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    “Becoming” Myself as a Researcher: Incorporating Autoethnography as a Research Methodology in Art Education

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    https://www.riss.kr/link?id=A104135645

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Autoethnography is a qualitative research methodology through which the researcherinvestigates a group or research setting by exploring her or his own individualexperiences, thus revealing the researcher in the settings. In this study, I will explore myown identities as a Korean international female graduate student and researcher regardingthe issue of choosing a research methodology for my doctoral dissertation. In doing so, Iwill highlight what autoethnography, as a research methodology, can contribute to thefield of art education. I resisted using autoethnography when I began my dissertation butlater incorporated it as my methodology because I learned the significance of revealingmy own identities in the process conducting research. Autoethnographic text-writingallowed me the conceptual space to think about myself and reflect on the personal, social,and cultural dimensions of my experiences. In Deleuze and Guattari’s words, becomingmyself as a Korean international female graduate student and researcher in a researchsetting implies ‘becoming-woman’ and ‘becoming-minoritarian,’ which are different frombeing identified as a woman and minority. I believe revealing the identities of aresearcher in this way of ‘becomings’ through autoethnography can build self-reflectivityand self-awareness in a researcher, thereby helping a researcher notice the undercurrent,which is usually hidden in research settings. These kinds of research findings from theundercurrent would become a driving force to disturb the majority in a research setting.
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    Autoethnography is a qualitative research methodology through which the researcherinvestigates a group or research setting by exploring her or his own individualexperiences, thus revealing the researcher in the settings. In this study, I will explore ...

    Autoethnography is a qualitative research methodology through which the researcherinvestigates a group or research setting by exploring her or his own individualexperiences, thus revealing the researcher in the settings. In this study, I will explore myown identities as a Korean international female graduate student and researcher regardingthe issue of choosing a research methodology for my doctoral dissertation. In doing so, Iwill highlight what autoethnography, as a research methodology, can contribute to thefield of art education. I resisted using autoethnography when I began my dissertation butlater incorporated it as my methodology because I learned the significance of revealingmy own identities in the process conducting research. Autoethnographic text-writingallowed me the conceptual space to think about myself and reflect on the personal, social,and cultural dimensions of my experiences. In Deleuze and Guattari’s words, becomingmyself as a Korean international female graduate student and researcher in a researchsetting implies ‘becoming-woman’ and ‘becoming-minoritarian,’ which are different frombeing identified as a woman and minority. I believe revealing the identities of aresearcher in this way of ‘becomings’ through autoethnography can build self-reflectivityand self-awareness in a researcher, thereby helping a researcher notice the undercurrent,which is usually hidden in research settings. These kinds of research findings from theundercurrent would become a driving force to disturb the majority in a research setting.

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    참고문헌 (Reference)

    1 최성희, "미술 박물관 경험을 통한 "관계형성"의 가능성 관람자의 내러티브 아이덴티티" 한국국제미술교육학회 9 (9): 135-149, 2008

    2 Choi, S., "The visitor-centered museum : Interpretation and pedagogy" 7 (7): 121-137, 2006

    3 Coffey, P., "The ethnographic self" SAGE Publication 1999

    4 Ellis, C. S., "The ethnographic I: A methodological novel about autoethnography" Alta Mira Press 2004

    5 Hooper-Greenhill, E., "The educational role of the museum" Routledge 1999

    6 Hein, G. E., "The educational role of museum" Routledge 73-79, 1999

    7 Jones, S. H., "The Sage handbook of qualitative research" Sage Publications 651-679, 2005

    8 Ellis, C. S., "Revision: Autoethnographic reflections on life and work" Left Coast Press 2009

    9 Holt, N. L., "Representation, legitimation, and autoethnography : An autoethnographic writing story" 2 (2): 2003

    10 Anderson, G., "Reinventing the museum: Historical and contemporary perspectives on the paradigm shift" Alta Mira Press 1-7, 2004

    1 최성희, "미술 박물관 경험을 통한 "관계형성"의 가능성 관람자의 내러티브 아이덴티티" 한국국제미술교육학회 9 (9): 135-149, 2008

    2 Choi, S., "The visitor-centered museum : Interpretation and pedagogy" 7 (7): 121-137, 2006

    3 Coffey, P., "The ethnographic self" SAGE Publication 1999

    4 Ellis, C. S., "The ethnographic I: A methodological novel about autoethnography" Alta Mira Press 2004

    5 Hooper-Greenhill, E., "The educational role of the museum" Routledge 1999

    6 Hein, G. E., "The educational role of museum" Routledge 73-79, 1999

    7 Jones, S. H., "The Sage handbook of qualitative research" Sage Publications 651-679, 2005

    8 Ellis, C. S., "Revision: Autoethnographic reflections on life and work" Left Coast Press 2009

    9 Holt, N. L., "Representation, legitimation, and autoethnography : An autoethnographic writing story" 2 (2): 2003

    10 Anderson, G., "Reinventing the museum: Historical and contemporary perspectives on the paradigm shift" Alta Mira Press 1-7, 2004

    11 Pratt, M. L., "Professing in the contact zone: Bringing theory and practice together" National Council of Teachers of English 1-18, 2000

    12 Hooper-Greenhill, E., "Museums and shaping of knowledge" Routledge 1992

    13 Hooper-Greenhill, E., "Museums and interpretation of visual culture" Routledge 2000

    14 Karp, I., "Museum frictions: Public cultures/global Transformations" Duke University 2006

    15 Hooper-Greenhill, E., "Museum and learning in the 21stcentury (museum meanings)" Routledge 2007

    16 Karp, I., "Museum and communities" Smithsonian 1992

    17 Weil, S. E., "Making museums matter" Smithsonian Institution Press 2002

    18 Hein, G. E., "Learning in the museum" Routledge 1998

    19 Ellis, C. S., "Handbook of qualitative research" Sage Publication 733-768, 2000

    20 Roberts, L. C., "From knowledge to narrative: Educators and the changing museum" Smithsonian Institution Press 1997

    21 Karp, I., "Exhibiting cultures: the poetics and politics of museum display" Smithsonian Institution 1991

    22 Sparkes, A. C., "Ethnographically speaking: Autoethnography, literature, and aesthetics" AltaMira 209-231, 2002

    23 Spry, T., "Emergent methods in social research" Sage Publication 183-212, 2006

    24 Garrett, D., "Can there be criteria for selecting research criteria? A hermeneutical analysis of an inescapable dilemma" 4 : 515-539, 1999

    25 Chang, H., "Autoethnography as method" Left Coast Press 2008

    26 Reed-Danahay, D., "Auto/ethnography" Berg 1997

    27 Choi, S., "Art education as critical cultural inquiry" Mijinsa 448-460, 2007

    28 Deleuze, G., "A thousand plateaus" Continuum 1987

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    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2006-07-24 학회명변경 영문명 : Society For Art Education Of Korea -> Society for Art Education of Korea KCI등재
    2005-06-15 학술지등록 한글명 : 조형교육
    외국어명 : ART EDUCATION REVIEW
    KCI등재
    2004-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2003-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2001-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.86 0.86 0.84
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.82 0.76 0.941 0.28
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