조선시대의 보자기에 나타난 문양 연구 = A Study on Patterns of Traditional Pojagi in Yi Dynasty

다국어 초록 (Multilingual Abstract)

Women, who had little opportunity to participate in social affairs due to the predominace of men over women, spent lots of time in the home and made various kinds of handicraft work. One of these works, POJAGI, has been produced widely. From common people to the palace, and the expressional techniques and applied patterns are very varied.

Patterns applied to POJAGI for patch work wrapping cloth are usually straight line compositions in geometrical form and popular patterns for embroidery wrapping cloth are feminine plant designs. Patterns in DANGCHAE printed POJAGI are usually composed of geometrical forms and character forms on every side. Two quarters pattern in the border, arabesque in the background, and a chinese phoenix in the center depict a high level palace handicraft design. For POJAGI printed using a wooden plate, patterns are composed of plant and animal designs showing the mood of the common people, and in quilted POJAGI, patterns are expressed by a composition of curved and straight lines.
POJAGI mostly shows womanlike patterns. It is hard to find patterns which show or symbolize the authority of men, such as a dragon. Purpose of the POJAGI expression is to transfer the symbolic meanings of the patterns or designs to the worker and the user instead of looking for a decorative sense of beauty. The plant patterns mean harmony, fortune, fecundity, wealth and frame. Character patterns portray long life, happiness, peace, and prosperity of descendants. Animal patterns depict strong, long life and authority.

Expressive patterns in POJAGI show a form of simplicity near to reality without distorting it. Simple composition based on naturalism rather than being excessively decorative make POJAGI naturally modernized and look better in its work nature.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 본론
• 1. 조선시대 보자기의 종류와 표현기법
• 1) 보자기 종류
• 2) 보자기의 표현기법
• 2. 조선시대 보자기에 나타난 문양
• 1) 무늬제직보에 나타난 직물조직 문양(자연문)
• 2) 조각보에 나타난 문양(기하형태문)
• 3) 자수보에 나타난 문양(식물문, 동물문)
• 4) 그림보에 나타난 문양(기하문, 글자문, 동물문)
• 5) 누비보에 나타난 문양(기하직선, 기하곡선문)
• Ⅲ. 결론
• 참고문헌