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    Simulacral A-Natural Culture in Thomas Pynchon’s Fictions

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    https://www.riss.kr/link?id=A103970114

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Thomas Pynchon(1937- )’s novels contain a number of critiques of contemporary technocratic culture, which has brought about no less negative side-effects than benefits and advantages. Most relevant to this paper is the writer’s critique of simulacral culture, the kind of culture that the French postmodern sociologist Jean Baudrillard (1929- ) finds prevalent in postmodern society. Drawing a connection between Baudrillard and Pynchon, this paper examines how nature, natural materials, and human nature become stripped of naturalness in the culture of artificiality and virtuality. Pynchon’s novels present various scenes in which the natural turns into the virtual or the artificial is recreated as a meticulously designed artificial environment; the dominance of car culture causes the degradation of nature to a mere backdrop for drivers; natural materials are replaced by synthetic polymers; human nature gets objectified, mechanized, and reified. All these phenomena can be interpreted as a warning against the possible loss of the natural as a result of the so-called postmodern “loss of the real” in contemporary technocratic and simulacral culture.
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    Thomas Pynchon(1937- )’s novels contain a number of critiques of contemporary technocratic culture, which has brought about no less negative side-effects than benefits and advantages. Most relevant to this paper is the writer’s critique of simulac...

    Thomas Pynchon(1937- )’s novels contain a number of critiques of contemporary technocratic culture, which has brought about no less negative side-effects than benefits and advantages. Most relevant to this paper is the writer’s critique of simulacral culture, the kind of culture that the French postmodern sociologist Jean Baudrillard (1929- ) finds prevalent in postmodern society. Drawing a connection between Baudrillard and Pynchon, this paper examines how nature, natural materials, and human nature become stripped of naturalness in the culture of artificiality and virtuality. Pynchon’s novels present various scenes in which the natural turns into the virtual or the artificial is recreated as a meticulously designed artificial environment; the dominance of car culture causes the degradation of nature to a mere backdrop for drivers; natural materials are replaced by synthetic polymers; human nature gets objectified, mechanized, and reified. All these phenomena can be interpreted as a warning against the possible loss of the natural as a result of the so-called postmodern “loss of the real” in contemporary technocratic and simulacral culture.

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    참고문헌 (Reference)

    1 "Understanding Thomas Pynchon" U of South Carolina P 1986

    2 "The Vital Illusion" Columbia UP 2000

    3 "The Machine in the Garden: Technology and the Pastoral Ideal in America. 1964." Oxford UP 2000

    4 "The Illusion of the End" 19921994

    5 "The Environmental Pynchon: Gravity’s Rainbow and the Ecological Context" 42 (42): 59-72, 1998

    6 "The Ecstasy of Communication" 19871988

    7 "The Death of the Real in The Crying of Lot 49" 198719-26

    8 "The Culture of Plasticity Observations on Contemporary Cultural Transformation" 205-28 18, 1983

    9 "The Crying of Lot 49. 1966." Harper 1999

    10 "Pleasures of the Immachination Transformations of the Inanimate in Durrell and Pynchon U or Missouri P" U or Missouri P 127-136, 1995

    1 "Understanding Thomas Pynchon" U of South Carolina P 1986

    2 "The Vital Illusion" Columbia UP 2000

    3 "The Machine in the Garden: Technology and the Pastoral Ideal in America. 1964." Oxford UP 2000

    4 "The Illusion of the End" 19921994

    5 "The Environmental Pynchon: Gravity’s Rainbow and the Ecological Context" 42 (42): 59-72, 1998

    6 "The Ecstasy of Communication" 19871988

    7 "The Death of the Real in The Crying of Lot 49" 198719-26

    8 "The Culture of Plasticity Observations on Contemporary Cultural Transformation" 205-28 18, 1983

    9 "The Crying of Lot 49. 1966." Harper 1999

    10 "Pleasures of the Immachination Transformations of the Inanimate in Durrell and Pynchon U or Missouri P" U or Missouri P 127-136, 1995

    11 "Plastic and Catastrophe in Gravity’s Rainbow" 149-41 61, 1981

    12 "Jean Baudrillard" Routledge 2000

    13 "IG Farben and the War against Nature in Gravity’s Rainbow Germany and German Thought in American Literature and Cultural Criticism Proceedings of the German-American Conference in Paderborn" 319-36, 19901990

    14 "For a Critique of the Political Economy of the Sign" 19721981

    15 "Cool Memories II: 1987-1990. 1990." Duke UP 1996

    16 "Beyond Paranoia and Fragmentation: The Crisis of the Individual and the Search for a Posthumanist Alternative in Thomas Pynchon’s V" 45 : 839-861, 1999

    17 "A Companion to V." U of Georgia P 2001

    18 ".Pynchon’s Poetics:Interfacing Theory and Text" U of Illinois P 1993

    19 ""The Historical Roots of Our Ecological Crisis." The Ecocriticism Reader: Landmarks in Literary Ecology. Ed. Cheryll Glotfelty and Harold Fromm." U of Georgia P 3-14, 1995

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.45 0.45 0.45
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.4 0.38 0.67 0.23
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