윤이상의 'Etude for solo Flute'에 나타난 특징적 기법에 관한 연구 = (A) study on Isang Yun's individual technique of 'Etude for solo Flute'(1974)

다국어 초록 (Multilingual Abstract)

The 20th century was the time when various patterns were appeared with Modernism and Avant-garde. The world-renowned composer Isang Yun(1917-1995) is the representative Western music composer of Korea, who sublimates feature of Korean traditional music with a Western modern music technique.
In order to establish his own characteristic music world, Yun positively applied his music viewpoint formed throughout his experience in Korea.
His flute music well reflected solo instrument's characteristic and distinction. Such Bamboo flute and pipe symbolize a timbre and rendition of a flute.
'Etüdes für Flöte solo' comprises five musical pieces and each piece is accomplished to be performed with different types of the flute. The feature of distribution and rapid flow could be recognized from the musical piece which takes a dual symmetry structure. Indeed, Yun's unique technique Hauptton-technique could be observed frequently, and the use of grace notes represents Sigimsae. Although irregular time could not be found like it was used a lot in 20th century, Yun specialized diversity by giving differences in dynamic or the quality of tone, and the division of rhythm which was frequently used during 20th century. In order to emphasize the quality of Korean traditional music, he applied Nongeum and Tehsung as Quarter ton or Mordents; in addition, he utilized vibrato as Yosung of a Bamboo flute. The techniques he used such as Harmonics, Multiphonics, Double tremolo profess varicolored hue and multiplicity.
In the piece throughout the Hauptton-technique and Quarte tone, Yun exposes oriental speculation and aspect with the Western usage. According to this manner, Yun's intended mixture of the East and West is observable.

목차 (Table of Contents)

• 목차 = Ⅰ
• I. 서론 = 1
• 1. 연구의 목적과 의의 = 1
• 2. 연구의 방법 = 2
• II. 본론 = 3
• 1. 윤이상의 생애와 작품경향 = 3
• 1.1. 윤이상의 생애 = 3
• 1.2. 윤이상 작품의 특징과 시기별 경향 = 7
• 1.2.1. 윤이상 작품의 특징 = 7
• 1.2.2. 윤이상 작품의 시기별 경향 = 11
• 2. Flute의 역사와 발달 = 14
• 2.1. Flute의 기원 = 14
• 2.2. 16~17세기의 Flute = 16
• 2.3. 18세기의 Flute = 17
• 2.4. 19세기의 T. Boehm식 Flute = 18
• 2.5. 현재의 Flute = 19
• 3. 윤이상의 'Etude for solo Flute'의 특징적 주요기법 분석 = 21
• 3.1. 윤이상의 플루트를 위한 작품 = 21
• 3.2. 'Etude for solo Flute'의 특징적 주요기법 분석 = 23
• 3.2.1. 주요음 기법 (Main Tone Technique) = 23
• 3.2.2. 꾸밈음 (Ornament Tone) = 26
• 3.2.3. Harmonics = 27
• 3.2.4. Tonguing = 29
• 3.2.4.1. 싱글 텅깅 (Single Tonguing) = 29
• 3.2.4.2. 더블 텅깅 (Double Tonguing) = 30
• 3.2.4.3. 트리플 텅깅 (Triple Tonguing) = 30
• 3.2.4.4. 플라터 텅깅 (Flutter Tonguing) = 31
• 3.2.5. Key Click = 32
• 3.2.6. Sing with Flute = 34
• 3.2.7. Microtones = 36
• 3.2.8. Whistle Tone = 38
• 3.2.9. Multiphonics = 38
• 3.2.10. Wind Tone = 41
• 3.2.11. Pitch Bending = 42
• 3.2.12. New Trills = 45
• 3.2.12.1. Timbral Trill = 45
• 3.2.12.2. Double Tremolo Trill = 45
• 3.2.12.3. Breath Trill = 46
• 3.2.12.4. Key Trill = 47
• 3.2.13. Tongue Stop = 48
• III. 결론 = 50
• IV. 윤이상의 작품목록 = 51
• V. 참고문헌 = 61
• ABSTRACT = 63