응구기 와 시옹오의 「마티가리」 - 포스트식민성과 주변부의 보편성 = Ngugi wa Thiong’o’s Matigari - Postcoloniality and Universality of the Periphery

다국어 초록 (Multilingual Abstract)

‘ Decentralization’ is the motto of Ngugi’s political and cultural agenda. He defines the Western culture and the Kenyan neo-colonial ruling elite as having been ‘the center’ dominating the modern Kenya. As a result, the predicament of postcoloniality prevails among the African neo-colonial nations. To expose and overcome the universal conditions of postcoloniality, Ngugi begins to write his later novels, on the one hand in the native Gikuyu language and on the other hand in the allegorical narrative. He believes that his works will rehabilitate the marginalized people and restore the African national culture against the Western one. In this aesthetic strategy, Matigari became a kind of new African classic, different from those of Achebe, S oyinka, and even Ngugi’s earlier English novels.

목차 (Table of Contents)

• 1. 들어가며
• 2. 주변부의 포스트식민성과 역사적 보편성
• 3. 포스트 식민성과 구연문학의 서사양식
• 4 . 포스트 식민성의 편재와 마티가리의 수난
• 5. 결 론

참고문헌 (Reference)

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11 Balogun, Fidelis Odun, "Matigari : An African Novel as Oral Narrative Performance" 10 (10): 129-165, 1995

12 Ngugi wa Thiong’o, "Matigari" Africa World Press 1998

13 Msiska, Mpalive-Hangson, "Locating Postcolonial Narrative Genres" Routledge 2013

14 Hall, Stuart, "Identity: Community, Culture, Difference" Lawrence & Wishart 222-237, 1990

15 Ngugi wa Thiong’o, "Devil on the Cross" Heinemann 1982

16 Ngugi wa Thiong’o, "Decolonising the Mind : The Politics of Language in African Literature" James Currey 1986

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