《역경》의 음악미학에 기반한 음악 창작 연구 = Research on Music Creation Based on the Musical Aesthetics in the 《I Ching》

다국어 초록 (Multilingual Abstract)

This research explores the profound connection and practical application between I-Ching philosophy and music composition. The dissertation first examines the core philosophical concepts of I-Ching and their theoretical foundation in music creation, critically analyzing relevant studies by representative scholars both domestically and internationally. The research focuses on the mapping relationship between the Eight Trigrams and musical structures, analyzes Western composers‘ reception and application of I-Ching, and discusses the practical guiding value of I-Ching aesthetics for music composition.
The dissertation innovatively constructs a musical parameter system based on I-Ching hexagrams, organically combining traditional I-Ching thought with modern compositional techniques, and explores the integration possibilities between I-Ching compositional systems and artificial intelligence music generation. Finally, the research builds an I-Ching compositional aesthetic system from an Eastern thinking perspective and verifies its feasibility and artistic value through innovative practice.
This research not only enriches the cultural connotation of music composition theory but also provides new ideas and methods for contemporary compositional practice, holding significant importance for promoting the integration of Chinese traditional culture with modern music creation. The research findings have both theoretical depth and practical value, offering a new paradigm for cross-cultural research in the field of music composition.

목차 (Table of Contents)

• Ⅰ. 서론 1
• 1. 연구목적 1
• 2. 선행연구 검토 3
• 3. 연구범위 및 방법 9
• Ⅱ.역경철학과 음악 창작의 이론적 기초 12
• 1.역경철학 체계 개요 12
• 2.역경미학의 심미적 특징 18
• 3.역경사상의 음악 창작에 대한 지도적 의의 22
• Ⅲ. 중국 전통 음악의 역경미학 실제 적용 31
• 1. 고금(古琴)과 고대 악곡 속 역경미학 31
• 2.역경미학 사상의 <광릉산(廣陵散)> 작품 적용 연구 32
• 3.역경미학 사상의 <소상수운(瀟湘水雲)> 작품 적용 연구 44
• 4. 소결론 55
• Ⅳ. 현대 국내외 작곡 실천에서의역경미학 적용 사례 61
• 1. 자오샤오성(生)의 '태극 작곡 시스템' 분석-피아노 독주태극 61
• 2. 중야오광(耀光)의 '주역 작곡 시스템 연구-호선무와누란여 82
• 3. 존 케이지와 우연성 음악의역경실천, 피아노곡변화의 음악1 118
• 4. 인공지능 작곡 AI Nota Gen의 쇼팽, 리스트 모방과역경미학의 대응 125
• 5. 소결론 140
• V. 결론 143
• 참고문헌 146