문학과 문화 : 「경인행가(京仁行歌)」의 인천풍경(仁川風景)과 경성가금공진회(京城家禽共進會) = The Landscape of Incheon and a poultry competitive exhibition in 「Kyunginhaengga」

다국어 초록 (Multilingual Abstract)

This essay was studied on 「kyunginhaengga(京仁行歌)」written by Hambongpil in April, 1925. Hambongpil arrived at Incheon with students and the other local representations as a head chief of township-Seongdong, Suan district, Hwang-Hae province. And then, he saw through the modern scenery of Incheon, and was presented at the performance of Japanese warship which was put in at Incheon. The naval review hold from 17 to 20, April, and the number of participants was 40 thousand persons in all. Following the naval review, Hambongpil attend the exhibition of a domestic fowl which have opened at Kyungbok-palace. And then, he studied by inspection zoo, botanical gardens, museum which was near the Changkyung palace, and this complexity was a representative system that have been made for the unity of nation-state in modern period. Over there, the Japanese imperialism makes the tourist of the exhibition of a domestic fowl to see and experience the modern representations by the Japan. Thus far, we grasp the behavior and view point of Hambongpil based on the text of 「kyunginhaengga」, and can know the fact as follows. The first, there was a view point being made other people by oneself. Ham have a concern about spreading modern education at a locality as a public-spirited men of the Suan, Hwanghae province. But he take a cold and objective view point that is excluded a national sentiment. The second, there was no existence like a sentiments about the exhibition that was a event of disgrace to the Changkyung palace, and the scenery damaged and remolded into zoo, botanical garden without leave. Of course, because the 『chosen』 was a organ of government-general, we could not expect the speech like that. But conversely if ham had have a resentment about like this situation, he would rather not make a comment. Nevertheless he described a event that was open in the damaged palace of a colony with a disinterested attitude. In the middle age, the scenery was a subject of an inside view and cultivating of the mind. But in the modern ages, it was an object of consumption. And there was a purpose of producer at the object of consumption. The exhibition of a domestic fowl, three-park(zoo, museum, botanical garden) were contained a high-level imperialistic strategy for the unity of states, nations. In spite of, author did not know the intention, he producted this literary work as a person in modern system. For this reason, 「kyunginhaengga」was a work that reflected the scenery being consumed in system, and the intellectual mobilized as a consumer without consciousness about a purpose.