Post-crisis European cinema : white men in off-modern landscapes

목차 (Table of Contents)

• CONTENTS
• 1 Introduction : Post-Crisis Europe, White Masculinity and Art Cinema = 1
• The Post-Crisis and the Off-Modem = 2
• White Masculinity = 10
• Post-Crisis European Cinema = 22
• The Outline of the Book = 27
• Works Cited = 31
• 2 Rites of Retreat and the Cinematic Resignification of European Cultural Geography = 35
• The World Is Bijj and Salvation Lurks Around the Corner = 43
• Delta = 50
• Suntan = 56
• Conclusions : Men in Retreat = 63
• Works Cited = 65
• 3 Unprocessed Pasts = 67
• Amen = 77
• Days of Glory = 85
• Cold War = 95
• Conclusions : Unprocessed Pasts = 103
• Works Cited = 106
• 4 Addiction and Escapism = 109
• Billy Elliot = 116
• T2 Trainspotting = 126
• Kills on Wheels = 136
• Conclusions : Addiction and Escapism = 145
• Works Cited = 146
• 5 Narratives of Migration = 149
• Terraferma = 154
• Morgen = 161
• Jupiter's Moon = 167
• Conclusions : Narratives of Migration = 176
• Works Cited = 179
• 6 The Lads of the New Right = 183
• The Wave = 191
• This Is England = 199
• July 22 = 206
• Conclusions : Lads of the New Right = 215
• Works Cited = 216
• 7 Angry Old Men = 219
• Tyrannosaur = 225
• I, Daniel Blake = 231
• A Maw Called Ove = 239
• Conclusions : Angry Old Men = 249
• Works Cited = 252
• 8 Conclusions = 255
• Works Cited = 265
• Index = 267