영화제 연구의 경향

국문 초록 (Abstract)

영화연구에서 영화제는 연구 대상이기보다는 하나의 이벤트로 여겨졌고, 학술적 분석보다는 저널의 리뷰가 대부분이었다. 현상으로서의 영화제는 학술적 관심을 거의 받은 적이 없었다. 그러나 최근에는 다양한 분야의 학계가 영화제 연구를 시작했고, 영화와 미디어 문화를 이해하기 위한 필수 분야로서 영화제 연구가 부상하고 있다. 영화제 연구의 국내 경향은 문화산업의 관점에서 바라본 국제영화제의 발전 방향을 제시하는 논의가 대부분이다. 서구만큼이나 국내 영화제에 관한 연구의 양이 크게 증가하고 있지만, 학술적 차원보다는 발전 방향의 제시에 그치는 실정이다. 이 글은 영화제 연구의 최근 경향을 고찰하는 것을 목적으로 했다.서구 중심의 선행연구를 토대로, 영화제 연구의 경향을 면밀히 짚어보았다. 연구내용에 있어서는 영화제 연구의 주요 문헌을 중심으로 검토하였다.

다국어 초록 (Multilingual Abstract)

The recent studies on film festival are increasing. The festival of film research was a single event rather than a study, and there were only reviews of the magazine rather than a learned analysis. The Film Festival as a phenomenon had never received academic interest. However, recently the academic community in various fields has started to research the festival and its studies have emerged as an essential field to understand the media culture and film. Trend of domestic research on the film festival makes the most of discussion present the development direction of the International Film Festival from the point of view of the cultural industry. While amount of research on domestic film festival has increased significantly as well as Europe and the U.S., it has remained on the presentation of the direction of development rather than a academic level. This article was intended to examine the trend of recent research in the festival. Based on the previous studies of Western Europe center, I tried to explore in-depth studies on the tendency of the film festival. In the research, I studied about the major literatures on film festival studies.

목차 (Table of Contents)

• 1. 서론
• 2. 영화제 연구의 이론적 지형: 지정학에서 글로벌화까지
• 3. 연구의 대상, 영화제의 안과 밖
• 4. 경제적 차원: 산업, 배급, 마켓
• 5. 트랜스내셔널 영화제와 디아스포라
• 6. 프로그래밍과 수용, 그리고 관객 구성
• 7. 특화 영화제, 정체성 지향
• 8. 결론
• 참고문헌
• Abstract

참고문헌 (Reference)

1 박강미, "부산국제영화제의 글로컬 문화정체성에 관한 연구" 한국외국어대학교 대학원 2012

2 김소영, "글로벌 시대의 지역 페미니스트 장(sphere)의 탄생" 현실문화연구 2006 : 295-326, 2003

3 김소영, "근대성의 유령들:판타스틱 한국영화" 씨앗을뿌리는사람 240-245, 1998

4 DeValck, M, "‘Screening’ the future of film festivals: a long tale of convergence and digitization" 6 (6): 15-23, 2008

5 Kim, S, "‘Cine-Mania’ or Cinephilia: film festivals and the identity question" 4 (4): 174-187, 1998

6 DeValck, M, "movies, love and memory" Amsterdam Univ. Press 97-109, 2005

7 Dodds, J. C, "What’s an Oscar worth? An empirical estimation of the effects of nominations and awards on movie distribution and revenues" 4 : 72-88, 1998

8 Mazdon, L, "Transnational ‘French’ cinema: The Cannes Film Festival" 15 (15): 9-20, 2007

9 "The website for the Film Festival Research Network"

10 Pride, R, "The prize patrol: the inexact science of festival juries and critics awards" 25 (25): 26-29, 2002

11 Farahmand, A, "The new iranian cinema: politics, representation and identity" I. B. Tauris 86-108, 2002

12 Stringer, Julian, "The film festivals reader" St Andrews Film Studies 59-68, 2003

13 Elsaesser, T, "The film festivals reader" St Andrews Film Studies 69-96, 2005

14 Dayan, D, "The film festivals reader" St Andrews Film Studies 45-58, 2000

15 Iordanova, D, "The film festivals reader" St Andrews Film Studies 2013

16 Sontag, S, "The decay of cinema"

17 Gaines, C, "The circuit" 2008

18 Gaines, C, "The circuit" 2008

19 Klippel,H, "The art of programming. The art of programming: film, programm und kontext" LIT 7-17, 2008

20 Mazdon, L, "The Cannes Film Festival as transnational space" 25 (25): 19-30, 2006

21 Ruoff, J, "Ten nights in Tunisia: les journées cinématographiques de carthage" 6 (6): 43-51, 2008

22 Iordanova, D, "Showdown of the festivals: clashing entrepreneurships and post-communist management of culture" 4 (4): 25-37, 2006

23 Perren, A, "Sex, lies and marketing: Miramax and the development of the quality indie blockbuster" 55 (55): 30-39, 2001

24 Straayer, C, "Queer Film and Video Festival Forum, Take Two: Critics Speak Out" 12 (12): 599-625, 2006

25 Straayer, C, "Queer Film and Video Festival Forum, Take Three: Artists Speak Out" 14 (14): 121-137, 2008

26 Straayer, C, "Queer Film and Video Festival Forum, Take One: Curators Speak Out" 11 (11): 579-603, 2005

27 Rhyne, R, "Pink dollars: Gay and Lesbian Film Festivals and the economy of visibility" New York Univ 2007

28 Galliner, N, "Jewish Film Festival Berlin: filme, bilder, geschichten. Die ersten 10 jahre" be.bra-Verlag 2004

29 Schwartz, V, "It’s so French! Hollywood, Paris and the making of cosmopolitan film culture" Univ. of Chicago Press 56-99, 2007

30 Iordanova, Dina, "Introduction. Film festival yearbook2: film festivals and imagined communities" St.Andrews Film Studies 1-10, 2010

31 Jungen, C, "Hollywood in Canne$: die geschichte einer hassliebe, 1939～2008" Schüren 2009

32 Nichols, B, "Global image consumption in the age of late Capitalism" 8 (8): 68-85, 1994

33 Stringer, Julian, "Genre films and festival communities: lessons from Nottingham,1991～2000" 6 (6): 53-59, 2008

34 Zielinski, G, "Furtive, steady glances: on the cultural politics of Lesbian and Gay Film Festivals" McGill Univ 2008

35 Cheung, R, "Funding models of themed film festivals" St. Andrews Film Studies 74-103, 2010

36 Steinhart, D, "Fostering international cinema: The Rotterdam Film Festival, CineMart, and Hubert Bals Fund" 2 : 1-13, 2006

37 DeValck, M, "Film festivals: from European geopolitics to global cinephilia" Amsterdam Univ. Press 2007

38 Reichel-Heldt, K, "Film festivals in Deutschland: Zwischen kulturpolitischen idealen und wirtschaftspolitischen realitäten" Lang 2007

39 Iordanova, D, "Film festivals" 6 (6): 4-81, 2008

40 Iordanova,D, "Film festival yearbook4: film festivals and activism" St Andrews Film Studies 2012

41 Iordanova, Dina, "Film festival yearbook3: film festivals and EastAsia" St. Andrews Film Studies 2011

42 Iordanova, Dina, "Film festival yearbook2: film festivals and imagined communities" St. Andrews Film Studies 2010

43 Iordanova, D, "Film festival yearbook1: the festival circuit" Andrews Film Studies 2009

44 DeValck, M, "Film festival studies: an overview of a Burgeoning Field. Film festival yearbook1: the festival circuit" St. Andrews Film Studies 179-215, 2009

45 Rhyne, R, "Film festival circuits and stakeholders. Film festival yearbook 1: the festival circuit" St. Andrews Film Studies 9-39, 2009

46 Rüling, C.-C, "Festivals as field-configuring events: the annecy international animated film festival and Market. Film festival yearbook1: the festival circuit" St. Andrews Film Studies 49-66, 2009

47 Barlow, M, "Feminism 101: the New York Women’s Video Festival, 1972～1980" 18 (18): 3-38, 2003

48 Porton, R, "Dekalog 3: on film festivals" Wallflower Press 2009

49 Fehrenbach, H, "Cinema in democratizing Germany: reconstructing national identity after Hitler" Univ. of North Carolina Press 234-259, 1995

50 Stringer, Julian, "Cinema and thecity: film and urban societies in a global context" Blackwell 134-144, 2001

51 Hohenberger, E, "Blaue wunder: neue filme und videos von frauen 1984 bis 1994" Argument-Verl 7-17, 1994

52 Sklar, R, "Beyond hoopla: The Cannes Film Festival and cultural significance" 22 (22): 18-20, 1996