린화민의 작품 달 물(Moon Water)의 안무적 특징에 관한 연구 -태극권의 영향을 중심으로- = A Study on Choreographic Particularity in Lin Hwai Min`s Moon Water -Focusing on the Influence of Tai-Chi-Chuan-

다국어 초록 (Multilingual Abstract)

Lin Hwai-min`s choreography, Moon Water is reminiscent of two things. One is a Buddhist proverb: Flowers in a mirror and moon on the water are both illusive. The other describes the ideal state of Tai-Chi practitioners: Energy flows as water, while the spirit shines as the moon. concept of Moon Water, which signifies both reflection and illusion. The choreographer, Lin Hwai-min takes departure from these famous quotes to create this work, a poetic rendering of the Taoist philosophy. Lin Hwai Min uses human motion to explore the concept of Taoism and Buddhism. Cloud Gate Dance Theatre has been acclaimed to be Asia`s most important contemporary dance group since its founding in 1973 by the Taiwanese native Lin. his choreography captures the Eastern aesthetic in its essence. Moon Water is set to selections from Six Suites for Solo Cello by J.S. Bach, played by Mischa Maisky. Lin`s choreography isolated each presence on stage and drew out the beauty of organic sensuality. White strokes of a brush swept across the black marly floor to form one bold, concentric circle. A mirror was suspended diagonally midair throughout the dance, at times joined by others upstage. The choreography was grounded in gravity, emphasizing the contours of upper torso movements with firmly held backs and necks all paced by Tai Chi Tao Yin`s breathing techniques. generate energy through circulation of Ki. Fluidity contrasts with angularity. The choreography have stringent, elastic control and metaphoric resonance. The performance is in many ways a purification of body and soul.

참고문헌 (Reference)

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