(The)interior dimension : a theoretical approach to enclosed space

목차 (Table of Contents)

• CONTENTS
• Preface = xi
• Acknowledgments = xiii
• Introduction = xv
• Part Ⅰ The Character of Interior Space = 1
• 1. The Role of Theory = 3
• Interior Spaces: human needs; types of architectural space; interior and exterior; ideology; architecture as social measure = 3
• Theory and Practice: derivation of theory; model and theory; the vernacular versus "high-style"; the aesthetic response = 7
• Beauty as an Issue: cultural determinants; beauty as innate; cultural preference = 11
• Spatial Character: spatial types and models; historical growth; private and public realms = 13
• Interior Attributes: the nature of materials; dimensional qualities; psychological information; mnemonic function = 20
• 2. Form and Function = 23
• Form and Design: product versus process; to order, relate, and control = 23
• Subject, Form, and Content: aesthetic form; function and symbolism; expressive interior space = 25
• Form and Function: meaning in architecture; "will to form"; perceptual theories; definition of function; human needs; scope of design = 28
• Spatial Organization: basic design elements; ordered information systems = 35
• Mass and Space: common usage; exterior and interior; transitional space; spacio-plastic unity; nature of interior space = 37
• 3. The Vocabulary of Design = 45
• Perceptual Reality: psychosocial basis = 45
• Design Elements: line (point, line, plane); point in service of the absolute; power of line = 46
• Shape-types: geometric/biomorphic types; archetypal/cultural/personal measures of shape = 49
• Texture and Value: texture-real, implied, visual; value-light incidence and shadow = 51
• Color and Light: light factors; psychological, physiological, aesthetic, associative, customary, symbolic color systems; applications of theory = 54
• 4. The Grammar of Design = 65
• Determinants of Space: absolute space (cartesian) versus object space (proxemic); perceptual space = 65
• Organizing Principles: unity-balance, arrangement, sequence, scale, proportion; visual weight, focus, duration = 69
• Concept and Type: methodology; concept statements; archetypes in communication; typology = 75
• Constructs: organized visual elements; design applications; concept, theory, product = 77
• Design Notation Systems: formative/developmental/informative; Parti diagrams; view limitations; drawing types; design implications = 79
• 5. Ordering Systems = 85
• Enclosure: interior volume; spatial dynamics; wall types; significant detail = 85
• Proportion: cultural derivation; geometry and harmonics; characteristic ratio; Golden Section; dynamic symmetry; Fibonacci series; the Modulor = 87
• Specific Geometry: geometric-symbolic systems; regular polygons; perimeter efficiency; surface efficiency; size and proportion = 95
• Scale: relative size; formal aspects; context; modular systems; usual expectation; human scale = 98
• Perspective: cognitive versus optical reality; physical aspects; kinesthetic data; perceptual constancy; perspective types; illusion = 102
• Part Ⅱ The Development of Interior Space = 107
• 6. Seminal Viewpoints = 109
• Vitruvius: firmitas, utilitas, venustas; basis for architecture-order, arrangement, eurythmy, symmetry, propriety, economy = 109
• Alberti: importance of the residential interior; mathematics and music theory; spatial continuity; scientific basis for art = 112
• Palladio: Vitruvian influence; unity of interior and exterior; rules of design; effects abroad = 115
• Adam: interior architecture; the picturesque in design; influence of the antique = 118
• Boffrand and Blondel: eighteenth-century pattern books; interior emphasis; design and decoration; the morally instructive = 122
• 7. The Nineteenth Century = 127
• Theoretical Basis: engineering and architecture-Durand, Rondelet; emergence of the grid = 127
• Cast-Iron Architecture: Labrouste and Paxton; implications for interior space; new types = 129
• Chicago School: technical developments in the interior; morality of commerce; influence of the client; space in relation to activity = 134
• Arts and Crafts: ideas of Ruskin and Morris; "Gothicism"; the Craftsman movement = 137
• Art Nouveau: importance to interior design: the work of Mackintosh, Guimard, and Horta; Vienna Secessionists; use of geometry = 141
• 8. Systematic Applications = 147
• Aesthetic Systems: goals and belief patterns; inherent social values; critique of goals = 147
• Social Responsibility: eighteenth-century roots; Christian morality and Gothic revivalism-Pugin, Ruskin; nineteenth-century domestic applications = 149
• Rationalism: the structural approach; LaBrouste's library; functionalism-Durand and Viollet-le-Duc; implications for the twentieth century = 154
• Academic Instruction: importance of Guadet; $$\acute E$$cole des Beaux-Arts; Garnier's Paris Opera; use of historical reference; forms and values = 158
• Domestic Environment: eclecticism; embrace of the vernacular; builder's journals and pattern books; catalogs and magazines = 160
• 9. A Bold New Century = 165
• Frank Lloyd Wright: organic architecture; 1901 Arts and Crafts lecture; craft and the machine; influence on the Werkbund and Bauhaus = 165
• The Deutscher Werkbund: Muthesius and Behrens; expression versus standardizaton; 1914 Cologne Exhibition; Loos' critique = 169
• The Staatliche Bauhaus: virtue of standardization; art/craft/architecture; materials and program; designed interior artifacts; social concerns = 173
• Modernism: influence of fine arts-Malevich; De Stijl aesthetic functionalism-Rietveld and Mondrian; planarity; international character = 178
• Le Corbusier: form and material; a model structure; art and artifact; spatial qualities = 181
• 10. Emerging Building Types = 187
• Functionalism: the International Style; role of symbol; critique of program = 187
• Residential Design: Dymaxion House; science in the home; influence of Fuller and Wright; Usonian home; home economics; vernacular types = 188
• Postwar Housing: Small House Bureau; FHA and the developers; tract housing and prefabrication; furniture types; interior scale and proportion = 194
• High-Rise Living: historical growth; transience; 1909 Theorem; apartment types; insularity = 199
• The Office Environment: functional determinants; tall buildings; standard plan; alternative spatial arrangements; social aspect of design elements = 203
• Part Ⅲ The Measure of Interior Space = 207
• 11. The Human Dimension = 209
• organizational Factors: movement study; scientific management; household structure; standardization = 209
• Physical Factors: domestic appliances; streamlining; bathroom design; design of service core; open-plan design = 213
• Social Factors: social inequality; feminist view of housing; collective housing; socialized living; the apartment-hotel; suburbs = 218
• Psychological Factors: environmental psychology; territoriality; ergonomics; proxemics and spatial types; personal space; Hawthorne Effect; spatial status factors in office environments = 222
• Cultural Factors: spatial sign-systems; integration levels and codes; fashion and taste = 229
• 12. The Space Within = 231
• Approach and Departure: transitional elements; "objective percept"; spaces versus pathways; position of observer; journey and arrival = 231
• Factors in Spatial Movement: information types; contextual factors; basic-orienting and haptic systems; kinsethetic factors; body movement = 236
• Path Configurations: interior pathways; cognitive mapping; spatial components; functional distance; plan/movement; axial types; determinants of axes = 239
• Sequence and Focus: sequential pathways; focal points; power of language; transition zones = 246
• Control of Light: functional versus expressive; interior circulation; natural versus artificial; time indication; qualities of light = 250
• 13. The Enclosure Revealed = 253
• Inherent Qualities: strength and beauty; form and material; availability; design intention.; product technologies; "good materials." = 253
• Associational Qualities: transformational character; allegorical qualities; fashionable valuation; situational alteration = 256
• Detailing: "meaningful, sensual event"; materials/formal joints; detail-drawings; vernacular input; tangible presence; detail and ornament = 260
• Ornament: beauty and ornament; linguistic form; ornamental purpose; devaluation of ornament; embodiment of memory; morphology; "ornament and crime;- methodology; ornamental structure = 264
• Symbolic Content: symbolic ornament; art and artifice; design and symbol = 271
• 14. Archetypes and Ethics = 275
• Spatial Archetypes: type and archetype; the collective unconscious; topoanalysis; dwelling and location; genius loci; plastic expression = 275
• Sign and Ritual: structure and representation; Existenzminimum and Bollingen; expressive space; semiotics; sign and function; the Time House = 281
• Experiential Space: structuralist spatial order; boundaries and wall types; activity models = 286
• The Spatial Environment: a dual approach; spatial paradigms; human sciences; programming = 290
• Ethics and Ideology: alternative housing types; the New American House; the quality of life = 291
• Notes = 301
• Caption Notes = 337
• Selected Readings = 341
• Index = 357