J.S. Bach and the German motet

목차 (Table of Contents)

• CONTENTS
• List of tables = ⅹ
• List of music examples = xi
• List of figures = xiii
• Preface = xiv
• List of abbreviations = xv
• Introduction = 1
• Part one：the term and concept "motet" = 5
• 1 The term "motet" in the first half of the eighteenth century = 7
• 2 J.S.Bach's use of the term "motet" = 19
• Part two：Bach's motets = 31
• 3 Bach's motets and their relation to the genre = 35
• 4 Bach's earlier motets : rethinking authorship and dating = 45
• 5 Bach's later motets : rethinking compositional history = 63
• 6 Chronology, style, and performance practice of Bach's motets = 98
• Part three：motet style in Bach's concerted compositions = 107
• 7 The concept of the motet­like movement = 109
• 8 Motet style in Bach's church cantatas = 112
• 9 Motet style in Bach's Latin works and oratorios = 133
• 10 Bach's use of motet style in concerted works = 151
• Part four：Bach's contact with seventeenth­century German motets = 159
• 11 The history of the Altbachisches Archiv = 161
• 12 J.S.Bach and the Altbachisches Archiv = 178
• 13 Sebastian Kn$$\ddot u$$pfer, "Erforsche mich, Gott" = 189
• Appendix : Original texts of motet definitions cited in this study = 198
• Bibliography = 214
• Index of J.S.Bach's works = 219
• Index of manuscript music sources = 223
• General index = 225