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      집단추모의 한 양식: 예이츠의 「1916년 부활절」

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      https://www.riss.kr/link?id=A82372813

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      다국어 초록 (Multilingual Abstract)

      Somewhat comically-described everyday lives before the Rising have no direct connection with the event itself. Behind the images from superficial meetings with sham courtesy of characters follow violent associations of death implying diverse layers of change in the realms of history, politics, Irishness and individual lives. Yeats enumerates personal characteristics of revolutionary leaders in order to hint these characteristics alone can’t transfigure historical realities. He shows us that those acquaintances whom he occasionally came across before the uprising are not directly related to the heroic act. On the other hand, he also reveals that the underlying causes of the upheaval are the very simple everyday relationship.
      Above all, “Easter 1916” solves well the problem how a piece of poem acquires an impartial public voice out of secular opinions. This work is not embellished with symbolic abstruseness and therefore can be paraphrased into a comparatively easy prose writing. However, even its format change, if at all, doesn't quell its life force. The poet effectively evades a direct interpretation of the Rising that can help change the fate of the nation and so, he reconstructs the symbolic significance and context of the event into a literary masterpiece. In its form, the use of refrain emphasizing change shows directness and simplicity to conclude the verse. Moreover, Yeats frankly confesses that he was wrong in judging the victims’ heroic capability in the political aspect, but he doesn't make them appear pathetic poetic personae.
      The poem extols the heroic acts of the dead in the compressed verse and at the same time reproaches their decision to cast away their own precious lives. The refrain implies changes in the world caused by the Rising, political shifts in the international relationship closely linked with independence and colonial management, and the severance of lives of people with whom the poet meet routinely everyday. That is to say, it refers to the mythological transformation of the leaders before Irish people’s eyes as well as to the historical fact that British authority made them into corpses. ‘Change’ in the refrain evokes not only the tragic death of leaders in the uprising but the significance obtained through their death as well. In this context, a completeness of change out of the glorious sacrifice is also inferred. Thus, ‘change’ indicates the tragic stasis the leaders gained through the victimization of their own lives and reveals a poetic movement from this world to eternity. The poem sublimates the leaders as national icons permanently nesting in the bosom of their compatriots even though they lost their worldly lives. In this way, Yeats elegizes the victims by blending all the matters of history, politics and the nation together into a commemorative poem. This stream of thoughts triggered by the national tragedy creates a pivotal group elegy connoting deep insight into the universal death.
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      Somewhat comically-described everyday lives before the Rising have no direct connection with the event itself. Behind the images from superficial meetings with sham courtesy of characters follow violent associations of death implying diverse layers of...

      Somewhat comically-described everyday lives before the Rising have no direct connection with the event itself. Behind the images from superficial meetings with sham courtesy of characters follow violent associations of death implying diverse layers of change in the realms of history, politics, Irishness and individual lives. Yeats enumerates personal characteristics of revolutionary leaders in order to hint these characteristics alone can’t transfigure historical realities. He shows us that those acquaintances whom he occasionally came across before the uprising are not directly related to the heroic act. On the other hand, he also reveals that the underlying causes of the upheaval are the very simple everyday relationship.
      Above all, “Easter 1916” solves well the problem how a piece of poem acquires an impartial public voice out of secular opinions. This work is not embellished with symbolic abstruseness and therefore can be paraphrased into a comparatively easy prose writing. However, even its format change, if at all, doesn't quell its life force. The poet effectively evades a direct interpretation of the Rising that can help change the fate of the nation and so, he reconstructs the symbolic significance and context of the event into a literary masterpiece. In its form, the use of refrain emphasizing change shows directness and simplicity to conclude the verse. Moreover, Yeats frankly confesses that he was wrong in judging the victims’ heroic capability in the political aspect, but he doesn't make them appear pathetic poetic personae.
      The poem extols the heroic acts of the dead in the compressed verse and at the same time reproaches their decision to cast away their own precious lives. The refrain implies changes in the world caused by the Rising, political shifts in the international relationship closely linked with independence and colonial management, and the severance of lives of people with whom the poet meet routinely everyday. That is to say, it refers to the mythological transformation of the leaders before Irish people’s eyes as well as to the historical fact that British authority made them into corpses. ‘Change’ in the refrain evokes not only the tragic death of leaders in the uprising but the significance obtained through their death as well. In this context, a completeness of change out of the glorious sacrifice is also inferred. Thus, ‘change’ indicates the tragic stasis the leaders gained through the victimization of their own lives and reveals a poetic movement from this world to eternity. The poem sublimates the leaders as national icons permanently nesting in the bosom of their compatriots even though they lost their worldly lives. In this way, Yeats elegizes the victims by blending all the matters of history, politics and the nation together into a commemorative poem. This stream of thoughts triggered by the national tragedy creates a pivotal group elegy connoting deep insight into the universal death.

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      목차 (Table of Contents)

      • I
      • II
      • III
      • 인용문헌
      • Abstract
      • I
      • II
      • III
      • 인용문헌
      • Abstract
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      참고문헌 (Reference)

      1 구자광, "민족주의에 대한 예이츠의 상반되는 두 목소리" 한국예이츠학회 24 : 5-26, 2005

      2 Vendler, Helen, "“Four Elegies,” Yeats, Sligo and Ireland"

      3 Kishel, Joseph, "Yeats’s Elegies" 7 : 78-90, 1981

      4 Archibald, Douglas, "Yeats. Syracuse" Syracuse UP 1983

      5 Ramazani, Jahan, "Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime" Yale UP 1990

      6 Tuohy, Frank, "Yeats" New Armsterdam 1976

      7 Timm, Eitel, "W. B. Yeats: A Century of Criticism" Camden 1990

      8 김혜원, "W. B 예이츠의 “분노의 마스크”와 소극적 자아: 「1913년 9월」, 「1916년 부활절」, 「미친 제인 주교와 이야기하다」" 한국예이츠학회 29 : 33-58, 2008

      9 Holdridge, Jefferson, "Those Mingled Seas: the Poetry of W. B. Yeats, the Beautiful and the Sublime" University College Dublin P 2000

      10 O'Connor, Ulick, "The Yeats Companion" Pavilion 1990

      1 구자광, "민족주의에 대한 예이츠의 상반되는 두 목소리" 한국예이츠학회 24 : 5-26, 2005

      2 Vendler, Helen, "“Four Elegies,” Yeats, Sligo and Ireland"

      3 Kishel, Joseph, "Yeats’s Elegies" 7 : 78-90, 1981

      4 Archibald, Douglas, "Yeats. Syracuse" Syracuse UP 1983

      5 Ramazani, Jahan, "Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime" Yale UP 1990

      6 Tuohy, Frank, "Yeats" New Armsterdam 1976

      7 Timm, Eitel, "W. B. Yeats: A Century of Criticism" Camden 1990

      8 김혜원, "W. B 예이츠의 “분노의 마스크”와 소극적 자아: 「1913년 9월」, 「1916년 부활절」, 「미친 제인 주교와 이야기하다」" 한국예이츠학회 29 : 33-58, 2008

      9 Holdridge, Jefferson, "Those Mingled Seas: the Poetry of W. B. Yeats, the Beautiful and the Sublime" University College Dublin P 2000

      10 O'Connor, Ulick, "The Yeats Companion" Pavilion 1990

      11 Yeats, W. B, "The Variorum Edition of the Poems of W. B. Yeats.(VP)" Macmillan 1987

      12 Thurley, Geoffrey, "The Turbulent Dream" U. of Queensland P 1983

      13 Stead, C. K, "The New Poetic: Yeats to Eliot" Harper & Row 1964

      14 Yeats, W. B, "The Letters of W. B. Yeats(L)" Rupert Hart-Davis 1954

      15 Yeats, W. B, "The Collected Poems of W. B. Yeats" Macmillan 1961

      16 Eagletone, Terry, "History and Myth in Yeats’s ‘Easter 1916’" ⅩⅪ (ⅩⅪ): 248-260, 1971

      17 Yeats, W. B, "Essays and Introductions(EI)" Collier 1961

      18 Bushrue, Suheil, "An International Companion to the Poetry of W. B. Yeats" Barnes & Noble 1990

      19 윤정묵, "1916년 부활절과 여성" 한국예이츠학회 24 : 81-108, 2005

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.27 0.27 0.28
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.27 0.26 0.229 0.08
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