Walter Sickert : the complete writings on art

목차 (Table of Contents)

• CONTENTS
• List of Illustrations = xxii
• Acknowledgments = xxv
• Introduction = xxvii
• Chronology = xxxvii
• Abbreviations = xl
• A COMPLETE EDITION OF WALTER SICKERT'S ART CRITICISM
• 'An Art Student writes to us as follows', Pall Mall Gazette, 7 June 1882 = 3
• 'Mr Whistler and His Art', The Artist and Journal of Home Culture, 1 June 1884 = 3
• 'Whistler by a Whistlerite', Truth, 7 May 1885 = 5
• 'Mr Whistler and Mr Menpes', Pall Mall Gazette, 27 April 1888 = 7
• 'The Royal Society of British Artists', Scottish Art Review, January 1889 = 7
• 'Impressionism-True and False', Pall Mall Gazette, 2 February 1889 = 10
• '"Abiding Art". Mr Spielmann's "Great Drypoint"', New York Herald, 3 March 1889 = 11
• 'A Portfolio of Lithographs', New York Herald, 4 March 1889 = 12
• 'A Concession, But-', New York Herald, 6 March 1889 = 13
• 'Painter-Etchers', New York Herald, 7 March 1889 = 14
• 'Corot Indifferent to Colour', New York Herald, 8 March 1889 = 15
• 'The Painter-Etchers', New York Herald, 14 March 1889 = 16
• 'The Royal Institute', New York Herald, 18 March 1889 = 18
• 'Mr Spielmann Abroad', New York Herald, 19 March 1889 = 21
• 'Uninspired Art Notes', and 'The Lady Artists', New York Herald, 27 March 1889 = 21
• 'Drawing. Messrs Dowdeswell's Galleries(First Notice)', New York Herald, 1 April, 1889 = 26
• 'Picture-Pasters. The Dowdeswell Galleries', New York Herald, 5 April 1889 = 28
• 'The Dowdeswell Galleries(Third Notice)', New York Herald, 10 April 1889 = 31
• 'The New English Art', New York Herald, 14 April 1889 = 34
• 'The New English Art Club(First Notice)', New York Herald, 16 April 1889 = 35
• '"s" in the "Echo"', New York Herald, 17 April 1889 = 37
• 'Mr H. Marion Spielmann', New York Herald, 19 April 1889 = 40
• 'The New English Art Club Exhibition', The Scotsman, 24 April 1889 = 41
• 'The New English Art Club(Second Notice)', New York Herald, 27 April 1889 = 42
• 'The Private Gallerise', New York Herald, 4 May 1889 = 44
• 'The Royal Academy(First Notice)', New York Herald, 8 May, 1889 = 46
• 'The Royal Academy(Second Notice)', New York Herald, 16 May, 1889 = 48
• 'The New English Art Club(Third Notice)', New York Herald, 14 June 1889 = 53
• 'Topical Interviews : Mr Walter Sickert on Impressionist Art', The Sun, 8 September 1889 = 56
• 'Impressionism', Goupil Gallery, 2 December 1889 = 59
• 'London Impressionists', Scots Observer, 1 March 1890 = 61
• Letter, Art Weekly, 12 April 1890 = 61
• 'The Royal Academy Exhibition', Art Weekly, 10 May 1890 = 61
• 'The Royal Academy Exhibition Ⅱ', Art Weekly, 17 May 1890 = 65
• 'Art', The Whirlwind, 28 June 1890 = 67
• 'Literature', The Whirlwind, 28 June 1890 = 69
• 'We see Mr Sickert and go him one better', The Whirlwind, 5 July 1890 = 70
• 'Art', The Whirlwind, 5 July 1890 = 70
• 'Reproductive Etching', The Whirlwind, 5 July 1890 = 71
• 'Art : The Whirlwind Diploma Gallery of Modern Pictures, Ⅰ', The Whirlwind, 12 July 1890 = 72
• 'Art : The Whirlwind Diploma Gallery of Modern Pictures, Ⅱ', The Whirlwind, 19 July 1890 = 73
• 'The Gospel of Impressionism', Pall Mall Gazette, 21 July 1890 = 74
• 'Art : The Whirlwind Diploma Gallery of Modern Pictures, Ⅲ', The Whirlwind, 26 July 1890 = 78
• 'Art : The Whirlwind Diploma Gallery of Modern Pictures, Ⅳ', The Whirlwind, 2 August 1890 = 79
• 'Correspondence', The Whirlwind, 23 August 1890 = 79
• 'The New English Art Club and its Aims', Pall Mall Gazette, 3 October 1890 = 80
• 'Francis E. James', Dudley Gallery, 6 December 1890 = 81
• 'Pennell v. Herkomer', National Observer, 28 March 1891 = 83
• 'Drawing and Photography', National Observer, 2 May 1891 = 84
• 'Modern Realism in Painting', in Jules Bastien-Lepage and His Art : A Memoir, ed. Andr$$e'$$ Theuriet, 1892 = 85
• 'Professor Herkomer, RA', National Observer, 6 February 1892 = 89
• 'Whistler To-Day', Fortnightly Review, April 1892 = 90
• 'Painters and the Public', Pall Mall Gazette, 30 April 1892 = 95
• 'Some Remarks on Impressionism', Art Journal, 1893 = 96
• 'To the Editor of the Westminster Gazette', Westminster Gazette, 20 March 1893 = 96
• 'Is the Camera the Friend or Foe of Art?,' Studio Magazine, July 1893 = 97
• 'Water Colours by D. S. MacColl', Manchester Guardian, 9 December 1893 = 97
• 'Mr Philip Wilson Steer's Paintings at the Goupil Dallery', studio Magazine, February 1894 = 99
• 'Knowledge in Art', The Globe, 30 July 1895 = 100
• 'The Art of George Du Maurier', The Speaker, 17 October 1896 = 101
• 'Rabboni', The Speaker, 24 October 1896 = 104
• 'The Art of Caricature', The Speaker, 31 October 1896 = 105
• 'Two Exhibitions', The Speaker, 7 November 1896 = 108
• 'Furniture Picture', The Speaker, 14 November 1896 = 110
• 'On Line', The Speaker, 21 November 1896 = 112
• 'The Private Galleries', The Speaker, 28 November 1896 = 114
• 'The Grafton Galleries', The Speaker, 12 December 1896 = 116
• 'Lord Leighton's Studies', The Speaker, 26 December 1896 = 119
• 'Transfer Lithography', Saturday Review, 26 December 1896 = 121
• 'Small Pictures', The Speaker, 2 January 1897 = 124
• 'A Great Englishman', The Speaker, 16 January = 126
• 'Wanted, a Critic!', The Sun, 16 January 1897 = 129
• 'Schools of Art', The Speaker, 23 January 1897 = 131
• 'Art Criticism', The Speaker, 6 February 1897 = 133
• 'The Royal Academy', The Sun, 10 February 1897 = 135
• 'Ford Madox Brown', The Speaker, 13 February 1897 = 137
• 'The Royal Academy', The Sun, 17 February 1897 = 139
• 'Drawing From the Life', The Speaker, 20 February 1897 = 141
• 'Ford Madox Brown', The Speaker, 27 February 1897 = 143
• 'Water-colour Drawings', The Speaker, 6 March 1897 = 145
• 'The Master of the Transfer Lithograph', The Speaker,13 March 1897 = 147
• 'The Royal Society of Painter-Etchers', The Speaker, 20 March 1897 = 149
• 'Du Maurier's Drawings', The Speaker, 27 March 1897 = 151
• 'Royal Academy Reform', The Speaker, 3 April 1897 = 153
• 'Alphonse Legros', The Speaker, 10 April 1897 = 155
• 'The New English Art Club', The Speaker, 17 April 1897 = 157
• 'Charles Hazelwood Shannon', The Speaker, 24 April 1897 = 160
• 'New Gallery', The Speaker, 1 May 1897 = 163
• 'The Royal Academy(First Notice)', The Speaker, 8 May 1897 = 166
• 'The Royal Academy(Second Notice)', The Speaker, 15 May 1897 = 168
• 'Van Beers and Menpes', The Speaker, 22 May 1897 = 170
• 'Pictures of Actors', The Speaker, 29 May 1897 = 172
• 'Black and White Originals', The Speaker, 5 May 1897 = 174
• 'Whistler's Etchings', The Times, 22 October 1908 = 177
• 'The New Life of Whistler', Fortnightly Review, December 1908 = 178
• 'Holbein's "Duchess of Milan"', Morning Post, 11 May 1909 = 188
• 'Straws from Cumberland Market', Art News, 20 January 1910 = 189
• 'Stones from a Glass House', Art News, 27 January 1910 = 191
• 'Abjuro', Art News, 3 February 1910 = 192
• 'Where Paul and I Differ', Art News, 10 February 1910 = 194
• 'Manet and the Impressionists', Art News, 17 February 1910 = 196
• 'Art and Art Critics', Art News, 24 February 1910 = 199
• 'The Greatest Living Critic', Art News, 3 March 1910 = 200
• 'Solomon J. Solomon', Art News, 10 March 1910 = 202
• 'Solomon J. Solomon : Amplification', Art News, 17 March 1910 = 204
• 'The Allied Artists' Assocation', Art News, 24 March 1910 = 207
• 'Open Letter to Mr Robert Ross', Art News, 31 March 1910 = 209
• 'Fathers and Sons', Art News, 7 April 1910 = 211
• 'Encouragement for Art', The New Age(Supplement), 7 April 1910 = 213
• 'All We Like Sheep', Art News, 7 April 1910 = 216
• 'A Correction', Art News, 14 April 1910 = 217
• 'New Wine', The News Age, 21 April 1910 = 218
• 'Painting and Criticism', Art News, 21 April 1910 = 219
• 'Exhibititis', The New Age, 28 April 1910 = 221
• 'The No-Jury System', Art News, 28 April 1910 = 223
• 'The Aesthete and the Plain Man', Art News, 5 May 1910 = 225
• 'Fashionable Portraiture', The News Age, 5 May 1910 = 226
• 'Idealism', Art News, 12 May 1910 = 228
• 'Goosocracy', The New Age, 12 May 1910 = 230
• 'Sargentolatry', The New Age, 19 May 1910 = 232
• 'The Spirit of the Hive', The New Age, 26 May 1910 = 235
• 'Culture for the East-End', Art News, 26 May 1910 = 238
• 'Allied Artists' Association', Art News, 2 June 1910 = 240
• 'The New English and After', The New Age, 2 June 1910 = 240
• 'Wriggle and Chiffon', The New Age, 9 June 1910 = 243
• 'The Study of Drawing', The New Age, 16 June 1910 = 247
• 'The Polish Rider', The New Age, 23 June 1910 = 249
• 'Impressionism', The New Age, 30 June 1910 = 252
• 'Soup-Kitchens or Trade', The New Age, 7 July 1910 = 255
• 'The Allied Artists' Association', The New Age, 14 July 1910 = 258
• 'The naked and the Nude', The New Age, 21 July 1910 = 260
• 'The Language of Art', The New Age, 28 July 1910 = 264
• 'The Contemporary Art Society', The New Age, 4 August 1910 = 267
• 'Little Pictures for Little Patrons', The New Age, 11 August 1910 = 271
• 'Art Criticism', The New Age, 8 September 1910 = 271
• 'Post-Impressionists', Fortnightly Review, January 1911 = 272
• 'L'Affaire Greaves', The New Age, 15 June 1911 = 282
• 'Camille Pissarro', Stafford Gallery, 13 October 1911 = 285
• 'The Old Ladies of Etching-needle Street', English Review, January 1912 = 288
• 'Mr Sickert's Art Teaching', Westminster Gazette, 4 January 1912 = 296
• 'Picarterbin', The New Age, 24 January 1912 = 297
• 'The Works of Whistler', The New Age, 29 February 1912 = 298
• 'A Critical Calendar',English Review, March 1912 = 298
• 'The Futurist "Devil-among-the-Tailors"', English Review, April 1912 = 304
• 'The Works of Whistler', The New Age, 4 April 1912 = 310
• 'The International Society', English Review, May 1912 = 310
• 'The Royal Academy', English Review, June 1912 = 315
• 'The Art of Mr Sickert', The New Age, 13 June 1912 = 321
• 'Mural Decoration', English Review, July 1912 = 322
• 'Law of Distortion', Pall Mall Gazette, 8 July 1912 = 329
• 'Mr George Moore and the Future of Art', Pall Mall Gazette, 23 July 1912 = 330
• 'Art Masters and Artists', Daily News and Leader, 11 April 1913 = 330
• 'South Kensington and its Training', Daily News and Leader, 19 April 1913 = 332
• 'The Artist as Teacher', Daily News and Leader, 2 May 1913 = 333
• 'The Allied Artists', The Star, 13 July 1913 = 335
• 'Apprentice or Student', The Times,30 July 1913 = 336
• 'The Nude in Art Schools', Pall Mall Gazette, 13 November 1913 = 337
• 'Modern Art', The New Age, 22 January 1914 = 338
• 'Mesopotamia-C$$e'$$zanne', The New Age, 5 March 1914 = 338
• 'Post-Impressionism and Cubism', Pall Mall Gazette, 11 March 1914 = 342
• 'A Stone Ginger', The New Age, 19 March 1914 = 343
• 'On Swiftness', The New Age, 26 March 1914 = 346
• 'On Scale', The New Age, 2 April 1914 = 349
• 'The Late Mr S. F. Gore', The New Age, 2 April 1914 = 352
• 'A Perfect Modern', The New Age, 9 April 1914 = 353
• 'Drawing from the Cast', The New Age, 23 April 1914 = 356
• 'Mr Ginner's Preface', The New Age, 30 April 1914 = 359
• 'Mr La Thangue's Paintings', The New Age, 7 May 1914 = 362
• 'Transvaluations', The New Age, 14 May 1914 = 365
• 'Mr Walter Sickert and Mr La Thangue RA', Pall Mall Gazette, 15 May 1914 = 368
• 'Modern French Classics', The New Age, 21 May 1914 = 368
• 'Whitechapel', The New Age, 28 May 1914 = 371
• 'The New English Art Club', The New Age, 4 June 1914 = 374
• 'On the Conduct of a Talent', The New Age, 11 June 1914 = 376
• 'The Thickest Painters in London', The New Age, 18 June 1914 = 378
• 'Democracy in Esse at Holland Park', The New Age, 25 June 1914 = 381
• 'The Third National Loan Exhibition : Pictures From the Basildon Park and Fonthill Collections', Grosvenor Gallery, December 1914 = 384
• 'A Monthly Chronicle : The Whistler Exhibition', Burlington Magaznie, July 1915 = 386
• 'An Early Landscape by William Maris', Burlington Magazine, August 1915 = 388
• 'The Future of Engraving', Burlington Magazine, September 1915 = 389
• 'Maurice Asselin', Carfax & Co., November 1915 = 395
• 'Monthly Chronicle : Roger Fry； Maurice Asselin', Burlington Magazine, December 1915 = 396
• 'A Monthly Chronicle : The London Group', Burlington Magazine, January 1916 = 400
• 'Spencer Frederick Gore', Carfax & Co., February 1916 = 402
• 'A Monthly Chronicle : The New English Art Club', Burlington Magazine, February 1916 = 403
• 'The True Futurism', Burlington Magazine, March 1916 = 404
• 'A Monthly Chronicle : O Matre Pulchr$$\hat a$$', Burlington Magazine, April 1916 = 407
• 'A Monthly Chronicle : Forain', Burlington Magazine, May 1916 = 409
• 'A Monthly Chronicle : Alvaro Guevara', Burlington Magazine, August 1916 = 411
• 'Degas', Burlington Magazine, November 1917 = 413
• 'Walter Bayes', Leicester Galleries, March 1918 = 422
• 'A Well-Bred Artist : Nina Hamnett', Eldar Gallery, June 1918 = 423
• 'Nina Hamnett', Cambridge Magazine,8 June 1918 = 424
• 'Th$$e'$$r$$\bprime e$$se Lessore', Arts and Letters, November 1918 = 427
• 'Rops', New Statesman, 22 February 1919 = 430
• 'Paul C$$e'$$zanne', Anglo-French Review, 1920 = 430
• 'The Arithmetic of Beauty', Manchester Guardian, 2 February 1920 = 433
• 'Review : The Whistler Journal, by E. R. and J. Pennell', Burlington Magazine, March 1922 = 433
• 'Johann Jurgen Sickert(1803-1864) and Oswald Adalbert Sickert(1828-1885)', Goupil Gallery, June 1922 = 435
• 'French Art of the Nineteenth Century', Burlington Magazine, June 1922 = 436
• 'Some French cartoonists', Morning Post, 6 June 1922 = 441
• 'Art in Oxford. Passive and Active Study's Morning Post, 12 June 1922 = 444
• 'Art in Oxford. Amaloamation of Slade Professorships', Morning Post, 13 June 1922 = 445
• 'Greek Poets in Notting Hill', Morning Post, 15 June 1922 = 445
• 'Vanessa Bell', Burlington Magazine, July 1922 = 446
• 'Diez, Busch and Oberl$$\ddot a$$nder', Burlington Magazine, October 1922 = 448
• 'The Derby Day', Burlington Magazine, December 1922 = 453
• Degas : 'The Sculptor of Movement', Leicester Galleries, February 1923 = 455
• 'Wood-cuts of the 'Sixties at the Tate', Burlington Magazine, March 1923 = 457
• 'The Wertheimer Portraits', The Times, 13 March 1923 = 460
• 'French Painters of the Nineteenth Century at the Lef$$\bprime e$$vre Galleries', Nation and Athenaeum, 19 May 1923 = 461
• 'French Pictures at Knoedler's Gallery', Burlington Magazine, July 1923 = 463
• 'Modern Classics : Nineteenth-Century French Painters at Messrs Knoedler's', Nation and Athenaeum, 7 July 1923 = 466
• 'A Monthly Chronicle : Degas；The Pre-Raphaelite Exhibition at the Tate Gallery', Burlington Magazine, December 1923 = 468
• 'Straws from Cumberland Market', Southport Visiter, 24 January 1924 = 470
• 'Mr Walter Sickert's story;, Evening Standard, 9 February 1924 = 480
• 'Mr Sickert's Art Lecture', Southport Visiter, 1 March 1924 = 480
• 'Mr Sickert's Art Lecture', Southport Visiter, 15 March 1924 = 480
• 'Mr Burrell's Collection at the Tate', Southport Visiter, 5 April 1924 = 481
• 'Mr Burrell's Collection at the Tate, Ⅱ', Southport Visiter, 19 April 1924 = 483
• 'Fantin and Van Huysum', Southport Visiter, 26 April 1924 = 486
• 'Mr Finberg and Turner', Southport Visiter, 3 May 1924 = 488
• 'The Royal Academy', Southport Visiter, 10 May 1924 = 491
• 'A Morning at Christie's', Southport Visiter, 17 May 1924 = 494
• 'A Great Renoir', Southport Visiter, 24 May 1924 = 497
• 'Callot', Burlington Magazine, September 1924 = 499
• 'Modern French Painting', Burlington Magazine, December 1924 = 500
• 'Preface to an 'Exhibition of paintings by S. J. Peploe, Leslie Hunter, F. C. B. Cadell, and J. D. Fergusson', January 1925 = 502
• 'House of Lords War Memorial', The Times, 3 January 1925 = 504
• 'Daumier's Pictures : Mr Sadleir's Eulogy', Daily Telegraph, 4 February 1925 = 504
• 'The Importance of Being Canvas', Daily Telegraph, 4 March 1925 = 508
• Letter, Sunday Times, 29 March 1925 = 510
• 'With Wisest Sorrow', Daily Telegraph, 1 April 1925 = 510
• 'A "New" Whistler? Export Opinion', Morning Post, 24 April 1925 = 512
• 'Living Artists in the National Gallery', The Times, 27 April 1925 = 512
• 'Is it a Whistler? Expert Opinion', Morning Post, 28 April 1925 = 513
• 'Is it a Whistler? Style of Painting', Morning Post, 1 May 1925 = 514
• 'The Whole Design', Morning Post, 4 May 1925 = 514
• 'Modern Line Engraving;, Daily Telegraph, 6 May 1925 = 515
• 'My Ideal Collector', Morning Post, 9 May 1925 = 517
• 'From the Life', Morning Post, 18 May 1925 = 518
• 'The Word "Poetess"', Morning Post, 23 May 1925 = 519
• 'Self-Conscious Paint', Daily Telegraph, 3 June 1925 = 520
• 'Pictures in Schools', The Times, 30 June 1925 = 522
• 'Pictures for Schools', The Times, 3 July 1925 = 522
• 'Queen Victoria at Westminster', The Times, 7 July 1925 = 523
• 'Art in Schools' The Times, 18 July 1925 = 523
• 'Mr W. S. Marchant', The Times, 24 September 1925 = 524
• 'Illustration', Daily Telegraph, 7 October 1925 = 524
• 'Fairy Food', Daily Telegraph, 4 November 1925 = 526
• 'The Royal Academy', Nation and Athenaeum, 28 November 1925 = 528
• 'A Manchester School of Painters?', Manchester Guardian, 2 December 1925 = 528
• 'Criticism by Tocsin. Artist and Public', Daily Telegraph, 2 December 1925 = 529
• Preface to Eighty-Eight Cartoons by Powys Evans, 1926 = 530
• 'Easel and Campstool', Daily Telegraph, 6 January 1926 = 533
• 'Playing at Work', Daily Telegraph, 3 February 1926 = 534
• 'The Arithmetic of Beauty', Manchester Guardian, 9 February 1926 = 536
• 'The Great Modern', Daily Telegraph, 3 March 1926 = 537
• 'On the Choice of Pictures', Manchester Guardian, 6 march 1926 = 538
• 'Manchester City Art Gallery : Holman Hunt and the Pre-Raphaelites', Manchester Guardian, 8 March 1926 = 540
• 'The Whitworth Art Gallery : Meaning of a"Modern Collection"', Manchester Guardian, 9 March 1926 = 544
• 'Farquharson & Courbet : Snowpiece and Palette-knife', Daily Telegraph, 7 April 1926 = 547
• 'Exhibition of Drawings by Modigliani', Arthur Tooth & Sons, November 1926 = 548
• 'Millet's "Coup de Vent"', The Times, 9 November 1926 = 548
• 'Old Masters and Living Artists', The Times, 1 December 1926 = 549
• 'Constable's Country', The Times, 6 January 1927 = 549
• 'Constable's Country', The Times, 14 January 1927 = 550
• '"Impressionist" Forgeries', Evening News, 7 March 1927 = 550
• 'Lady Burdett-Coutts's Fountain', The Times, 10 March 1927 = 553
• 'Alleged" Whistlers', The Times, 14 March 1927 = 553
• 'Art Students and Dealers', The Times, 4 April 1927 = 554
• 'Broadcasting', Morning Post, 19 April 1927 = 554
• 'The Function of a Landscape', The Times, 5 May 1927 = 555
• 'Fading Msterpieces', Daily News, 24 May 1927 = 555
• 'A Great Impressionist', Evening New, 30 May 1927 = 555
• 'Old Masters and New', Morning Post, 12 July 1927 = 558
• 'Disputed Whistlers', The Times, 25 July 1927 = 558
• 'Picture Forgeries', The Times, 9 August 1927 = 559
• 'Art and Utility', The Times, 15 September 1927 = 559
• 'Preface to 'Exhibition of Paintings and Pastels by Antonio Mancini', Claridge Gallery, 52 Brook Street, 7-28 October 1927 = 560
• 'Call for New Art Gallery', Daily Mirror, 25 October 1927 = 561
• 'Roadside Art. Harmony and Accident', Morning Post, 29 October 1927 = 561
• 'Lesser-Known Artists', The Times, 24 November 1927 = 562
• 'Lesser-Known Artists', The Times, 26 November 1927 = 562
• 'The Early Giants', The Times, 14 December 1927 = 563
• 'Modern Posters. An Eminent Artist's Choice', Morning Post, 20 December 1927 = 563
• 'Children's Taste in Art. Cotton Prints of Classics', Morning Post, 23 December 1927 = 563
• 'Films and The Bible', The Times, 28 December 1927 = 564
• 'Pictures for Children', Morning Post, 2 January 1928 = 564
• 'The Tate Gallery Turners', The Times, 27 January 1928 = 564
• 'Beautiful Petrol Pumps', Morning Post, 18 April 1928 = 565
• 'Paul Maitland', Leicester Galleries, May 1928 = 565
• 'The London Group', Sunday Times, 20 May 1928 = 566
• '"Roussof" and Whistler', The Times, 1 June 1928 = 567
• 'Association Value', The Times, 7 June 1928 = 567
• 'On Hanging Pictures', The Times, 16 June 1928 = 568
• 'Selecting Committees', Sunday Times, 29 July 1928 = 568
• 'Mr Sickert on Hanging', Morning Post, 6 November 1928 = 569
• 'LCC Portrait Gallery', The Times, 13 November 1928 = 569
• 'Functions of the Royal Academy', The Times, 20 December 1928 = 569
• 'LCC and the Royal Academy', Observer, 27 January 1929 = 570
• 'Duncan Grant', Nation and Athenaeum, 16 February 1929 = 570
• 'Authentic Paintings "Whistler'' Owner's Plan to "Pay by Results'", Daily Telegraph, 27 February 1929 = 572
• 'Less-Known Artists', The Times, 2 March 1929 = 573
• 'The "Leonardo da Vinci" Picture Trial. Tribute to Sir Joseph Duveen', Daily' Telegraph, 6 March 1929 = 573
• 'Less-Known Artists', The Times, 7 March 1929 = 573
• 'Ex-Speaker's Portrait The Parliamentary Tribute to Mr Whitley', Daily Telegraph, 11 March 1929 = 574
• 'Reform in the Royal Academy', Daily Telegraph, 11 March 1929 = 574
• 'Epstein's Panel. Reprsentation of "Ancient and Primitive Sculpture"?', Daily Telegraph, 19 March 1929 = 575
• 'Pop(u)lar Art', Daily Herald, 22 March 1929 = 576
• 'Epstein and Modern Sculpture. Mr Sickert's Championship', Daily Telegraph, 22 March 1929 = 576
• 'Modern Art at Millbank', The Times, 23 March 1929 = 576
• 'The Slade School', The Times, 26 March 1929 = 577
• 'Ugliness in Art', Daily Telegraph, 2 April 1929 = 577
• 'What Sort of Frame?', Daily Herald, 2 April 1929 = 578
• 'Evidence of Camera', Daily Telegraph, 6 April 1929 = 578
• 'The Disputed Romney', Daily Telegraph, 13 April 1929 = 579
• 'New Art Society', Daily Herald, 15 April 1929 = 579
• 'Summit of Snowdon', Daily Telegraph, 4 May 1929 = 579
• 'Gasometers', The Times, 16 May 1929 = 580
• 'English Coins and Stamps', The Times, 24 May 1929 = 580
• 'John Everett Millais', Fortnightly Review, June 1929 = 581
• 'Education in Art', The Times, 6 June 1929 = 588
• 'Pictures for the Nation', The Times, 26 June 1929 = 588
• 'A Professor of Painting', The Times, 4 July 1929 = 589
• 'Epstein Sculpture. "The Man in the Street" and his Work', Daily Telegraph, 4 July 1929 = 589
• 'The Haig Statue', The Times, 29 July 1929 = 589
• 'The Haig Statue', The times, 31 July 1929 = 590
• 'Depression in Art. French School's Place in World Market', Daily Telegraph, 3 August 1929 = 590
• 'The Haig Statue. Artists and the Camera', The times, 15 August 1929 = 591
• 'Mr Lawrence's Painting', New Statesman, 24 August 1929 = 592
• 'An Artist and the Art Critics', Liverpool Post and Mercury, 1 October 1929 = 592
• 'Pylons on the Downs', The Times, 5 October 1929 = 593
• 'The Twenty-One Gallery', Observer, 6 October 1929 = 593
• 'Future of the Autumn Exhibition', Liverpool Post and Mercury, 21 October 1929 = 593
• 'Pylons on the Downs', The Times, 2 November 1929 = 594
• 'Some French Painters', Fortnightly Review, December 1929 = 594
• 'No-Jury Hanging', Daily Mail, 30 December 1929 = 596
• 'The Tate Gallery', The Times, 30 December 1929 = 596
• 'Italia! Italia!', Fortnightly Review, February 1930 = 597
• '"Unsolved Art Problem". Mr Richard Sickert Supports Our Art Critic', Morning Post, 18 February 1930 = 602
• 'Copyright in Picture', The Times, 27 February 1930 = 603
• 'House of Lords Panels,' The Times, 15 March 1930 = 603
• 'Mr Brangwyn's Panels', The times, 21 March 1930 = 604
• '"Lancaster Gate" in RBA. Mr Sickert Explains the Origin of His Painting', Morning post, 1 April 1930 = 604
• 'Painters' Rewards', Daily Telegraph, 8 May 1930 = 605
• 'Painters' Rewards. Profit on Auction Sales', Daily Telegraph, 12 May 1930 = 605
• 'Painters' Rewards', Daily Telegraph, 15 May 1930 = 606
• 'The Royal Academy. Jogging the Elbows of the Forty', Daily Telegraph, 26 May 1930 = 606
• 'The Tate Gallery. Collection restricted to British Art', Daily Telegraph, 11 June 1930 = 607
• 'Professor Tonks', The Times, 8 July 1930 = 607
• 'Art and the Gasometer. Questions of Colouring', Daily Telegraph, 29 August 1930 = 607
• 'Picture Exhibitions. Hanging to Occupy the Full Walls', Daily Telegraph, 8 January 1931 = 608
• 'Earl Haig Statue. Criticism that Awaits Reply', Daily Telegraph, 26 January 1931 = 608
• 'Earl Haig Statue. Portraiture in Art,' Daily Telegraph, 30 January 1931 = 609
• 'The Sources' : English Echoes, A Series of New Paintings by Richard Sickert ARA', Leicester Galleries, May 1931 = 609
• 'Paint and the Camera', The Times, 1 May 1931 = 610
• 'Camille Pissarro(1830-1903)', Leicester Galleries, June 1931 = 611
• 'Tea-Trays" In Art', The Times, 10 July 1931 = 611
• 'Flood-Lighting Flatness or Plasticity', Daily Telegraph, 11 September 1931 = 612
• 'Richard Sickert on Why Our Artists Fail', Daily Herald, 10 November 1931 = 612
• 'The Twentieth Century', Leicester Galleries, January 1932 = 612
• 'The Derby of 1821', The Times, 12 January 1932 = 615
• 'Within the Nineteenth Century', Burlington Magazine, February 1932 = 615
• 'Free Trade in Art', The Times, 17 February 1932 = 617
• 'The Elgin Marbles', The Times, 27 February 1932 = 617
• 'Degas the Painter. Changes of Signature', Daily Telegraph, 22 March 1932 = 618
• 'Mr Albert Ludovici', The Times, 26 March 1932 = 618
• 'Our Debt to French Art. A Rejoinder to Lord Lee', Daily Telegraph, 23 June 1932 = 619
• 'Guide Lectures', The Times, 16 July 1932 = 619
• 'Modernism in Art', The Times, 2 August 1932 = 620
• 'The Colour Print. Picture Values of the Main in the Street', Daily Telegraph, 26 August 1932 = 620
• 'Vermeer's Technique Explained', Daily Telegraph, 4 October 1932 = 621
• 'Aids to the Painter', Daily Telegraph, 7 October 1932 = 621
• 'Sadler's Wells', The Times, 26 October 1932 = 621
• 'Exhibition of Water Colour Drawings by Walter Taylor', R. E. A. Wilson, 24 Ryder Street, St James, November 1932 = 622
• 'Sadler's Wells', The Times, 5 November 1932 = 623
• 'Famous Artist's Warning', Daily Herald, 23 November 1932 = 623
• 'James Barry's Studio', The Times, 15 December 1932 = 624
• 'Art and Logic', The Times, 1 March 1933 = 624
• 'Painting from Nature', The Times, 31 March 1933 = 625
• 'Painting from Nature', The Times, 3 April 1933 = 625
• 'BBC Statuary', The Times, 26 April 1933 = 626
• 'Burne-Jones', The Times, 20 June 1933 = 626
• 'Pictures at Exhibitions. Making More of Display', Daily Telegraph, 28 September 1933 = 626
• 'Restoration of Old Masters', The Times, 3 November 1933 = 627
• 'Degas', The Times, 19 December 1933 = 628
• 'John Collier's Paintings', The Times, 17 April 1934 = 628
• 'Prestige of the Academy', Daily Telegraph, 28 April 1934 = 628
• 'Whistler. The Artist in Practice', The Times, 12 July 1934 = 629
• 'Artist and the Sitter', Daily Telegraph, 17 August 1934 = 630
• '"Who Painted It?" From the President of the Royal Society of British Artists', Sunday Times, 26 August 1934 = 630
• Letter, The Times, 7 September 1934 = 630
• 'John Constable', The Times, 24 September 1934 = 631
• 'Constable', The Times, 27 September 1934 = 631
• 'Drawing from Nature', lecture, 26 October 1934 = 632
• 'Squaring Up a Drawing', lecture, 2 November 1934 = 634
• 'Underpainting', lecture, 9 November 1934 = 640
• 'Colour Study : Importance of Scale', lecture, 16 November 1934 = 649
• 'Engraving, Etching, etc.', lecture, 23 November 1934 = 657
• 'Black and White Illustration', lecture, 30 November 1934 = 664
• 'Painters and the Stage', The Times, 12 December 1934 = 672
• 'Mr William Poel', The Times, 18 December 1934 = 672
• 'Hire Purchase for Pictures', The Times, 21 January 1935 = 672
• 'Loans of Pictures Oversea', The Times, 2 February 1935 = 673
• 'Degas and Forain', Daily Telegraph, 18 March 1935 = 673
• 'Background for Pictures', The Times, 2 April 1935 = 674
• 'The National Gallery', Daily Telegraph, 20 April 1935 = 674
• 'Modern Art and Life', Daily Telegraph, 25 April 1935 = 675
• 'Joseph Crawhall', Sunday Times, 28 April 1935 = 675
• 'Royal Academy Rules. Some Proposals not Accepted', Daily Telegraph, 29 April 1935 = 676
• 'Mr Stanley Spencer's Pictures', Sunday Times, 5 May 1935 = 676
• 'Mr Sheepshanks's House', Morning Post, 10 May 1935 = 677
• 'The Epstein Statues in the Strand', Daily Telegraph, 11 May 1935 = 677
• 'Mr Sickert Resigns from the Royal Academy. Sequel to Epstein Controversy', Daily Telegraph, 21 May 1935 = 678
• '"Charley's Aunt" by Thomaso Brandoin', Morning Post, 12 June 1935 = 678
• 'Foreword' to New Paintings by Richard Sickert, Beaux Arts Gallery, 5 July 1935 = 679
• 'Monet's Water-Lilies', Sunday Times, 14 July 1935 = 680
• 'Paintings and Air', Daily Telegraph, 21 September 1935 = 680
• 'Artist's One Picture', Daily Telegraph, 6 October 1935 = 681
• 'A Famous Reynolds. First Sketch for "Mrs Sheridan"', Daily Telegraph, 11 October 1935 = 681
• 'The Care of Old Painting', Morning Post, 9 January 1936 = 682
• 'The Worthiest Monument', Daily Telegraph, 3 February 1936 = 682
• Letter, Sunday Times, 16 February 1936 = 683
• 'Whistler's Letters', Daily Telegraph, 18 February 1936 = 683
• 'Whistler's Portrait of Lady Eden',Morning Post, 21 February 1936 = 683
• 'A Great Artist', Observer, 19 April 1936 = 684
• 'Emil Lessore', Morning Post, 23 April 1936 = 684
• 'The French impressionists. Manet and Berthe Morisot', Morning Post, 11 May 1936 = 685