Gosangugok-sihwabyeong(고산구곡시화병) is the twelve-folded screens which created in 1803 and each screen is composed of 3 parties. This twelve-folded screens seems to be an intentional artifact of Andong-Kimmun(안동 김문) which has Kimjosu...

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https://www.riss.kr/link?id=A102921869
2004
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고산구곡시화병 ; 이이 ; 고산구곡가 ; 산중즉경시 ; 김조순 ; 안동김문 ; 송시열 ; 노론그룹 ; 김창흡 ; 석담구곡시 ; Gosangugok-sihwabyeong ; Leei ; Gosangugokga ; Sanjungjeukgyeosi ; Kimjosun ; Andong-Kimmun ; Songsiyeol ; Noron-group ; Kimchangheup ; Seokdamgugoksi
800
KCI등재
학술저널
87-114(28쪽)
0
상세조회0
다운로드Gosangugok-sihwabyeong(고산구곡시화병) is the twelve-folded screens which created in 1803 and each screen is composed of 3 parties. This twelve-folded screens seems to be an intentional artifact of Andong-Kimmun(안동 김문) which has Kimjosu...
Gosangugok-sihwabyeong(고산구곡시화병) is the twelve-folded screens which created in 1803 and each screen is composed of 3 parties. This twelve-folded screens seems to be an intentional artifact of Andong-Kimmun(안동 김문) which has Kimjosun(김조순) for its central chair when the structure and format of it is examined. On the first screen, there is YulKok`s < Sanjungjeukgyeosi(산중즉경시) >, and < Gosangugokga(고산구곡가) > and other three poetries are displayed from the second to eleventh`s screens. This kind of disposition is based on the way which Songsiyeol(송시열) and other Noron(노론) group`s literary men had created from the late 17th century to the early 18th century. On the last twelfth screen, there is < Seokdamgugoksi(석담구곡시) > of Kimchangheup (김창흡). The arrangement of the twelve screens reflects the fact that the genealogy of the school of Gihohakpa(기호학파) had been followed by the order of `Leei(이이)→Songsiyeol(송시열)→Kimchangheup(김창흡)` and this arrangement was a kind of symbolic artifact to make the schools foundation clear.
한국어 교육에서의 파생어휘 교육 -`-스럽-, -답-, -롭-` 파생 형용사를 중심으로
『삼국유사』 「감통」의 향가 읽기: 허구적 세계의 진실