Cinema and cultural modernity

목차 (Table of Contents)

• CONTENTS
• SERIES EDITOR'S FOREWORD = ⅸ
• ACKNOWLEDGEMENTS = ⅹ
• INTRODUCTION = 1
• Cinema is not dead = 2
• Modernity = 2
• Hollywood, cinema studies and this book = 4
• 1｜HOOLWOOD HISTORIES = 9
• Early cinema histories = 10
• Movies as culture industries = 17
• Cultures of consumption = 20
• The studio system = 24
• Classical or standardized? = 29
• A speculation on modernity and modernism = 33
• Further reading = 36
• 2｜'NEW AGAIN' HOLLYWOOD = 38
• Post-studio histories = 39
• High concept and multi-marketed rollercoasters = 46
• Full global media conglomeracy = 53
• Further reading = 60
• 3｜'GLOBALLY POPULAR' CINEMA? = 61
• Globalization, cultural imperialism and cinema = 62
• 'To be global is to be American'? = 66
• FX and global narratives = 71
• Exhibiting global／local inequalities = 76
• Further reading = 85
• 4｜AUTHORS AND AGENCY = 86
• Theories of authorship and cinema = 87
• A note on mise-en-sc$$grave e$$ne = 91
• Cultural politics, agency, authorship = 92
• Branding authors : the case of Hitchcock = 95
• Collective production and agency = 99
• Further reading = 105
• 5｜STARS, BODIES, GALAXIES = 106
• Stars in studio histories = 108
• Audiences and fans = 115
• Performance, presence, acting = 118
• Post-studio stars = 125
• Further reading = 130
• 6｜MOVIES MOVE AUDIENCES = 131
• The limits of textiness = 131
• Mulvey and moving 'looks' = 136
• Cine-psychoanalysis = 139
• Identification and narratives = 143
• From spectators to audiences = 146
• 'Eacape', utopias and cinemas = 148
• Further reading = 154
• 7｜IDENTIFYING A CRITICAL POLITICS OF REPRESENTATION = 155
• From representation to identities = 156
• Representation, stereotyping, politics = 160
• Realisms = 164
• Audiences = 166
• The burden of representation = 171
• Back to the future? = 175
• Further reading = 176
• GLOSSARY = 177
• BIBLIOGRAPHY = 182
• INDEX = 197