Carl Philipp Emanuer Bach : a guide to research

목차 (Table of Contents)

• CONTENTS
• Preface = xi
• Chapter 1. Introduction : Carl Philipp Emanuel Bach 1714-1788 = 1
• Works, Musical Style, Personal Associations = 1
• Survey of the History of C. P. E. Bach Research = 4
• Overview of Bach's Place in History = 7
• Chapter 2. Basic Resources Ⅰ : Catalogs, Indexes, and Other Sources = 11
• Catalogs, Indexes, and Collections of Documents = 11
• Tools for C. P. E. Bach Manuscript Studies = 27
• Bibliographies = 30
• Collections of Essays = 34
• Chapter 3. Basic Resources Ⅱ : C. P. E. Bachiana(Writings and Letters) = 41
• Selected C. P. E. Bach Writings(H. 867-875 and Others), Along with Published Letters by, to, and about C. P. E. Bach, and Other Documents = 41
• Chapter 4. Editing and Editions : A Historical View = 57
• C. P. E. Bach as Editor of His Father's Works = 57
• C. P. E. Bach as Publisher and Distributor of His Own Music = 61
• About Nineteenth- and Twentieth-Century Editions of C. P. E. Bach's Music = 64
• Selected Printed Music and Manuscripts = 70
• Chapter 5. Biographical Materials = 77
• Life and Works = 77
• The Early Years(1714-1738) = 86
• The Berlin Years(1738-1768) = 87
• The Hamburg Years(1768-1788) = 89
• Miscellaneous Studies = 95
• Chapter 6. C. P. E. Bach's Legacy : His Estate and Reception = 103
• The Estate = 103
• His Influence in Vienna = 106
• His Influence in Germany = 114
• His Influence in Britain, Ireland, Lithuania, Poland, Russia, Bohemia, and Spain = 117
• Evaluations of His Place in History = 119
• Chapter 7. Bach's Cultural Milieu and Aesthetics = 125
• Bach's Cultural Milieu = 125
• Bach's Aesthetic Principles = 127
• Chapter 8. Analysis and Criticism of Compositions and Writings = 145
• A. Style in General = 146
• Broad-Based Comments = 146
• Compositional Principles and Devices = 155
• B. Instrumental Music = 159
• Solo Keyboard(H. 1-501) : General Keyboard Style = 159
• Solo Keyboard(H. 1-501) : Concertos = 163
• Solo Keyboard(H. 1-501) : Sonatas = 172
• Solo Keyboard(H. 1-501) : Fantasias = 182
• Solo Keyboard(H. 1-501) : Rondos = 186
• Solo Keyboard(H. 1-501) : Assorted Keyboard Genres = 188
• Solo Keyboard(H. 1-501) : Organ Works = 191
• Solo Works for Other Instruments, and Chamber Music(H. 403-501 ; H. 502-647) = 193
• Symphonies(H. 648-668) = 202
• C. Vocal Music = 205
• Solo Voice(H. 669-771) = 205
• Choral Works(H. 772-866.5) = 209
• D. Didactic and Theoretical Works = 217
• Didactic Compositions(H. 867, 871, and Others) = 217
• Theoretical Writings : Einfall(H. 869) = 219
• Theoretical Writings : Versuch(H. 868, 870) = 219
• Chapter 9. Performance Practices = 225
• General Comments = 225
• Keyboard Fingering = 227
• Ornaments = 229
• Expression = 232
• Rhythmic Considerations = 236
• Improvisation = 238
• Performance of Instrumental and Choral Music = 239
• Indexes
• Author Index : Authors, Editors, Translators, and Reviewers = 247
• Subject Index = 257
• Index of Bach's Compositions Referenced in Citations = 271