배하는 세상" 해바라기 2002

      6 Napier, J., "손의 신비" 지호 1999

      7 Shaw Wilgis, E. F., "손의 비밀" 도서출판 정한책방 2015

      8 Crawford, B. M., "손으로, 생각하기" 사이 2017

      9 Grunwald, M., "손길이 닿는 순간 당신에게 일어나는 일" 자음과모음 2019

      10 Kubota, K., "손과 뇌" 바다출판사 2014

      11 wChihiro, M., "생각하는 피부" 논형 2014

      12 Flusser, V., "사물과 비사물" 필로소픽 2023

      13 Livingston, P., "발도르프학교의 공예수업" 푸른씨앗 2022

      14 Hatch, M., "메이커 운동 선언" 한빛미디어 2014

      15 박혜영 ; 나건, "‘공예 대중화’를 위한 메이커 교육 프로세스 연구 -디자인 씽킹 방법론(W-I-P-R)과 전문가 인터뷰를 통하여-" 한국디자인문화학회 26 (26): 185-196, 2020

      16 Marzke, M., "Tool making, hand morphology and fossil hominins" 368 (368): 1-8, 2013

      17 Wilson, R. F., "The Hand" Vintage Books 1998

      18 Royal College of Art, "Design Through Making"

      19 CABRERA reseach lab, "Cortex Man"

      20 Mitchel, R., "All I really need to know(about creative thinking), I learned (by studying how children) in the Kindergarten" 1-6, 2007

      21 최공호, "2021 청주공예비엔날레 학술행사1" 5-11, 2021

      22 최공호, "1950-70년대의 한국 공예: 형질의 해체와 조형화" 미술사학연구회 (55) : 7-28, 2020

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