1950년대 후반 규슈파 작품에 보이는 사회적 주제 = 규슈파와 관련 있는 잡지를 중심으로

다국어 초록 (Multilingual Abstract)

The Kyushuha is known as an avant-garde group active in Japan around 1960.
Until now, research in early works of Kyushuha has suggested that certain characteristic societal themes are recognized, but how the artists developed these themes remains unclear.
Analysis of works from the Kyushuha’s active early period confirms that certain artists were handling societal themes at that time. Those themes were contemporary societal or local issues, especially those concerning coal miners in Kyushu.
These thematic characteristics can also be glimpsed particularly in their involvement with poetry journals in Fukuoka, and themagazine Circle MURA.
Thus, it is clear that the societal themes seen in the early work of the Kyushuha have some relationship to certain poetry journals in Fukuokaand Circle MURA, which showed similar interest in local issues.
Considering the above, I would like to propose the following hypothesis.
Instead of considering the Kyushuha’s consciousness of societal problems as an isolated phenomenon that developed within the group, it is possible to think of it as a collective consciousness born from a movement that combined the Kyushuha, poetry journals, and Circle MURA. The purpose of this paper is to propose research into the Kyushuha from this perspective.

목차 (Table of Contents)

• I. 시작하며
• II. 규슈파의 초기작품 분석 - 작품의 주제적 측면에서
• Ⅲ. 규슈파와 특정 잡지와의 관계
• IV. 맺으며 - 규슈파 재고찰에 대한 새로운 제안
• 참고문헌
• Abstract