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    MMS 신기술과 디지털 경제시대의 영화정책 = MMS Broadcasting and Korean Film Policy in the Era of Digital Economy

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    https://www.riss.kr/link?id=A104129868

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    MMS Broadcasting and Korean Film Policyin the Era of Digital Economy
    In this article, I argue that despite its rhetoric to combine culture with economy, the new film policy in the wake of the reduction of screen quota is contradictory since cultural policy is being de-culturalilzed in the sense that culture is being less seen as a separable 'capital' as is being situated only as part of a new 'digital economy.'

    I suggest that this policy is problematic and the film industry needs a new one to transcend economics, without abandoning it. That is, the one that would really connect cultural diversity and industry sustain-ability. The first step to accomplish this goal, however, is the film industry should adjust itself to new policy and industry settings in the era of convergence.

    I argue that the opportunities for the film industry in an emerging digital environment are such that the film industry should continue to line up behind the film networks in defending its territory, but at the same time, look for other options that such new technologies as MMS creates.

    I finally propose an alternative cinema strategy that would fulfill a policy mandate which includes both cultural and industrial considerations. It requires support from MMS which is backed by public funds and is dedicated to cultural objectives. The idea is to link support for a varied film culture to the goal of sustaining the Korean film industry in the long term.
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    MMS Broadcasting and Korean Film Policyin the Era of Digital Economy In this article, I argue that despite its rhetoric to combine culture with economy, the new film policy in the wake of the reduction of screen quota is contradictory since cultural ...

    MMS Broadcasting and Korean Film Policyin the Era of Digital Economy
    In this article, I argue that despite its rhetoric to combine culture with economy, the new film policy in the wake of the reduction of screen quota is contradictory since cultural policy is being de-culturalilzed in the sense that culture is being less seen as a separable 'capital' as is being situated only as part of a new 'digital economy.'

    I suggest that this policy is problematic and the film industry needs a new one to transcend economics, without abandoning it. That is, the one that would really connect cultural diversity and industry sustain-ability. The first step to accomplish this goal, however, is the film industry should adjust itself to new policy and industry settings in the era of convergence.

    I argue that the opportunities for the film industry in an emerging digital environment are such that the film industry should continue to line up behind the film networks in defending its territory, but at the same time, look for other options that such new technologies as MMS creates.

    I finally propose an alternative cinema strategy that would fulfill a policy mandate which includes both cultural and industrial considerations. It requires support from MMS which is backed by public funds and is dedicated to cultural objectives. The idea is to link support for a varied film culture to the goal of sustaining the Korean film industry in the long term.

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    참고문헌 (Reference)

    1 "한국영화동향과 전망" (9) : 2005

    2 "한국 디지털 콘텐츠 시장조사 보고서" 2006

    3 "주체없는 반쪽짜리 토론회" 2006

    4 "위기의 한국영화 마스터 플랜을 세워라" 컬쳐뉴스 2006

    5 "영화산업의 경쟁력과 경제적 파급효과" 2004

    6 "방송통신 융합 환경과 영화산업의 새로운 부가시장 한국영화 동향과 전망" 영화진흥위원회 -10, 2006

    7 "미디어 오늘" 2006

    8 "구별짓기 문화와 취향의 사회학" 새물결 1996

    9 "World Commission on Culture and Development" -8, 1996

    10 "R Television" Technology and Cultural Form Fontana 1974

    1 "한국영화동향과 전망" (9) : 2005

    2 "한국 디지털 콘텐츠 시장조사 보고서" 2006

    3 "주체없는 반쪽짜리 토론회" 2006

    4 "위기의 한국영화 마스터 플랜을 세워라" 컬쳐뉴스 2006

    5 "영화산업의 경쟁력과 경제적 파급효과" 2004

    6 "방송통신 융합 환경과 영화산업의 새로운 부가시장 한국영화 동향과 전망" 영화진흥위원회 -10, 2006

    7 "미디어 오늘" 2006

    8 "구별짓기 문화와 취향의 사회학" 새물결 1996

    9 "World Commission on Culture and Development" -8, 1996

    10 "R Television" Technology and Cultural Form Fontana 1974

    11 "Film Policy in the United Kingdom" 76 : 420-429, July2005

    12 "Audiovisual and Related Services" 2001

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-09-22 학회명변경 영문명 : Film Studies Association Of Korea (Fisak) -> Korean Cinema Association (KCA) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2006-04-09 학술지등록 한글명 : 영화연구
    외국어명 : Film Studies
    KCI등재후보
    2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.58 0.58 0.59
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.58 0.55 1.055 0.29
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