엑스터시체험과 동물춤의 생성존재론적 해명 -굿의 존재론An Ontological Interpretation of Animal = Dance and the Experience of Ecstasy in Shamanistic Exorcism

다국어 초록 (Multilingual Abstract)

The traditional gut of Korea and similar shamanic rituals of Siberia are still a living genre of performance in the twentyfirst century. Considered as a whole, the performance of gut is interesting because, when the exorcist is ``spirit linked`` with his god, the audience, who participate in the gut, frequently goes into an ecstatic trance along with the exorcist, believing themselves possessed by the spirit. Their experience of ecstasy and trance constitute two of the most important performance principles of gut. Siberia`s shamans are similar to Korea`s gangshinmu in their ritual experience of ecstasy, but their relationship to the spirit world differs. During his state of ecstasy, the spirit of a Siberian shaman leaves his body and travels to another world, in contrast with Korean gangshinmu, who are possessed by an external spirit. This paper interprets the significance of animal dance in shamans`exorcism using Deleuze`s concept of ``becoming ``, and their experience of ecstasy and trance using the concept of ``a body without organs ``. After considering Korean gangshinmu and Siberian shamans in the same ritual context, I conclude that the experience of ecstasy in the two regions`different forms of exorcism is not due to ascension to a transcendental world, but is an ontological experience which unites the practitioner with the life energy of the transcendental dimension. Korean gut and the similar shamanistic ritual of Siberia inhabit a realm of transcendental experience that reveals a world of endless chaos beyond the concept of repetition and imitation. The two rituals share traits that makes this ontological experience possible.

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